Amaza Lee Meredith Imagines Herself Modern

The extraordinary life and work of architect Amaza Lee Meredith, and the role modernism and material culture played in the aspiring Black American middle class of the early twentieth century. Amaza Lee Meredith Imagines Herself Modern tells the captivating story of Amaza Lee Meredith, a Black woman architect, artist, and educator born into the Jim Crow South, whose bold choices in both life and architecture expand our understanding of the Great Migration and the Harlem Renaissance, while revealing the importance of architecture as a force in Black middle-class identity. Through her charismatic protagonist, Jacqueline Taylor derives new insights into the experiences of Black women at the forefront of culture in early twentieth-century America, caught between expectation and ambition, responsibility and desire. Central to Taylor’s argument is that Meredith’s response to modern architecture and art, like those of other Black cultural producers, was not marginal to the modernist project; instead, her work reveals the tensions and inconsistencies in how American modernism has been defined. In this way, the book shines a necessary light on modernism’s complexity, while overturning perceived notions of race and gender in relation to the modernist project and challenging the notion of the white male hero of modern architecture.

An exploration of twentieth-century conceptions of time and their relation to artistic form. In Architectures of Time, Sanford Kwinter offers a critical guide to the modern history of time and to the interplay between the physical sciences and the arts. Tracing the transformation of twentieth-century epistemology to the rise of thermodynamics and statistical mechanics, Kwinter explains how the demise of the concept of absolute time, and of the classical notion of space as a fixed background against which things occur, led to field theory and a physics of the "event." He suggests that the closed, controlled, and mechanical world of physics gave way to the approximate, active, and qualitative world of biology as a model of both scientific and metaphysical explanation. Kwinter examines theory of time and space in Einstein's theories of relativity and shows how these ideas were reflected in the writings of the sculptor Umberto Boccioni, the town planning schema of the Futurist architect Antonio Sant'Elia, the philosophy of Henri Bergson, and the writings of Franz Kafka. He argues that the writings of Boccioni and the visionary architecture of Sant'Elia represent the earliest and most profound deployments of the concepts of field and event. In discussing Kafka's work, he moves away from the thermodynamic model in favor of the closely related one of Bergsonian duree, or virtuality. He argues that Kafka's work manifests a coherent cosmology that can be understood only in relation to the constant temporal flux that underlies it.

Unavailable as a collection until now, these essays document both the intellectual journey of one of the world's leading architects and a critical period in the evolution of architectural thought. Born in Tokyo, educated in Japan and the United States, and principal of an internationally acclaimed architectural practice, celebrated architect Fumihiko Maki brings to his writings on architecture a perspective that is both global and uniquely Japanese. Influenced by post-Bauhaus internationalism, sympathetic to the radical urban architectural vision of Team X, and a participant in the avant-garde movement Metabolism, Maki has been at the forefront of his profession for decades. This collection of essays documents the evolution of architectural modernism and Maki's own fifty-year intellectual journey during a critical period of architectural and urban history. Maki's treatment of his two overarching themes—the contemporary city and modernist architecture—demonstrates strong (and sometimes unexpected) linkages between urban theory and architectural practice. Images and commentary on three of Maki's own works demonstrate the connection between his writing and his designs. Moving through the successive waves of modernism, postmodernism, neomodernism, and other isms, these essays reflect how several generations of architectural thought and expression have been resolved within one career.

“This coffee-table book is the first-ever collection of works devoted to celebrating black models. Fashion devotees will find glorious images of supers such as Iman, Tyra Banks, Naomi Campbell, Joan Smalls, and Adwoa Aboah alongside interviews and personal essays.” —Vogue Filled with revealing essays, interviews, and stunning photographs, Supreme Models pays tribute to black models past and present: from the first to be featured in catalogs and on magazine covers, like Iman, Donyale Luna, and Beverly Johnson, to the supermodels who reigned in the nineties—Tyra Banks, Naomi Campbell, and Veronica Webb. The book also observes the newest generation of models—Adut Akech, Jourdan Dunn, and Joan Smalls—who are shaking up the fashion industry by speaking out about racial prejudice while becoming social media sensations. Written by celebrity fashion stylist and journalist Marcellas Reynolds, Supreme Models features more than 70 women from the last 75 years. Reynolds writes, “I hope that everyone who reads this book learns something about the models included within—and more about the business of fashion and modeling. But what I want most is for Supreme Models to be a source for the little boys, or girls, who like my childhood self, need to see themselves represented in a positive light.” The book, filled with gorgeous photographs of the women, details their most memorable campaigns, covers, editorials, and runway shows. Black models have been influencing fashion and pop culture for decades, reshaping beauty standards and boundaries. Supreme Models is a celebration of their monumental impact.

"Le Corbusier grew up in La Chaux-de-Fonds in Switzerland, a city described by Karl Marx as "one unified watchmaking industry." Among the unifying social structures of La Chaux-de-Fonds was the Loge L'Amitié, the Masonic lodge with its francophone moral, social, and philosophical ideas, including the symbolic iconography of the right angle (rectitude) and the compass (exactitude). Le Corbusier would later describe these as "my guide, my choice" and as his "time-honored ideas, ingrained and deep-rooted in the intellect, like entries from a catechism." Through exhaustive research that challenges long-held beliefs, J.K. Birksted's Le Corbusier and the Occult traces the structure of Le Corbusier's brand of modernist spatial and architectural ideas based on startling new documents in hitherto undiscovered family and local archives."--Publisher.

This book examines Afrofuturism in African American art, focusing specifically on images of black women and how those images expand the discourse of representation in visual culture of the United States. This volume defines a visual language of Afrofuturism that includes materiality, temporality, and black liberation. Elizabeth Hamilton discusses the visual progenitors of Afrofuturism. In the artworks of Pierre Bennu, Sanford Biggers, Alison Saar, Mequitta Ahuja, Robert Pruitt, Renee Cox, Dawolu Jabari Anderson, Alma Thomas, and Harriet Powers, the fantastic narratives of Afrofuturism are uncovered through in-depth case studies. These case studies engage with Afrofuturism as a black feminist visual theory that helps to unburden the images of black women from the stereotypical visual scripts that are so common in contemporary visual culture of the United States. The book will be of interest to scholars working in art history, visual studies, American literature, gender studies, popular culture, and African American studies.

Concerned with the origins and development of the Dymaxion House project as well as Fuller's public persona, the author uses Buckminster Fuller's archives, particularly the multivolume "Chronofile" to construct a history parallel to the accepted sequence of events.

Longstreth explores the early development of two kinds of retail space that have become ubiquitous in the United States in the second half of the twentieth century. Richard Longstreth is one of the few historians to focus on ordinary commercial buildings—buildings usually associated with commercial builders and real estate developers rather than architects and thus generally overlooked by historians of "high" architecture. Here Longstreth explores the early development of two kinds of retail space that have become ubiquitous in the United States in the second half of the twentieth century. One, external, is devoted to the circulation and parking of automobiles on retail premises. Longstreth analyzes the origins of this development in the 1910s and 1920s, with the super service station and then the drive-in market. The other type of space, internal, was introduced soon thereafter with the single-story supermarket. The most innovative aspect of the supermarket was how its interior was designed for high-volume turnover of a large selection of goods with a minimum of staff assistance. Longstreth focuses on Los Angeles, the principal center for the development of both kinds of space, during the period from the mid-1910s to the early 1940s. This richly illustrated study integrates architectural, cultural, economic, and urban factors to describe the evolution of retailing and how it has affected the urban landscape.