Yves Klein Painted Everything Blue And Wasnt Sorry

A clever, quirky read-aloud biography of a leading modern artist, for kids Artist Yves Klein always thought about how he could surprise his audience. One day, he decided that he would only paint in one color - blue. He painted canvases, globes, branches, gallery floors, and even covered people in blue paint. Klein's story is told here with wit and eccentricity, perfectly paired with black-line illustrations and blue splashes galore. Fausto Gilberti brings movement, life, and whimsy to the true life story of one of the most important modern French artists of our time.

A clever, quirky biography of a leading contemporary artist, for children Banksy is a world-famous graffiti artist who secretly spray paints pictures on streets and walls while no one is watching! His works are often about politics, war, and other important things, but he also likes to paint rats. Rats scurry around and hide, often creating a bit of a stir, just like he does! Millions of people know his work but no one really knows who Bansky is -- his true identity is a secret. Fausto Gilberti brings life, intrigue, and whimsy to the mysterious story of one of the most important contemporary artists of our time. Ages 4-7

A clever, charmingly quirky portrayal of painter Jackson Pollock – and the first in a series of picture-book biographies of contemporary artists Jackson Pollock was unlike any other painter. Instead of sitting in front of an easel with brushes, he poured paint over canvases rolled-out across the floor, moving, splashing, and making the vivid liquid run with energy and rhythm. Pollock’s story is told here with wit and eccentricity, perfectly paired with black-line illustrations – and splatters galore. Fausto Gilberti brings movement, life, and whimsy to the true life story of one of the most important contemporary artists of our time.

Yayoi Kusama dreamed of becoming a famous artist. Day and night she painted hundreds and hundreds of dots onto large canvases. The dots soon came off her pictures and ended up on her dresses, tables, and walls. But she wasn't sorry! An inspiring story about one of the most popular contemporary artists in the world.

Yves Klein is one of the most extraordinary and influential figures in post-war avant-garde art. In less than a decade - up until his untimely death in 1962 - he forged a career and built up a body of work that together have influenced and inspired contemporaries and subsequent generations of artists worldwide. Klein sought in his art to liberate the senses, to heighten our sensibility and to intensify our experience of life. In this comprehensive review of his art and ideas, Sidra Stich examines the full range of his diverse creative output - his paintings and sculptures, installations, meticulously documented performances, his copious writings, and his proposals and drawings for visionary projects - and sets them within the context of the art of the time to assess Klein's originality and his legacy.

From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums. Finalist for the 2002 National Book Critics Circle Award.

"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.

Suppose I were to begin by saying that I had fallen in love with a color . . . A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.

A fiftyish graphic designer forced into retirement discovers, via a parade of unlikely events, that it may still be a lovely day in the neighborhood, by "the master of the low-key epiphany." (The New Yorker). Wallace Webster lives alone in Kemah, Texas at Forgetful Bay, a condo development where residents are passing away at an alarming rate. As he monitors events in the neighborhood, Wallace keeps in touch with his ex-wife, his grown daughter, a former coworker for whom he has much averted eyes, and a somewhat exotic resident with whom he commences an off-beat affair. He sifts through the curious accidents that plague his neighbors, all the while reflecting on his past and shortening future. Required to reflect upon his own mortality, he wonders if "settling for" something less than he aspired to is a kind of cowardice, or just good sense. Beneath the arresting repartee and the ever-present and often satisfying banality of our modern lives -- from Google searches to real life mysteries on TV -- lies Frederick Barthelme's affection for and curiosity about our human condition. There Must be Some Mistake is warm and wry, beautifully written, and completely irresistible.

During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.