Abandoned In The Wasteland

Broadcasters, parents, public officials, and teachers have all abandoned our children to a wasteland of vacuous, often violent television programing. In this eloquent book, Newton Minow and Craig LaMay persuasively demonstrate that this is a false application of the First Amendment. Broadcasters are required by law to serve the public interest, and the Supreme Court and Congress have said that service to children is a broadcaster's obligation under law, they remind us; the First Amendment can be used on behalf of children, to help make television a force that will nurture and not harm them.

Arguing that the First Amendment can be used on behalf of children to make sure television nurtures rather than harms them, a pathbreaking book offers workable ideas for an effective children's policy to limit commercial interests dominating programming today.

Once, there was a little girl named Laura who lived in an abandoned cabin deep in the big woods of what was once Wisconsin. Laura was born many years after the Great Bust. Elsewhere, war and hunger and disease still linger. But Laura and her family live safe in their little house in the wilderness, growing their own food, making their own tools, and scavving their own Supplies. Then, one winter, as refugees from the east begin pouring into the nearby market town, Laura and her family are forced to migrate westward towards the dry, unpopulated flatlands known as the Wastes. On their journey, Laura encounters the marvelous ruins left over from Lectric Times and meets the diverse peoples who inhabit the former domains of the Old Merican Emprie. But there are dangers as well on the long road between the Big Woods and the Wastes, for the wild country in which Laura grew up was one still plagued by warlords, cannibals, and a terrible sickness that turns men into monsters...

Dead. Abandoned. Left behind. The Nashville civic center is a haven for all of these. Lenny and Rebecca have crossed hell and high water to make it to the run down sanctuary, but now what? Food is in short supply and their dwindling water source isn't easily replaced. But something much darker and more treacherous is what forces them to leave the safety of the civic center's brick walls. Along with a small group of survivors, they set off on journey across a wasteland that was once their home. As the clock ticks, Lenny and Rebecca must race against time to have any chance of keeping everyone alive. It's kill or be killed and Lenny is back in his element doing what he does best. Unfortunately, it's gonna take a bit more than survival skills to make it out of this one. ---Escape "It's time to cowboy up!"

Book 1 of the YA apocalyptic Wasteland trilogy. When environmental collapse forces the Job Creators to retreat to sealed domes, those left behind have two choices: fight for survival or perish. For years, seventeen-year-old Alessandro Bonanno has managed to scrape out a living by digging out scrap from derelict buildings. Were it not for his determination to save his seven-year-old brother, Enzo, Alessandro might have chosen the easy way out, as his father has, disappearing down a bottle of cheap liquor. Alessandro’s situation becomes far more precarious and dangerous when the Creators flee, taking all semblance of law and order with them. With no other options, he agrees to work for a crime lord in exchange for protection for himself and his brother. But the deeper the crime lord draws Alessandro into her web, the more he fears he and his brother will never escape. Born seventeen years ago on a Creator’s farming collective, Valeria Lagunes has never known anything other than a life of toil under the relentless sun. Despite what the Creators’ propaganda insists, crop yields are dwindling with each passing year, begging the question of which lives will be prioritized when there isn’t enough food to go around. Yet as terrified as Valeria is of the impending famine, those fears are nothing compared to what her community must face when the Creators abandon them. Suddenly, the people of the collective are no longer just simple farmers. In this new lawless world, they must become warriors in order to defend their own. But can Valeria live with herself when forced to make decisions that go against every conviction she holds most dear?

A discounted bundle of the first three Wasteland Chronicles books. A world-ending meteor. An invasion of monsters. A desperate fight for survival... Alex Keener has lived all of his sixteen years in Bunker 108. He's walked the same metal halls, seen the same faces, has followed the same rules. All that changes when a viral outbreak forces him to flee the safety of his bunker. Outside, he discovers a barren world twisted by the impact of the meteor Ragnarok thirty years ago. Alone, he must wander a brutal landscape, where every breath is a fight for survival. Monsters haunt the planet's surface, and nothing of the old world remains. Can Alex survive this hellish wasteland, or will he become its newest victim?

The entire Wasteland Chronicles series - grab all seven books in a single, discounted package. Alex Keener has lived all of his sixteen years in Bunker 108. He's walked the same metal halls, seen the same faces, has followed the same rules. But all that changes the day he goes on his first recon into the post-apocalyptic Wasteland. Things go from bad to worse when the deadly xenovirus infiltrates the bunker. When what should be dead rises up to attack the living, Alex is forced to flee his lifelong home, never to return. Alone and without survival skills, he must fight for his life in a brutal landscape twisted by the impact of the meteor Ragnarok. Raiders, monsters, and deadly weather all threaten to end his life at a moment's notice. Can Alex survive this hellish wasteland, or will he become its newest victim?

A Fascinating Investigation of Industry’s Modern Ruins and the "Deindustrial Sublime."

The Plant Contract argues that visual and performance art can help change our perception of the vegetal world, and can return us to nature and thought. Via an investigation into the wasteland, robotany, feminist plants, and nature rights, this phytology-love story investigates how contemporary art is mediating the effects of plant-blindness, caused by human disassociation from the natural world. It is also a gesture of respect for the genius of vegetal life, where new science proves plants can learn, communicate, remember, make decisions, and associate. Art is a litmus test for how climate change affects human perception. This book responds to that test by expressing plant-philosophy to a wider public, through an interrogation of plant-art.