Yesterday Once More

With a string of number-one hits showcasing Karen Carpenter's warm and distinctive vocals and Richard Carpenter's sophisticated compositions and arrangements, the Carpenters were responsible for some of the most popular music of the 1970s, and this compendium collects more than 50 articles, interviews, essays, reviews, and reassessments that chronicle the lives and career of this brother-sister musical team. Writings from pop journalists and historians such as Daniel J. Levitin, John Tobler, Digby Diehl, Ray Coleman, Robert Hilburn, and Lester Bangs provide insight into the music and personalities of the duo who produced such timeless pop music. From serious musical analyses of the Carpenters' arrangements to lighter pieces in which Karen and Richard discuss dating, cars, and high school, this new edition has been revised and expanded to include nearly a dozen additional pieces, some of which have never been published.

A New York Times Bestseller -- Three years ago, Julie Houser fled from Wichita, Kansas, before her wedding. Julie had felt incapable of entering her husband- to- be's world-- or impressing his society dragon of a mother. But Julie had been unable to forget the love they'd shared, so she decided to return and convince him that true love was too precious to leave behind. The most difficult decision Julie had ever made was to leave Kansas. The second hardest was to go back.

Introduction by Richard Carpenter The definitive biography of one of the most enduring and endeared recording artists in history—the Carpenters—is told for the first time from the perspective of Richard Carpenter, through more than 100 hours of exclusive interviews and some 200 photographs from Richard's personal archive, many never published. After becoming multimillion-selling, Grammy-winning superstars with their 1970 breakthrough hit "(They Long to Be) Close to You," Richard and Karen Carpenter would win over millions of fans worldwide with a record-breaking string of hits including "We've Only Just Begun," "Top of the World," and "Yesterday Once More." By 1975, success was taking its toll. Years of jam-packed work schedules, including hundreds of concert engagements, proved to be just too much for the Carpenters to keep the hits coming—and, ultimately, to keep the music playing at all. However, Richard and Karen never took their adoring public, or each other, for granted. In Carpenters: The Musical Legacy, Richard Carpenter tells his story for the first time. With candor, heart, and humor, he sheds new light on the Carpenters' trials and triumphs—work that remains the gold standard for melodic pop. This beautifully illustrated definitive biography, with exclusive interviews and never-before-seen photographs, is a must-have for any Carpenters fan.

Karen Carpenter was the instantly recognisable lead singer of the Carpenters. The top-selling American musical act of the 1970s, they delivered the love songs that defined a generation. Karen's velvety voice on a string of 16 consecutive Top 20 hits from 1970 to 1976 – including Close to You, We've Only Just Begun, Rainy Days and Mondays, Superstar, and Hurting Each Other – propelled the duo to worldwide stardom and record sales of over 100 million. Karen's musical career was short – only 13 years. During that time, the Carpenters released 10 studio albums, toured more than 200 days a year, taped five television specials, and won three Grammys and an American Music Award. But that's only part of Karen's story. As the world received news of her death at 32 years of age in 1983, she became the proverbial poster child for anorexia nervosa. Little Girl Blue is an intimate profile of Karen Carpenter, a girl from a modest Connecticut upbringing who became a Superstar. Based on exclusive interviews with nearly 100 friends and associates, including record producers, studio musicians, songwriters, television directors, photographers, radio personalities, classmates, childhood friends, neighbours, personal assistants, romantic interests, hairdressers, and housekeepers.'...thorough and affectionate biography of a singer who's been constantly undervalued by the music industry.' MOJO 'Schmidt cannot be faulted... carefully factual, sensitively pitched book.' The Word 'The first truly convincing account of her nightmarish story.' The Guardian

Nostalgia is a wonderful way to pay our tribute to the past. The writings in this volume sensitively evoke the past and create a beautiful canvas of memories, a canvas we can all identify with. Personal memories play hide and seek with nostalgia for a shared world, a world that is fast vanishing. A slow paced and calm world, a world of greater human interaction, a world of truer values. The book will take us on an enriching inward journey that traces the innocent paths of childhood, the sensitive lanes of adolescence and even the difficult roads that one travels later. The faded beauty of the Doon valley is a theme that runs through a good part of this book and regret jostles with rapid change. The Dehra Dun of bubbling canals, of litchi and mango orchards, of tongas and leisurely cyclists is a place one can no longer find except in fading photographs or fading memories. And it is these memories that I have tried to capture and put together a bouquet dedicated to parents, teachers, alma mater, homes and other things that live forever in the landscape of my heart. The nostalgia goes beyond the valley and its surroundings. The book talks of old cinemas, charismatic film stars, the warmth of book shops, the charm of Doordarshan, days of audio cassettes, old style melas and cosy restaurants in the hills. The effort is to bring back yesterday, once more. The pleasures and joys of simple living and importance of emotions in life are highlighted in the book. Although these are personal memories of my yesterdays, they will resonate in each sensitive and sentimental reader’s heart as the feelings are universal and the moments captured are timeless .These are part of our collective memories and will, hopefully, evoke emotions that have inspired me to create this work. Nostalgia is indeed a strong emotion that brings us a strange pain mixed with joy. However, it is, on the whole, a satisfying feeling and many of us simply love to go on a trip down memory lane. I sincerely hope Yesterday Once More will be one such delightful trip. Dr. Jaskiran Chopra

A week in the pleasant village of St Minver, Cornwall in September 2013. As a hardened rambler, I found the public footpaths and bridleways a plethora in abundance for my feet to get carried away with expansive scenery that I find emotionally breath taking. Visits to Port Isaac, Port Quin, Padstow and many other delightful villages, make an excellent break from the hardships of the working week.

(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

"An album-by-album retrospective of the legendary duo's recordings. Randy L. Schmidt has assembled a team of commentators, journalists, authors, musicians, and other entertainment industry figures for a series of in-depth, insightful, and opinionated conversations on every release"--Back cover.

In 1969, the world was shocked by a series of murders committed by Charles Manson and his “family” of followers. Although the defendants were sentenced to death in 1971, their sentences were commuted to life with parole in 1972; since 1978, they have been regularly attending parole hearings. Today all of the living defendants remain behind bars. Relying on nearly fifty years of parole hearing transcripts, as well as interviews and archival materials, Hadar Aviram invites readers into the opaque world of the California parole process—a realm of almost unfettered administrative discretion, prison programming inadequacies, high-pitched emotions, and political pressures. Yesterday’s Monsters offers a fresh longitudinal perspective on extreme punishment.