Yearbook Of English Festivals

In the twentieth century, celebrations of historical anniversaries abounded. There was the bicentennial of the French Revolution, the 150th anniversary of photography, Bach's 300th anniversary, and the 200th anniversary of the American Constitution, to name just a few. Every year hundreds of anniversaries still attract media attention and government investment in ever greater degrees. Deploying an astonishing array of insights, Celebrations explores the causes and consequences of this major phenomenon of our time. As Johnston shows, anniversaries fulfill a number of needs. They provide the kind of experience of regularity across a lifetime that the weekly cycle supplies in daily life. The use of anniversaries for political ends emerged during the French Revolution and expanded to promote nationalism during the nineteenth century, although there are differences in how they are used. Europeans tend to celebrate cultural heroes, while Americans tend to celebrate events. Entire nations exploit anniversaries of founding events in order to promote national identity. Commercially, there are whole industries built around commemoration, and they provide intellectuals an opportunity to take center stage. Using methods of cultural history, sociology, and religious studies, Johnston shows how the cult of anniversaries reflects postmodern concerns. It fills a void left by the disappearance of ideologies and avant-gardes. In an era when there is little consensus about styles or methods, anniversaries allow intellectuals, businesses, and governments to acknowledge and celebrate every nuance of opinion. By suggesting ways to use anniversaries more creatively, this book offers a broad range of insights.

Prowess--extraordinary skill and ability, especially in sports--has always been important to Americans, even in the seventeenth and eighteenth centuries. Nancy L. Struna explores the significance, meaning, and structure of competitive matches and displays of physical prowess for both men and women in colonial culture. Engrossingly written for the general reader as well as sport and leisure historians, People of Prowess is a pioneering work that explores a rarely examined area of colonial history and society.

For many, December 26 is more than the day after Christmas. Boxing Day is one of the world’s most celebrated cultural holidays. As a legacy of British colonialism, Boxing Day is observed throughout Africa and parts of the African diaspora, but, unlike Trinidadian Carnival and Mardi Gras, fewer know of Bermuda’s Gombey dancers, Bahamian Junkanoo, Dangriga’s Jankunú and Charikanari, St. Croix’s Crucian Christmas Festival, and St. Kitts’s Sugar Mas. One Grand Noise: Boxing Day in the Anglicized Caribbean World delivers a highly detailed, thought-provoking examination of the use of spectacular vernacular to metaphorically dramatize such tropes as “one grand noise,” “foreday morning,” and from “back o’ town.” In cultural solidarity and an obvious critique of Western values and norms, revelers engage in celebratory sounds, often donning masks, cross-dressing, and dancing with abandon along thoroughfares usually deemed anathema to them. Folklorist Jerrilyn McGregory demonstrates how the cultural producers in various island locations ritualize Boxing Day as a part of their struggles over identity, class, and gender relations in accordance with time and space. Based on ethnographic study undertaken by McGregory, One Grand Noise explores Boxing Day as part of a creolization process from slavery into the twenty-first century. McGregory traces the holiday from its Egyptian origins to today and includes chapters on the Gombey dancers of Bermuda, the evolution of Junkanoo/Jankunú in The Bahamas and Belize, and J'ouvert traditions in St. Croix and St. Kitts. Through her exploration of the holiday, McGregory negotiates the ways in which Boxing Day has expanded from small communal traditions into a common history of colonialism that keeps alive a collective spirit of resistance.

A comprehensive reference guide that covers over 3,500 observances. Features both secular and religious events from many different cultures, countries, and ethnic groups. Includes contact information for events; multiple appendices with background information on world holidays; extensive bibliography; multiple indexes.

Featuring essays by and interviews with festival programmers, filmmakers, activists, and film scholars, "Film Festivals and Activism" explores the role of film festivals in social justice movements and campaigns.

In this timely new study, Borlik reveals the surprisingly rich potential for the emergent "green" criticism to yield fresh insights into early modern English literature. Deftly avoiding the anachronistic casting of sixteenth- and seventeenth-century authors as modern environmentalists, he argues that environmental issues, such as nature’s personhood, deforestation, energy use, air quality, climate change, and animal sentience, are formative concerns in many early modern texts. The readings infuse a new urgency in familiar works by Shakespeare, Sidney, Spenser, Marlowe, Ralegh, Jonson, Donne, and Milton. At the same time, the book forecasts how ecocriticism will bolster the reputation of less canonical authors like Drayton, Wroth, Bruno, Gascoigne, and Cavendish. Its chapters trace provocative affinities between topics such as Pythagorean ecology and the Gaia hypothesis, Ovidian tropes and green phenomenology, the disenchantment of Nature and the Little Ice Age, and early modern pastoral poetry and modern environmental ethics. It also examines the ecological onus of Renaissance poetics, while showcasing how the Elizabethans’ sense of a sophisticated interplay between nature and art can provide a precedent for ecocriticism’s current understanding of the relationship between nature and culture as "mutually constructive." Situating plays and poems alongside an eclectic array of secondary sources, including herbals, forestry laws, husbandry manuals, almanacs, and philosophical treatises on politics and ethics, Borlik demonstrates that Elizabethan and Jacobean authors were very much aware of, and concerned about, the impact of human beings on their natural surroundings.

Concentrates on the puzzling pecularities of style in this work: the puppetry of its characters; its breaks in sequence; its mock documents; and Beckett's inclusion of dates, hours, and celestial data for every major incident in the narrative.