A Roman Rhapsody

From the acclaimed author of Four Hundred and Forty Steps to the Sea and Under a Sardinian Sky comes a lyrical new novel set against a stunning Italian backdrop. Famed for its natural beauty and rich history, Sardinia in 1968 is notorious, too, for the bandits who kidnap wealthy landowners for ransom. Eleven-year-old Alba Fresu’s brother, and her father, Bruno, are abducted by criminals who mistake Bruno for a rich man. After a grueling journey through the countryside, the two are eventually released—but the experience leaves Alba shaken and unable to readjust to normal life, or to give voice to her inner turmoil. Accompanying her mother to cleaning jobs, Alba visits the villa of an eccentric signora and touches the keys of a piano for the first time. The instrument’s spell is immediate. During secret lessons, forbidden by her mother, Alba is at last able to express emotions too powerful for words alone. Ignoring her parents’ insistence that she work in the family’s car dealership and marry a local boy, Alba accepts a scholarship to the Rome Accademia. There she immerses herself in a vibrant world of art—and a passionate affair. But her path will lead her to a crossroads, where Alba will have to reconcile the past she fled with her longing for love and family to fully convey the music of her heart . . . Praise for Sara Alexander’s Under a Sardinian Sky “Alexander paints a loving and breathtaking picture of the Mediterranean island, especially glorious descriptions of food. For readers who enjoy women’s fiction set against a background of momentous events and clashing cultures.” —Library Journal “Will leave readers riveted until the explosive conclusion.” —Publishers Weekly

Kriminalroman.

The arrival of a letter delayed by 33 years sparks off a quest that leads both on a nostalgic journey back to the 1980s and right to the heart of France today. Middle-aged doctor Alain Massoulier has received a life-changing letter – thirty-three years too late. Lost in the Paris postal system for decades, the letter from Polydor, dated 1983, offers a recording contract to The Holograms, in which Alain played lead guitar. Overcome by nostalgia, Alain is tempted to track down the members of the group. But in a world where everything and everyone has changed...where could his quest possibly take him?

The perfect summer read for fans of Santa Montefiore, Victoria Hislop and Dinah Jeffries

Western classical music has become as Chinese as Peking Opera, and it has woven its way into the hearts and lives of ordinary Chinese people. This lucidly written account traces the biographies of the bold visionaries who carried out this musical merger. Rhapsody in Red is a history of classical music in China that revolves around a common theme: how Western classical music entered China, and how it became Chinese. Chinas oldest orchestra was founded in 1879, two years before the Boston Symphony. Since then, classical music has woven its way into the lives of ordinary Chinese people. Millions of Chinese children take piano and violin lessons every week. Yet, despite the importance of classical music in China -- and of Chinese classical musicians and composers to the world -- next to nothing has been written on this fascinating subject. The authors capture the events with the voice of an insider and the perspective of a Westerner, presenting new information, original research and insights into a topic that has barely been broached elsewhere. The only other significant books touching on this field are Pianos and Politics: Middle Class Ambitions and The Struggle Over Western Music by Richard Kurt Kraus (1989), and Barbara Mittler's Dangerous Tunes - The Politics of Chinese Music. Both target the academic market. Pianos focuses narrowly on the political aspects of the Cultural Revolution and subsequent re-opening. Rhapsody in Red is a far better read and benefits from considerably more research with primary source material in China over the past decade; and it covers classical music in general over all the history of East-West interaction. This book will appeal to a general readership interested in China -- the same readers who made "Wild Swans" a bestseller. It will also appeal to all who are interested in the future of classical music. It could easily be used for college courses on modern China, cultural history and ethnomusicology.

Fantasy-roman.