Writing Womens Worlds

Extrait de la couverture : " In 1978 Lila Abu-Lughod climbed out of a dusty van to meet members of a small Awlad 'Ali Bedouin community. Living in this Egyptian Bedouin settlement for extended periods during the following decade, Abu-Lughod took part in family life, with its moments of humor, affection, and anger. As the new teller of these tales Abu-Lughod draws on anthropological and feminist insights to construct a critical ethnography. She explores how the telling of these stories challenges the power of anthropological theory to render adequately the lives of others and the way feminist theory appropriates Third World women. Writing Women's Worlds is thus at once a vivid set of stories and a study in the politics of representation."

Lila Abu-Lughod draws on anthropological and feminist insights to construct a critical ethnography of a small Awlad 'Ali Bedouin community in Egypt. She explores how the telling of stories of everyday life challenges the power of anthropological theory to render adequately the lives of others and the way feminist theory appropriates Third World women.

Worlds of Knowledge rediscovers the works of authors from the eighteenth to the twentieth century and challenges the frequent focus in travel studies on English-language texts. Written by experts in a wide range of fields, this interdisciplinary volume sheds new light on the range, innovation, and erudition of travel narratives by women.

"A sumptuous selection of short fiction and poetry. . . . Its invitation to share the passion of women's voices characterizes the entire volume."--"USA Today."

Middle Eastern societies and ordinary people's lives / Edmund Burke III and David N. Yaghoubian -- Precolonial lives -- Assaf: a peasant of Mount Lebanon / Akram F. Khater and Antoine F. Khater -- Shemsigul: a circassian slave in mid-nineteenth-century Cairo / Ehud R. Toledano -- Journeymen textile weavers in nineteenth-century Damascus: a collective / Sherry Vatter -- Ahmad: a Kuwaiti pearl diver / Nels Johnson -- Mohand N'Hamoucha: Middle Atlas Berber / Edmund Burke III -- Bibi Maryam: a Bakhtiyari tribal woman / Julie Oehler -- Colonial lives -- The Shaykh and his daughter: coping in colonial Algeria / Julia Clancy-Smith -- Izz al-Din al-Qassam: preacher and mujahid / Abdullah Schleifer -- Abu Ali al-Kilawi: a Damascus qabaday / Philip S. Khoury -- M'hamed Ali: Tunisian labor organizer / Eqbal Ahmad and Stuart Schaar -- Hagob Hagobian: an Armenian truck driver in Iran / David N. Yaghoubian -- Naji: an Iraqi country doctor / Sami Zubaida -- Post-Colonial lives -- Migdim: Egyptian bedouin matriarch / Lila Abu-Lughod -- Rostam: Qashqai rebel / Lois Beck -- An Iranian village boyhood / Mehdi Abedi and Michael M. [ths] J. Fischer -- Gulab: an Afghan schoolteacher / Ashraf Ghani -- Abu Jamal: a Palestinian urban villager / Joost Hiltermann -- Haddou: a Moroccan migrant worker / David Mcmurray -- Contemporary lives -- Nasir: Sa'idi youth between Islamism and agriculture -- Fanny colonna -- Ghada: village rebel or political protestor? / Celia Rothenberg -- Khanom gohary: Iranian community leader / Homa Hoodfar -- Nadia: mother of the believers / Baya Gacemi -- June leavitt: West Bank settler / Tamara neuman -- Talal Rizk: a Syrian engineer in the Gulf / Michael Provence.

Since publishing the original edition of A Woman’s World in 1995, Travelers’ Tales has been the recognized national leader in women’s travel literature, and with the launch of the annual series The Best Travel Writing in 2004, the obvious next step was an annual collection of the best women’s travel writing of the year. This title is the tenth in that series—The Best Women’s Travel Writing—presenting stimulating, inspiring, and uplifting adventures from women who have traveled to the ends of the earth to discover new places, peoples, and facets of themselves. The common threads connecting these stories are a female perspective and fresh, compelling storytelling to make the reader laugh, weep, wish she were there, or be glad she wasn’t. The points of view and perspectives are global, and themes are as eclectic as in all of our books, including stories that encompass spiritual growth, hilarity and misadventure, high adventure, romance, solo journeys, stories of service to humanity, family travel, and encounters with exotic cuisine.

Since Silent Spring was published in 1962, the number of texts about the natural world written by women has grown exponentially. The essays in Women Writing Nature: A Feminist View argue that women writing in the 20th century are utilizing the historical connection of women and the natural world in diverse ways. For centuries women have been associated with nature but many feminists have sought to distance themselves from the natural world because of dominant cultural representations which reflect women as controlled by powerful natural forces and confined to domestic spaces. However, in the spirit of Rachel Carson, some writers have begun to invoke nature for feminist purposes or have used nature as an agent of resistance. This collection considers women's writings about the natural world in light of recent and current feminist and ecofeminist theory and finds a variety of approaches and perspectives, both by the scholars and by the authors discussed, culminating with the voices of two women, activist and scientist Joan Maloof and Irish poet Rosemarie Rowley, who both write about the natural world from a feminist perspective.

Extrait de la couverture : ""Here, for the first time, is a book that brings women's writings out of exile to rethink anthropology's purpose at the end of the century. ... As a historical resource, the collection undertakes fresh readings of the work of well-known women anthropologists and also reclaims the writings of women of color for anthropology. As a critical account, it bravely interrogates the politics of authorship. As a creative endeavor, it embraces new Feminist voices of ethnography that challenge prevailing definitions of theory and experimental writing."

This book contains the first comprehensive account of writing by women from the mid sixteenth century through to 1700. At the same time, it traces the way a representative sample of that writing was published, circulated in manuscript, read, anthologised, reprinted, and discussed from the time it was produced through to the present day. Salzman's study covers an enormous range of women from all areas of early modern society, and it covers examples of the many and varied genres produced by these women, from plays to prophecies, diaries to poems, autobiographies to philosophy. As well as introducing readers to the wealth of material produced by women in the early modern period, this book examines changing responses to what was written, tracing a history of reception and transmission that amounts to a cultural history of changing taste.

In this work, Jansen explores a recurring theme in writing by women: the dream of finding or creating a private and secluded retreat from the world of men. These imagined "women's worlds" may be very small, a single room, for example, but many women writers are much more ambitious, fantasizing about cities, even entire countries, created for and inhabited exclusively by women.