Yanomami

In Yanomami Warfare, R. Brian Ferguson shows that the Yanomami, far from living in pristine isolation, have been subject to periodic waves of Western encroachment for the last 350 years. Documenting this history of contact in comprehensive detail, the author debunks the popular misconception of the unacculturated Yanomami while creating a framework for understanding their remarkable history of violence.

The 10th anniversary edition A Guardian Best Book about Deforestation A New Scientist Best Book of the Year A Taipei Times Best Book of the Year “A perfectly grounded account of what it is like to live an indigenous life in communion with one’s personal spirits. We are losing worlds upon worlds.” —Louise Erdrich, New York Times Book Review “The Yanomami of the Amazon, like all the indigenous peoples of the Americas and Australia, have experienced the end of what was once their world. Yet they have survived and somehow succeeded in making sense of a wounded existence. They have a lot to teach us.” —Amitav Ghosh, The Guardian “A literary treasure...a must for anyone who wants to understand more of the diverse beauty and wonder of existence.” —New Scientist A now classic account of the life and thought of Davi Kopenawa, shaman and spokesman for the Yanomami, The Falling Sky paints an unforgettable picture of an indigenous culture living in harmony with the Amazon forest and its creatures, and its devastating encounter with the global mining industry. In richly evocative language, Kopenawa recounts his initiation as a shaman and first experience of outsiders: missionaries, cattle ranchers, government officials, and gold prospectors seeking to extract the riches of the Amazon. A coming-of-age story entwined with a rare first-person articulation of shamanic philosophy, this impassioned plea to respect indigenous peoples’ rights is a powerful rebuke to the accelerating depredation of the Amazon and other natural treasures threatened by climate change and development.

This phenomenologically oriented ethnography focuses on experiential aspects of Yanomami shamanism, including shamanistic activities in the context of cultural change. The author interweaves ethnographic material with theoretical components of a holographic principle, or the idea that the “part is equal to the whole,” which is embedded in the nature of the Yanomami macrocosm, human dwelling, multiple-soul components, and shamans’ relationships with embodied spirit-helpers. This book fills an important gap in the regional study of Yanomami people, and, on a broader scale, enriches understanding of this ancient phenomenon by focusing on the consciousness involved in shamanism through firsthand experiential involvement.

Yanomami raises questions central to the field of anthropology - questions concerning the practice of fieldwork, the production of knowledge, and anthropology's intellectual and ethical vision of itself. Using the Yanomami controversy - one of anthropology's most famous and explosive imbroglios - as its starting point, this books considers how fieldwork is done, how professional credibility and integrity are maintained, and how the discipline might change to address central theoretical and methodological problems. Both the most up-to-date and thorough public discussion of the Yanomami controve.

Amazonian indigenous peoples have preserved many aspects of their culture and cosmology while also developing complex relationships with dominant non-indigenous society. Until now, anthropological writing on Amazonian peoples has been divided between “traditional” topics like kinship, cosmology, ritual, and myth, on the one hand, and the analysis of their struggles with the nation-state on the other. What has been lacking is work that bridges these two approaches and takes into consideration the meaning of relationships with the state from an indigenous perspective. That long-standing dichotomy is challenged in this new ethnography by anthropologist José Kelly. Kelly places the study of culture and cosmology squarely within the context of the modern nation-state and its institutions. He explores Indian-white relations as seen through the operation of a state-run health system among the indigenous Yanomami of southern Venezuela. With theoretical foundations in the fields of medical and Amazonian anthropology, Kelly sheds light on how Amerindian cosmology shapes concepts of the state at the community level. The result is a symmetrical anthropology that treats white and Amerindian perceptions of each other within a single theoretical framework, thus expanding our understanding of each group and its influences on the other. This book will be valuable to those studying Amazonian peoples, medical anthropology, development studies, and Latin America. Its new takes on theory and methodology make it ideal for classroom use.

Describes the customs, housing, and food of the Yanomami; their daily routine; and what is being done to protect the rain forests they live in.

After living fifteen years with the Yanomami, Lizot provides direct accounts of daily experience, shamanism, conflict and alliances.

Examines the relationship of the Kayapo and Yanomami, two indigenous groups of the Amazon region, to Brazilian society and the wider world. Revised and updated from an earlier edition, the book includes new chapters on the resurgence of indigenous groups previously thought extinct and the renewed controversy among anthropologists studying the Yanomami.

This book is published to accompany Claudia Andujar, The Yanomami Struggle at the Fondation Cartier pour l'art contemporain, the most ambitious exhibition ever devoted to the Brazilian photographer who since the 1970s has dedicated her life to photography and the protection of the Yanomami Indians, one of the largest Amerindian communities in the Brazilian Amazon. Conceived by Thyago Nogueira for the Instituto Moreira Salles in Brazil, Claudia Andujar, The Yanomami Struggle features over 200 black-and-white and color photographs, many of which have never been shown before, as well as an audiovisual installation, historical documents and drawings produced by Yanomami artists. The fruit of several years' research into the photographer's archives, the exhibition reflects the two inseparable aspects of her approach: one aesthetic, the other political. The exhibition also shows Claudia Andujar's significant contribution to photographic art and the essential role she has played and continues to play in the defense of Yanomami rights and the forest in which they live.