Yoranivyoto

What keeps and attractive academic tied to the memory of a man she marries when he is about to die? What do people who have been jailed without trial have to say to one another and to posterity? What do they really long for as they languish in detention? What is love? How does it survive persecution? Has the last word been written about Dr Banda? What really brought him to power and how did he manage to wield it for so long? In this, his first novel, the poet Felix Mnthali tries to answer some of these questions asked here. He also gives us brief vignettes of his own life as well as sketches of the history of his beloved country of Malawi. ...constructed in a fascinating way, like a musical symphony, one tune leading into another, merging and accumulating a harmony or discord to form a satisfying whole, it certainly stands the 'test' of a literary work. Literature succeeds better than history in bringing to life the reality of that history. [Pat Bryden]

Columbia's guides to postwar African literature paint a unique portrait of the continent's rich and diverse literary traditions. This volume examines the rapid rise and growth of modern literature in the three postcolonial nations of Zimbabwe, Malawi, and Zambia. It tracks the multiple political and economic pressures that have shaped Central African writing since the end of World War II and reveals its authors' heroic efforts to keep their literary traditions alive in the face of extreme poverty and AIDS. Adrian Roscoe begins with a list of key political events. Since writers were composing within both colonial and postcolonial contexts, he pays particular attention to the nature of British colonialism, especially theories regarding its provenance and motivation. Roscoe discusses such historical figures as David Livingstone, Cecil Rhodes, and Sir Harry Johnston, as well as modern power players, including Robert Mugabe, Kenneth Kaunda, and Kamuzu Banda. He also addresses efforts to create a literary-historical record from an African perspective, an account that challenges white historiographies in which the colonized was neither agent nor informer. A comprehensive alphabetical guide profiles both established and emerging authors and further illustrates issues raised in the introduction. Roscoe then concludes with a detailed bibliography recommending additional reading and sources. At the close of World War II the people of Central Africa found themselves mired in imperial fatigue and broken promises of freedom. This fueled a desire for liberation and a major surge in literary production, and in this illuminating guide Roscoe details the campaigns for social justice and political integrity, for education and economic empowerment, and for gender equity, participatory democracy, rural development, and environmental care that characterized this exciting period of development.

In literature the ambiguous portraiture of female characters by some male writers and the phallic nature of men's writings have proved a matter of concern to female writers in Africa. For decades within African writing the issue of silencing was interrogated particularly as it addressed the muting and marginalisation of black women by male writers through the script of patriarchy which men follow. In this series we continue the literary and dramatic tradition of feminist concern for womens issues and we review novels, plays and poetry which demonstrate a commitment to exploring the challenges facing modern women in changing times and excerpting the issues of gender, feminism, identity, race, history, national and international politics specifically as they affect women. Female Subjectivities collectively answers the need to question and adumbrate the possibilities of literary revisions, showing what it would mean to revise even the Feminist psychoanalyst in a discourse on the subjectivity of women of colour.

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.

This is a general survey of writers from Malawi and the books they have written. The book is also a general introduction to Malawi as a country and as a nation.

Africa in Narratives illuminates or proves, against the backdrop of attitudes toward nations deemed 'ethnic' or 'minorities', that literature in Africa can live up to the challenge of aesthetic imagination to form an active, refreshing part of world cultural discourse. African countries have evolved imaginatively beyond their present ephemeral stages of social and political turmoil not to talk of intellectual imitations of western thought, nation literatures should be subject to the imperative of a continental cooperation.

Reading Contemporary African Literature brings together scholarship on, critical debates about, and examples of reading African literature in all genres – poetry, fiction, and drama including popular culture. The anthology offers studies of African literature from interdisciplinary perspectives that employ sociological, historical, and ethnographic besides literary analysis of the literatures. It has assembled critical and researched essays on a range of topics, theoretical and empirical, by renowned critics and theorists of African literature that evaluate and provide examples of reading African literature that should be of interest to academics, researchers, and students of African literature, culture, and history amongst other subjects. Some of the essays examine authors that have received little or no attention to date in books on recent African literature. These essays provide new insights and scholarship that should broaden and deepen our understanding and appreciation of African literature.

This work looks at some African writers, including those who are not well-known, to show the potential and diversity in the works produced by Africans. Included is a profile of Chinua Achebe and commentaries on his works soon after he passed away.