Zuleika In Cambridge

Derived from the parent Guide to Literature in English, this volume offers in concise form over 4,000 entries on literature in English from cultures throughout the world. Writers and major works from the UK and the USA are represented, as are those from Canada, the Caribbean, Australia, India, and Africa. The coverage is broad - from the classics of English literature to the best of modern writing. Additionally, the Guide has a wealth of entries on literary movements, groups or schools in literature and criticism, literary magazines, genres and sub-genres, critical concepts, and rhetorical terms.

Zuleika Dobson, or, an Oxford love story, is the only novel by English essayist Max Beerbohm, a satire of undergraduate life at Oxford published in 1911. It includes the famous line "Death cancels all engagements" and presents a corrosive view of Edwardian Oxford. The all-male campus of Oxford—Beerbohm’s alma mater—is a place where aesthetics holds sway above all else, and where witty intellectuals reign. Things haven’t changed for its privileged student body for years . . . until the beguiling music-hall prestidigitator Zuleika Dobson shows up. The book’s marvelous prose dances along the line between reality and the absurd as students and dons alike fall at Zuleika’s feet, and she cuts a wide swath across the campus—until she encounters one young aristocrat for whom she is astonished to find she has feelings. As Zuleika, and her creator, zero in on their targets, the book takes some surprising and dark twists on its way to a truly startling ending—an ending so striking that readers will understand why Virginia Woolf said that “Mr. Beerbohm in his way is perfect.” In 1998, the Modern Library ranked Zuleika Dobson 59th on its list of the 100 best English-language novels of the 20th century.

TURN-OF-THE-CENTURY EXTREME SPORT The distant towers of the Great, New and Cloister Courts looming against the dark sky, lit by the flickering lamps far below; the gradations of light and shadow, marked by an occasional moving black speck seemingly in another world; the sheer wall descending into darkness at his side, above which he has been half-suspended on his long ascent; the almost invisible barrier that the battlements from which he started seem to make to his terminating in the Cloisters if his arm slips; all contribute to making this deservedly esteemed the finest view point in the College Alps. By turns sage and foolhardy, the advice contained within represents the cumulative experience of three inquisitive, ambitious and daring men - the authors of the three editions of The Roof-Climber's Guide to Trinity - and their accomplices. Geoffrey Winthrop-Young, John Hurst andRichard Williams were each their generations' luminaries in an historic sport, now known as Night Climbing; one by its very nature sparsely populated and largely anonymous. THE ORIGINAL NIGHT CLIMBING CLASSIC This Omnibus Edition contains the full texts and images from each of those editions, as well as the appendices to the First Edition, and features a special introduction by Richard Williams, author of the Third Edition, in which he details the collected wisdom and history of Night Climbing, andfinally removes the cloak of anonymity that has until now protected the identities of those first intrepid nocturnal explorers. Although many may baulk at the methods described in the narrative, few could question the diligence spent obtaining that content, or deny the impeccable locution and erudition displayed in presenting the illicit achievements in this cult classic. As the Guide itself posits, its existence will have been justified if it has succeeded in providing the young stegophilist making his first night venture upon the Trinity Roofs with a clue, however poor, to the creditable unravelling of their somewhat complex mazes. OTHER UNMISSABLE NIGHT CLIMBING TITLES FROM OLEANDER: The Bible of All Climbing Disciplines - The Night Climbers of Cambridge by Whipplesnaith Cut and Paste 9781909349551 to search)

This collection draws broadly on decolonial studies, postcolonial feminist scholarship, and identity studies to present autoethnographies written by female scholars who migrated from Latin America to universities in the Global North and vice versa. Contributors examine how gender, race, and place/displacement have impacted their social identities.