A Partial History Of Lost Causes

Abandoning her life when her father succumbs to Huntington's disease, Massachusetts native Irina discovers an unanswered letter from her father to an internationally renowned chess champion and political dissident, who she decides to visit in Russia. A first novel.

Science fiction meets murder mystery in this edge-of-your-seat thriller. The Lost Causes are five teens with serious problems and only one thing in common: people have written them off. Now theyêre thrown together in group therapy, with vague promises of healing. Their problems do go away when they drink the water their therapist gives them. But thatês because itês not just water Ä Unknowingly, the teens have ingested a serum that gives them psychic powers, part of an FBI plan to find out who was behind the grisly murder that has rocked their small town. Their new powers will help them uncover clues and follow leads that have eluded the authorities, and their outsider status gives them the perfect cover. But the same traits that make them top investigators also make them vulnerable. As they close in on the murderer, they expose a much larger conspiracy that puts them directly in harmês way and makes them wonder who ã if anyone ã they can trust.

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What if we didn't always historicize when we read Victorian fiction? Lost Causes shows that Victorian writers frequently appear to have a more supple and interesting understanding of the relationship between history, causality, and narrative than the one typically offered by readers who are burdened by the new historicism. As a return to these writers emphasizes, the press of modern historicism deforms Victorian novels, encouraging us to read deviations from strict historical accuracy as ideological bad faith. By contrast, Jason B. Jones argues through readings of works ranging from The French Revolution to Middlemarch that literature's engagement with history has to be read otherwise. Perhaps perversely, Lost Causes suggests simultaneously that psychoanalysis speaks pressingly to the vexed relationship between history and narrative, and that the theory is neither a- nor anti-historical. Through his readings of Victorian fiction addressing the recent past, Jones finds in psychoanalysis not a set of truths, but rather a method for rhetorical reading, ultimately revealing how its troubled account of psychic causality can help us follow literary language's representation of the real. Victorian narratives of the recent past and psychoanalytic interpretation share a fascination with effects that persist despite baffling, inexplicable, or absent causes. In chapters focusing on Thomas Carlyle, Charles Dickens, Charlotte Brontë, and George Eliot, Lost Causes demonstrates that history can carry an ontological, as well as an epistemological, charge--one that suggests a condition of being in the world as well as a way of knowing the world as it really is. From this point of view, Victorian fiction that addresses the recent past is not a failed realism, as it is so frequently claimed, but rather an exploration of possibility in history.

Lost Causes: The Romantic Attraction of Defeated yet Unvanquished Men and Movements, by George and Karen Grant, is a thoughtful look at several causes that captured the hearts of people, survived defeat, and ultimately out-lived their foes.

An American foreign-exchange student arrested for murder. A desperate father determined to win her freedom. The brilliant lawyer tasked with her prosecution. And the sphinx-like young man who happens to be her only alibi. When Lily Hayes arrives in Buenos Aires for her semester abroad, she is enchanted by everything she encounters: the colourful buildings, the street food, the elusive guy next door. Her studious roommate, Katy, is a bit of a bore, but Lily hasn’t come to Argentina to hang out with other Americans. Five weeks later, Katy is found brutally murdered in their shared home, and Lily is the prime suspect. But who is Lily Hayes? It depends on who’s asking. As the case takes shape — revealing deceptions, secrets, and suspicious DNA — Lily appears alternately sinister and guileless through the eyes of those around her. With mordant wit and keen emotional insight, Jennifer duBois delivers a novel of propulsive psychological suspense and rare moral nuance. Cartwheel will keep you guessing until the final page, and its questions about how well we really know one another — and ourselves — will linger well beyond.

Talk show host Matthew Miller has made his fame by shining a spotlight on the most unlikely and bizarre secrets of society, exposing them on live television in front of millions of gawking viewers. However, the man behind The Mattie M Show remains a mystery--both to his enormous audience and to those who work alongside him every day. But when the high school students responsible for a mass shooting are found to be devoted fans, Mattie is thrust into the glare of public scrutiny, seen as the wry, detached herald of a culture going downhill and going way too far. Soon, the secrets of Mattie's past as a brilliant young politician in a crime-ridden New York City begin to push their way to the surface. In her most daring and multidimensional novel yet, Jennifer duBois vividly portrays the heyday of gay liberation in the seventies and the grip of the AIDS crisis in the eighties, alongside a backstage view of nineties television in an age of moral panic. DuBois explores an enigmatic man's downfall through the perspectives of two spectators--Cel, Mattie's skeptical publicist, and Semi, the disillusioned lover from his past. With wit, heart, and crackling intelligence, The Spectators examines the human capacity for reinvention--and forces us to ask ourselves what we choose to look at, and why.

Lost Causes stages a polemical intervention in the discourse that grounds queer civil rights in etiology -- that is, in the cause of homosexuality, whether choice, "recruitment," or biology.

A band of orphan avengers. A cursed stone. A horde of zombie outlaws. This is Keech Blackwood’s new life after Bad Whiskey Nelson descends upon the Home for Lost Causes and burns it to the ground. With his home destroyed and his family lost, Keech will have to use the lessons he learned from Pa Abner to hunt down the powerful Char Stone. Luckily, he has the help of a ragtag team of orphans. Together, they’ll travel through treacherous forests, fight off the risen dead, and discover that they share mysterious bonds as they search for the legendary stone. Now it’s a race against the clock, because if Bad Whiskey finds the stone first...all is lost. But Keech and the other orphans won’t hesitate. Because they’re more than just heroes. They’re Lost Causes. Praise for Legends of the Lost Causes A Junior Library Guild selection "This is a fun and exciting story, written with the utmost respect for the Osage culture." —Wah-Zha-Zhi Cultural Center

Dismissed by the first Spanish explorers as a wasteland, the Grand Canyon lay virtually unnoticed for three centuries until nineteenth- century America rediscovered it and seized it as a national emblem. This extraordinary work of intellectual and environmental history tells two tales of the Canyon: the discovery and exploration of the physical Canyon and the invention and evolution of the cultural Canyon--how we learned to endow it with mythic significance.Acclaimed historian Stephen Pyne examines the major shifts in Western attitudes toward nature, and recounts the achievements of explorers, geologists, artists, and writers, from John Wesley Powell to Wallace Stegner, and how they transformed the Canyon into a fixture of national identity. This groundbreaking book takes us on a completely original journey through the Canyon toward a new understanding of its niche in the American psyche, a journey that mirrors the making of the nation itself.