A Thousand Times More Fair

“Fascinating....Loaded with perceptive and provocative comments on Shakespeare’s plots, characters, and contemporary analogs.” —Justice John Paul Stevens, Supreme Court of the United States “Kenji Yoshino is the face and the voice of the new civil rights.” —Barbara Ehrenreich, author of Nickled and Dimed A Thousand Times More Fair is a highly inventive and provocative exploration of ethics and the law that uses the plays of William Shakespeare as a prism through which to view the nature of justice in our contemporary lives. Celebrated law professor and author Kenji Yoshino delves into ten of the most important works of the Immortal Bard of Avon, offering prescient and thought-provoking discussions of lawyers, property rights, vengeance (legal and otherwise), and restitution that have tremendous significance to the defining events of our times—from the O.J. Simpson trial to Abu Ghraib. Anyone fascinated by important legal and social issues—as well as fans of Shakespeare-centered bestsellers like Will in the World—will find A Thousand Times More Fair an exceptionally rewarding reading experience.

A provocative exploration of justice in our time through fresh readings of Shakespeare's greatest plays Celebrated legal scholar Kenji Yoshino's first book, Covering, was acclaimed–from the New York Times Book Review to O, The Oprah Magazine to the American Lawyer–for its elegant prose, its good humor, and its brilliant insights into civil rights and discrimination law. Now, in A Thousand Times More Fair, Yoshino turns his attention to the broad question of what makes a fair and just society, and he delves deep into a surprising source to answer it: Shakespeare's greatest plays. An enormously creative and provocative book, A Thousand Times More Fair addresses fundamental questions we ask about our world today: Why is the rule of law better than revenge? How much mercy should we show a wrongdoer? What does it mean to "prove" guilt or innocence? As Yoshino argues, a searching examination of Shakespeare's plays–and the many advocates, judges, criminals, and vigilantes who populate them–can elucidate some of the most troubling issues in contemporary life. With a great ear for Shakespeare and an eye trained steadily on current affairs, Yoshino considers how competing models of judging presented in Measure for Measure resurfaced around the confirmation hearings for Supreme Court Justice Sonia Sotomayor; how the revenge cycle of Titus Andronicus illuminates the "war on terror" and our military engagements in Afghanistan and Iraq; how the white handkerchief in Othello and the black glove in the O. J. Simpson trial reflect forms of proof that overwhelm all other evidence; and how the spectacle of an omnipotent ruler voluntarily surrendering power in The Tempest, as Cincinnatus did before him and George Washington did after him, informs regime change in our own time. A Thousand Times More Fair is an altogether original book about Shakespeare and the law, and an ideal starting point to explore the nature of a just society–and our own.

The Merchant of Venice is best known for its complex and ambiguous portrait of the Jewish moneylender Shylock—and of European anti-Semitism. Fascinating in its engagement with prejudice, the play is also a comedy of cross-dressing and disguise, and a dramatic exploration of justice, mercy, and vengeance. This volume contains the full text of the play with explanatory footnotes and marginal glosses for contemporary readers. An extensive introduction and well-rounded selection of background materials not only illuminate anti-Semitism in early modern England but also provide context for other facets of the play, including its comic plot of love and marriage, its examination of commerce and international trade, and its themes of revenge and the law.

DigiCat Publishing offers you this warm and meticulously edited collection for these stressful times:_x000D_ Romeo & Juliet by William Shakespeare (Play)_x000D_ Romeo & Juliet (Prose Version) _x000D_ Evelina (Fanny Burney)_x000D_ Camilla (Fanny Burney)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Sense and Sensibility (Jane Austen)_x000D_ Mansfield Park (Jane Austen)_x000D_ Emma (Jane Austen)_x000D_ Persuasion (Jane Austen)_x000D_ The Sorrows of Young Werther (Goethe)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ Villette (Charlotte Brontë)_x000D_ Wuthering Heights (Emily Brontë)_x000D_ The Tenant of Wildfell Hall (Anne Brontë)_x000D_ The Red and the Black (Stendhal)_x000D_ Lorna Doone (R.D. Blackmore)_x000D_ Dangerous Liaisons (Pierre Choderlos de Laclos)_x000D_ The Portrait of a Lady (Henry James)_x000D_ The Wings of the Dove (Henry James)_x000D_ Scarlet Letter (Nathaniel Hawthorne)_x000D_ Adam Bede (George Eliot)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ Far from the Madding Crowd (Thomas Hardy)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ North and South (Elizabeth Gaskell)_x000D_ Wives and Daughters (Elizabeth Gaskell)_x000D_ The Age of Innocence (Edith Wharton)_x000D_ Little Women (Louisa May Alcott)_x000D_ An Old-Fashioned Girl (Louisa May Alcott)_x000D_ The Lady of the Camellias (Alexandre Dumas)_x000D_ The House of a Thousand Candles (Meredith Nicholson)_x000D_ Great Expectations (Charles Dickens)_x000D_ The Phantom of the Opera (Gaston Leroux)_x000D_ A Room with a View (E. M. Forster)_x000D_ The Beautiful and Damned (F. Scott Fitzgerald)_x000D_ Jennie Gerhardt (Theodore Dreiser)_x000D_ Ann Veronica (H. G. Wells)_x000D_ The Enchanted Barn (Grace Livingston Hill)_x000D_ The Girl from Montana (Grace Livingston Hill)_x000D_ The Miranda Trilogy (Grace Livingston Hill)_x000D_ Marcia Schuyler _x000D_ Phoebe Deane_x000D_ Miranda_x000D_ The Agony Column (Earl DerrBiggers)_x000D_ The Bride of Lammermoor (Walter Scott)_x000D_ Night and Day (Virginia Woolf)_x000D_ Affairs of State (Burton Egbert Stevenson)_x000D_ Jill the Reckless (P.G. Wodehouse)_x000D_ The Black Moth (Georgette Heyer)_x000D_ The Transformation of Philip Jettan (Georgette Heyer)_x000D_ And Both Were Young (Madeleine L'Engle)_x000D_ Penny Plain (O. Douglas)_x000D_ The Awakening (Kate Chopin)