A Companion To Marie De France

"Marie de France is the author of some of the most important and influential works of the French Middle Ages: the Lais, her best-known work, the Ysopë (a translation from the Aesopic tradition), and the Espurgatoire seint Patriz (St Patrick's Purgatory). Taking Marie less as a biographical subject than as author of these three texts, this Companion rethinks standard questions of interpretation through a variety of perspectives that highlight both the unity of Marie's oeuvre and the distinctiveness of the individual works attributed to her name."--Page 4 of cover.

Presenting traditional views alongside new critical approaches, the chapters in this book present fresh perspectives on the poetics of the 12th-century author, Marie de France, the first woman of letters to write in French.

The Cambridge Companion to Medieval Women's Writing seeks to recover the lives and particular experiences of medieval women by concentrating on various kinds of texts: the texts they wrote themselves as well as texts that attempted to shape, limit, or expand their lives. The first section investigates the roles traditionally assigned to medieval women (as virgins, widows, and wives); it also considers female childhood and relations between women. The second section explores social spaces, including textuality itself: for every surviving medieval manuscript bespeaks collaborative effort. It considers women as authors, as anchoresses 'dead to the world', and as preachers and teachers in the world staking claims to authority without entering a pulpit. The final section considers the lives and writings of remarkable women, including Marie de France, Heloise, Joan of Arc, Julian of Norwich, Margery Kempe, and female lyricists and romancers whose names are lost, but whose texts survive.

Though little is known about Marie de France, her work changed romantic writing forever. "The Lais of Marie de France" challenged social norms and the views of the church during the twelfth century concerning both love and the role of women. She wrote within a court unknown to scholars, in a form of Anglo-Norman French. Inspired by the Greeks and Romans long before her, Marie de France sought to write something not only morally instructive, but memorable, leaving an indelible imprint on the reader's memory. In her "Lais", Marie de France confronts the issue of love as a topic of suffering and misery, fraught with infidelity. What was revolutionary about this, however, was the fact that the infidelity she addressed was committed by women, and in some circumstances condoned. This challenged the submissive role of women in her time, and illustrated them with a sense of power and free will. Her condensed yet powerful imagery remains timeless, still relevant and evocative to modern day readers. This edition follows the translation of Eugene Mason and is printed on premium acid-free paper.

The leading edition of the work of the earliest known French woman poet—the subject of Lauren Groff’s bestselling novel Matrix Marie de France (fl. late twelfth century) is the earliest known French woman poet and her lais—stories in verse based on Breton tales of chivalry and romance—are among the finest of the genre. Recounting the trials and tribulations of lovers, the lais inhabit a powerfully realized world where very real human protagonists act out their lives against fairy-tale elements of magical beings, potions and beasts. De France takes a subtle and complex view of courtly love, whether telling the story of the knight who betrays his fairy mistress or describing the noblewoman who embroiders her sad tale on the shroud for a nightingale killed by a jealous and suspicious husband. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

What have a deaf nun, the mother of the first baby born to Europeans in North America, and a condemned heretic to do with one another? They are among the virtuous virgins, marvelous maidens, and fierce feminists of the Middle Ages who trail-blazed paths for women today. Without those first courageous souls who worked in fields dominated by men, women might not have the presence they currently do in professions such as education, the law, and literature. Focusing on women from Western Europe between c. 300 and 1500 CE in the medieval period and richly carpeted with detail, A Medieval Woman’s Companion offers a wealth of information about real medieval women who are now considered vital for understanding the Middle Ages in a full and nuanced way. Short biographies of 20 medieval women illustrate how they have anticipated and shaped current concerns, including access to education; creative emotional outlets such as art, theater, romantic fiction, and music; marriage and marital rights; fertility, pregnancy, childbirth, contraception and gynecology; sex trafficking and sexual violence; the balance of work and family; faith; and disability. Their legacy abides until today in attitudes to contemporary women that have their roots in the medieval period. The final chapter suggests how 20th and 21st century feminist and gender theories can be applied to and complicated by medieval women's lives and writings. Doubly marginalized due to gender and the remoteness of the time period, medieval women’s accomplishments are acknowledged and presented in a way that readers can appreciate and find inspiring. Ideal for high school and college classroom use in courses ranging from history and literature to women's and gender studies, an accompanying website with educational links, images, downloadable curriculum guide, and interactive blog will be made available at the time of publication.

Bawdier than "The Canterbury Tales, " this is the first major English translation of the most scandalous and irreverent poetry in Western literature. Contains 69 poems with a parallel Old French text.

Marie de France (fl. late twelfth century) is the earliest known French woman poet and her lais - stories in verse based on Breton tales of chivalry and romance - are among the finest of the genre. Recounting the trials and tribulations of lovers, the lais inhabit a powerfully realized world where very real human protagonists act out their lives against fairy-tale elements of magical beings, potions and beasts. De France takes a subtle and complex view of courtly love, whether telling the story of the knight who betrays his fairy mistress or describing the noblewoman who embroiders her sad tale on the shroud for a nightingale killed by a jealous and suspicious husband.

Preserved in a single manuscript in the British library, the Life of Saint Audrey or Vie Seinte Audree is the story of an Anglo-Saxon princess, who, though twice married, remains a virgin until her death. Her tale reveals that spiritual marriage was not an easy path to sainthood, particularly with an unwilling husband. The text is a fine example of what some critics have called a hagiographical romance--a saint's life that borrows many characteristics from secular romance. Recent scholarship, thoroughly discussed in this book's introduction, suggests that the Vie Seinte Audree is a fourth text by Marie de France, to whom the Fables, the Lais, and the Espurgatoire Seint Patriz have been attributed. Written in the late twelfth or early thirteenth century, the Vie Seinte Audree is published here for the first time in English, along with the Old French text. The editors of this new edition provide helpful material on the life of the historical Saint Etheldreda (as St. Audrey is called in Latin) and her Anglo-Saxon world. They also discuss women's writing in Anglo-Norman England as well as the subject of spiritual marriage. In addition, they examine secondary sources that have focused on the Vie Seinte Audree. A map of seventh-century England, a table of proper names and a genealogical chart of the Royal Lineage of Saint Audrey are all included.

A new exploration of the complexities and resolutions at play in the writings of Marguerite de Navarre, offering insights into how her work reflected the turbulence, uncertainties, and assurances of her historical period. Marguerite de Navarre was a Renaissance princess, diplomat, and mystical poet. She is arguably best known for The Heptameron, an answer to Boccaccio's Decameron, a brilliant and open-ended collection of short stories told by a group of men and women stranded in a monastery. The stories explore love, desire, male and female honour, individual salvation, and the iniquity of Franciscan monks, while the discussions between the storytellers enact and embody the tensions, ideologies, and prejudices underlying the stories. Marguerite herself was deeply involved in the debates and conflicts of her time. Her work reflects the turbulence, uncertainties, and assurances of her historical period, as the Renaissance re-imagined the past and the Reformation re-made the church, and represents her original and sometimes provocative position on these questions. This book presents The Heptameron and its investigations into gender relations, the nature of love, and the nature of religious faith in the context of the intellectual, religious, and political questions of the sixteenth century, setting it alongside Marguerite's other writings: her poetry, plays, and diplomatic letters. In chapters on communities, religion, politics, gender relationships, desire, and literary technique, it explores the complexities and resolutions of Marguerite's writing and her world. It aims to offer a guide to the critical tradition on Marguerite's work along with new readings of her texts, revealing both the historical specificity of her writing and its continuing relevance.