Young America And Australian Gold

This fascinating study examines the meteoric career of a vigorous intellectual movement rising out of the Age of Jackson. As Americans argued over their destiny in the decades preceding the Civil War, an outspoken new generation of "ultra-democratic" writers entered the fray, staking out positions on politics, literature, art, and any other territory they could annex. They called themselves Young America--and they proclaimed a "Manifest Destiny" to push back frontiers in every category of achievement. Their swagger found a natural home in New York City, already bursting at the seams and ready to take on the world. Young America's mouthpiece was the Democratic Review, a highly influential magazine funded by the Democratic Party and edited by the brash and charismatic John O'Sullivan. The Review offered a fresh voice in political journalism, and sponsored young writers like Hawthorne and Whitman early in their careers. Melville, too, was influenced by Young America, and provided a running commentary on its many excesses. Despite brilliant promise, the movement fell apart in the 1850s, leaving its original leaders troubled over the darker destiny they had ushered in. Their ambitious generation had failed to rewrite history as promised. Instead, their perpetual agitation helped set the stage for the Civil War. Young America: The Flowering of Democracy in New York City is without question the most complete examination of this captivating and original movement. It also provides the first published biography of its leader, John O'Sullivan, one of America's great rhetoricians. Edward L. Widmer enriches his unique volume by offering a new theory of Manifest Destiny as part of a broader movement of intellectual expansion in nineteenth-century America.

"The brave independence of the 'roaring days', the camaraderie of the gold fields, jolly diggers on a spree - these are the images that have come down to us of the gold era of the 1850s in Australia and California. But these images were largely shaped decades later, by writers such as Henry Lawson and Bret Harte - they speak of later nostalgia rather than the experience of the time." "In this study of the contemporary response to the discoveries of gold in Victoria and California, David Goodman argues that people at the time were apprehensive about gold rushing, and the kind of society it seemed to prefigure. In the chaos of the gold rushes, individual self-interest seemed to be all that could motivate people to any exertion. And it was only the economic rationalists of the day - those who believed in political economy and its promise, that out of the confusion of individual self-interest would come some sort of social order - who could wholeheartedly endorse the gold rushes as events." "This is a history of the ways people talked about gold. As the first full-length cultural history of the gold rushes on two continents, it examines the meanings of gold at the time, and the narratives which were told about social disruption. It locates the deeper underlying themes in the response to gold. It also looks at the ways in which the dominant later memories of gold were shaped. And it is about national differences, about the construction of distinctive national cultures out of materials common to the British world. This book should be read not only by Australian and American historians but by anyone with an interest in the cultural history of modernity."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Gold was discovered in Australia in 1851, and within a year the infant colony was transformed from a sump for convicts to a Land of Opportunity. Robyn Annear's lively history describes in detail life on the diggings: the mud of winter and dust of summer, the pluckiness of the women and children, the grog shanties, the flies, the mania of mining, the despair and the delirium, and the much hated licensing system which was to culminate in the Eureka Stockade. 'Robyn Annear tells the story of the 1852 gold rushes in imaginative detail ... she tells us how it felt to be there. You find yourself worrying about the problems long ago resolved, sharply aware of the gold diggers' hopes and ordeals, diverted by the high comedy of a chaotic life. Like all good narratives, it looks easy because it is so easily read and enjoyed ... She makes a mosaic out of small moments of experience ... The physical realities of the diggings are evoked, with all the ingenious ways of managing tent space, cooking, guarding gold, finding feed for horses, keeping off wind and rain, ants and mice.' Brenda Niall Robyn Annear was born in Melbourne in 1960. She spends her time writing and researching, typing for other people and looking after her family. She is also a part-time bookseller and President of the Friends of the Castlemaine Library. 'History from the inside; wonderfully entertaining.' Age 'A welcome addition to Australian history, pointing to badly needed ways in which history can be made more reader-friendly.' Quadrant

'A rollicking good yarn about a national icon... well worth the journey.' Herald Sun In 1853, a young American arrived in the new colony of Victoria hoping to make his fortune from the world's greatest gold rush. He soon realised where the real money was to be made, and established a coach company that would eventually carry his name onto every household in the land: Cobb & Co. But Freeman Cobb himself was long gone by the time the company bearing his name became an Australian legend. Wild Ride is the story of the two extraordinary men, James Rutherford and Frank Whitney, who along with their business partners took Freeman Cobb's humble company and made it into an Australian legend. These were pioneers, carving a path through otherwise impassable terrain, settling unsettled land, enduring bushrangers and terrible accidents, and making their fortunes. The Rutherford and Whitney families became two of the most significant of their era, unrivalled in their influence and, finally, vicious in their falling out. Written with unprecedented access to these families' letters and diaries, Wild Ride reveals the Cobb & Co story in all its drama, conflict and tragedy. It is the compelling and human story of Australia's first great company and the people who made it an icon. 'A lively, popular history with broad appeal, Wild Ride is full of colourful detail and anecdotes.' The Age

Assembled from hundreds of original documents, including intimate shipboard journals kept by Shenandoah officers, Sea of Gray is a masterful narrative of men at sea The sleek, 222-foot, black auxiliary steamer Sea King left London on October 8, 1864, ostensibly bound for Bombay. The subterfuge was ended off the shores of Madeira, where the ship was outfitted for war. The newly christened CSS Shenandoah then commenced the last, most quixotic sea story of the Civil War: the 58,000-mile, around-the-world cruise of the Confederacy's second most successful commerce raider. Before its voyage was over, thirty-two Union merchant and whaling ships and their cargoes would be destroyed. But it was only after ship and crew embarked on the last leg of their journey that the excursion took its most fearful turn. Four months after the Civil War was over, the Shenandoah's Captain Waddell finally learned he was, and had been, fighting without cause or state. In the eyes of the world, he had gone from being an enemy combatant to being a pirate—a hangable offense. Now fearing capture and mutiny, with supplies quickly dwindling, Waddell elected to camouflage the ship, circumnavigate the globe, and attempt to surrender on English soil. "A superb account of how the Confederate raider Shenandoah brought the American Civil War to the farthest reaches of the world." -- Nathaniel Philbrick, author of Mayflower and Sea of Glory