American Beauties

This original publication compiles the finest black-and-white and color illustrations by the artist whose images of healthy, poised, active, and confident women set the standard of American beauty in the early 20th century.

"Photographed by Vogue alumna Claiborne Swanson Frank, American Beauty features over 100 portraits of quintessentially American women such as Lily Aldridge, Solange Knowles, and Jenna Lyons—each of whom possesses an original blend of grit, grace, glamour, and gravitas that echo far beyond the pages of this oversize hardcover."--Publisher description.

A dazzling panorama of women from all walks of life, as American artists and writers have depicted them over the past two centuries.

Portraits of young women reflect the style that made artist Harrison Fisher popular at the turn of the 20th century. More than 30 ready-to-color illustrations depict ladies at play and in repose.

Harrison Fisher 's illustrations in nearly 450 color and black and white magazine covers and book pages document his career. Most famous from 1905 to 1920, he achieved celebrity status and was the leading judge of beauty. Includes price guide by dealer and collector Bruce Magnotti.

Apparel manufacturing in the American South, by virtue of its size, its reliance upon female labor, and its broad geographic scope, is an important but often overlooked industry that connects the disparate concerns of women's history, southern cultural history, and labor history. In Striking Beauties, Michelle Haberland examines its essential features and the varied experiences of its workers during the industry's great expansion from the late 1930s through the demise of its southern branch at the end of the twentieth century. The popular conception of the early twentieth-century South as largely agrarian informs many histories of industry and labor in the United States. But as Haberland demonstrates, the apparel industry became a key part of the southern economy after the Great Depression and a major driver of southern industrialization. The gender and racial composition of the workforce, the growth of trade unions, technology, and capital investment were all powerful forces in apparel's migration south. Yet those same forces also revealed the tensions caused by racial and gender inequities not only in the region but in the nation at large. Striking Beauties places the struggles of working women for racial and economic justice in the larger context of southern history. The role of women as the primary consumers of the family placed them in a critical position to influence the success or failure of boycotts, union label programs and ultimately solidarity.

The Invisible Dragon made a lot of noise for a little book When it was originally published in 1993 it was championed by artists for its forceful call for a reconsideration of beauty—and savaged by more theoretically oriented critics who dismissed the very concept of beauty as naive, igniting a debate that has shown no sign of flagging. With this revised and expanded edition, Hickey is back to fan the flames. More manifesto than polite discussion, more call to action than criticism, The Invisible Dragon aims squarely at the hyper-institutionalism that, in Hickey’s view, denies the real pleasures that draw us to art in the first place. Deploying the artworks of Warhol, Raphael, Caravaggio, and Mapplethorpe and the writings of Ruskin, Shakespeare, Deleuze, and Foucault, Hickey takes on museum culture, arid academicism, sclerotic politics, and more—all in the service of making readers rethink the nature of art. A new introduction provides a context for earlier essays—what Hickey calls his "intellectual temper tantrums." A new essay, "American Beauty," concludes the volume with a historical argument that is a rousing paean to the inherently democratic nature of attention to beauty. Written with a verve that is all too rare in serious criticism, this expanded and refurbished edition of The Invisible Dragon will be sure to captivate a new generation of readers, provoking the passionate reactions that are the hallmark of great criticism.

A field guide to the new American Roots movement, United States of Americana is a vivid, fascinating, and comprehensive survey of how and why young urban Americans are finding inspiration in the cultural traditions of an earlier time in many areas of contemporary life. Compiled by Seattle-based writer, DJ, and entertainer Kurt B. Reighley, United States of Americana explores this vibrant cultural phenomenon—from the music, to the clothing, to the food and drink, to the rebirth of home canning, straight razors, burlesque, and circuses.