Zhou Mis Record Of Clouds And Mist Passing Before Ones Eyes

Subject of this book is the social and cultural history of Chinese art collecting during the early years of Mongol rule in China (the Yuan dynasty, 1276-1368). At the core of Weitz’s book is a complete translation of the Record of Clouds and Mist Passing Before One’s Eyes (Yunyan guoyan lu), an art catalog written by the Song dynasty loyalist Zhou Mi (1232-1298). This text contains detailed records of more than forty private art collections that the author saw in Hangzhou between 1275 and 1296. The careful annotations, scholarly introduction, and well-researched appendices help to broaden our understanding of the early care and transmission of artworks, the social dimensions of art collecting, and the development of a multi-ethnic society in Yuan China.

Zhao Mengfu has enormous significance for Chinese art history. This work presents a new, synthetic portrait of the artist's development from the 1280s to his death in 1322, and evaluates his pivotal role in the social-political context in Yuan China as well as the development of the artist's self-consciousness. Shane McCausland's study features detailed interpretations of pictorial forms in light of historical changes, and close readings of critical colophons, many of whic are appended to artworks but neglected as visual sources. These readings are meant to stimulate visual analysis of the oeuvre as well as debate about the use of Tang (618-907) and other period modes as models for the 'Yuan renaissance.' The book challenges stereotypes portraying Zhao Mengfu as a traitor or careerist. The historical background of dynastic change and Mongol rule is treated in a revisionist manner that aims to contextualize the traditional Chinese hostility towards Zhao Mengfu as a Yuan scholar-official. The concern here is for his development, in the context of Mongol rule, as a Chinese scholar-artist. This book will be a must for scholars, curators, and other specialists in Chinese painting and calligraphy, especially those focusing on Yuan dynasty and literati painting. Shane McCauslandis a lecturer in the history of Chinese art in the Department of Art and Archaeology at SOAS, University of London.

List of members in each volume.

Previous translations and descriptions of Li Qingzhao are molded by an image of her as lonely wife and bereft widow formed by centuries of manipulation of her work and legacy by scholars and critics (all of them male) to fit their idea of a what a talented woman writer would sound like. The true voice of Li Qingzhao is very different. A new translation and presentation of her is needed to appreciate her genius and to account for the sense that Chinese readers have always had, despite what scholars and critics were saying, about the boldness and originality of her work. The introduction will lay out the problems of critical refashioning and conventionalization of her carried out in the centuries after her death, thus preparing the reader for a new reading. Her songs and poetry will then be presented in a way that breaks free of a narrow autobiographical reading of them, distinguishes between reliable and unreliable attributions, and also shows the great range of her talent by including important prose pieces and seldom read poems. In this way, the standard image of Li Qingzhao, exemplied by a handful of her best known and largely misunderstood works, will be challenged and replaced by a new understanding. The volume will present a literary portrait of Li Qingzhao radically unlike the one in conventional anthologies and literary histories, allowing English readers for the first time to appreciate her distinctiveness as a writer and to properly gauge her achievement as a female alternative, as poet and essayist, to the male literary culture of her day.

Winner of the 2023 PEN Translation Prize Winner of the 2023 NSW Premier’s Translation Prize An eerie, alienating, yet comic and profoundly sympathetic short story collection about Americans in America by one of Indonesia’s most prominent writers, now in an English translation for its fortieth anniversary, with a foreword by Intan Paramaditha A Penguin Classic In these seven stories of People from Bloomington, our peculiar narrators find themselves in the most peculiar of circumstances and encounter the most peculiar of people. Set in Bloomington, Indiana, where the author lived as a graduate student in the 1970s, this is far from the idyllic portrait of small-town America. Rather, sectioned into apartment units and rented rooms, and gridded by long empty streets and distances traversable only by car, it’s a place where the solitary can all too easily remain solitary; where people can at once be obsessively curious about others, yet fail to form genuine connections with anyone. The characters feel their loneliness acutely and yet deliberately estrange others. Budi Darma paints a realist world portrayed through an absurdist frame, morbid and funny at the same time. For decades, Budi Darma has influenced and inspired many writers, artists, filmmakers, and readers in Indonesia, yet his stories transcend time and place. With The People from Bloomington, Budi Darma draws us to a universality recognized by readers around the world—the cruelty of life and the difficulties that people face in relating to one another while negotiating their own identities. The stories are not about “strangeness” in the sense of culture, race, and nationality. Instead, they are a statement about how everyone, regardless of nationality or race, is strange, and subject to the same tortures, suspicions, yearnings, and peculiarities of the mind.

If you have not encountered Chuang Tzu before, prepare yourself for a treat. He was the sage who stood apart from all others in Chinese history. He was a unique presence, a great mind like no one before or since. Chuang Tzu quickly distinguished himself and became well known for his deep understanding and sense of humor. His mastery was such that he could explain the Tao with simple stories, and his humor was such that he could see the joy in ordinary things. He taught his students about “carefree wandering”—the path of moving through life with a free and happy heart, regardless of how turbulent the journey might be. It is time for modern readers to join in on the fun. Chuang Tzu’s wisdom is not just for Eastern culture, but for all of humanity. We may not have the instability or the clash of massive armies indicative of Chuang Tzu’s time, but we have a lot of stress and tension in our modern world. Many of us find ourselves fighting little battles on the personal front just to get through the day. We can benefit greatly from Chuang Tzu’s teachings. These parables are presented throughout this book and juxtaposed with the charming and intelligent prose of modern-day Taoist teacher and author Derek Lin. Together, Chuang Tzu and Lin will present you with simple lessons that will have a lasting impact on your life.

A collection of women's sexual fantasies from women around the world, Want is a revelatory, sensational and game-changing exploration of women's sexuality that asks, and answers: How do women feel about sex when they have the freedom to be totally anonymous? What do you want when no one is watching? Who do you fantasize about when the lights are off? When you think about sex, what do you really want? When we talk about sex, we talk about womanhood and motherhood, infidelity and exploitation, consent and respect, fairness and egalitarianism, love and hate, pleasure and pain. And yet so many of us don't talk about it at all. In this groundbreaking book, Gillian Anderson collects and introduces the anonymous sexual fantasies of hundreds of women from around the world (along with her own anonymous fantasy). The fantasies are extraordinary: they are full of desire, fear, intimacy, shame, satisfaction and, ultimately, liberation. From fantasising about someone off-limits to conjuring a scene with multiple partners, from sex that is gentle and tender to passionate and playful, from women who have never had sex to women who have had more sex than they can remember, these letters provide a window into the most secret part of our minds. Want reveals how women feel about sex when they have the freedom to be totally themselves.

Red Pine's translation of this most revered of Chinese texts breathes new life into the poems and corrects errors in previous interpretations. (Philosophy)

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