Writing On The Wall

Chronicles social media over two millennia, from papyrus letters that Cicero used to exchange news across the Empire to today, reminding us how modern behavior echoes that of prior centuries and encouraging debate and discussion about how we'll communicate in the future.

'Memoirs such as this will ensure we do not lose the struggle against "forgetting" - that sly accomplice of tyranny' Magda Szubanski In 1939, as Hitler's troops march on Prague, a Jewish couple makes a heartbreaking decision that will save their eight-year-old son's life but change their family forever. Australian journalist Juliet Rieden grew up in England in the 1960s and 70s always sensing that her family was different in some way. She longed to have relatives and knew precious little about her Czech father's childhood as a refugee. On the night before Juliet's father died, in 2006, Juliet's father suddenly looked up and said: 'The plane is in the hangar.' In the years after his death, Juliet comes to truly understand the significance of these words. On a trip to Prague she is shocked to see the Rieden name written many times over on the walls of the Pinkas Synagogue memorial. These names become the catalyst for a life-changing journey that uncovers a personal Holocaust tragedy of epic proportions. Juliet traces the grim fate of her father's cousins, aunts and uncles on visits to Auschwitz and Theresienstadt concentration camps and learns about the extremes of cruelty, courage and kindness. Then in a locked box in Britain's National Archives, she discovers a stash of documents including letters from her father that reveal intimate details of his struggle. Meticulously researched and beautifully told, this is the moving story of a woman's quest to piece together the hidden parts of her father's life and the unimaginable losses he was determined to protect his children from. PRAISE FOR THE WRITING ON THE WALL 'Rieden sets out to chart her story with a journalist's rigour: facts, timelines, archival material. She does it brilliantly. But it is the small, powerful resonant moments within a harrowing arc that bring her story alive.' The Australian

In an increasingly secularised society, the average person is unlikely to have a working knowledge of the Bible. Yet a great deal of our culture is built on stories or ideas that come from the Bible. Literature, art, music, language and even the fabric of our society - such as our justice system - is built on Christian concepts and biblical references. THE WRITING ON THE WALL provides a fascinating introduction to the Bible's best-known, and most influential, stories.

**Washington Post Best Books of 2013** The celebrated TRANSYLVANIAN TRILOGY by Count Miklós Bánffy is a stunning historical epic set in the lost world of the Hungarian aristocracy just before World War I. Written in the 1930s and first discovered by the English-speaking world after the fall of communism in Hungary, Bánffy’s novels were translated in the late 1990s to critical acclaim and appear here for the first time in hardcover. They Were Found Wanting and They Were Divided, the second and third novels in the trilogy, continue the story of the two aristocratic cousins introduced in They Were Counted as they navigate a dissolute society teetering on the brink of catastrophe. Count Balint Abády, a liberal politician who defends his homeland’s downtrodden Romanian peasants, loses his beautiful lover, Adrienne, who is married to a sinister and dangerously insane man, while his cousin László loses himself in reckless and self-destructive addictions. Meanwhile, no one seems to notice the gathering clouds that are threatening the Austro-Hungarian Empire and that will soon lead to the brutal dismemberment of their country. Set amid magnificent scenery of wild forests, snowcapped mountains, and ancient castles, THE TRANSYLVANIAN TRILOGY combines a Proustian nostalgia for a lost world, insight into a collapsing empire reminiscent of the work of Joseph Roth, and the drama and epic sweep of Tolstoy.

A critical analysis of Israel's control of the Occupied Palestinian Territory, advocating a normative and functional approach.

Now published in paperback, this book is the first systematic study to explore the way in which words have encroached on the visual arts from the late 19th century to the present day. From the Impressionists to contemporary practitioners, Writing on the Wall shows how artists have responded to an environment increasingly saturated with words, and how the mass media has adopted and adapted artistic devices in typography, propaganda and advertising.

Presents a controversial argument for America's assistance in helping China to become an economic superpower in order to safeguard peace and the financial success of both nations, explaining how American interests can be best served if China is supported with economy-supporting agendas rather than protectionist and Cold-War policies. By the author of A Declaration of Independence. 50,000 first printing.

"Revolutionary love, revolutionary memory and revolutionary analysis are at work in every page written by Mumia Abu-Jamal … His writings are a wake-up call. He is a voice from our prophetic tradition, speaking to us here, now, lovingly, urgently. Black man, old-school jazz man, freedom fighter, revolutionary—his presence, his voice, his words are the writing on the wall."—Cornel West, from the foreword From the first slave writings to contemporary hip hop, the canon of African American literature offers a powerful counter-narrative to dominant notions of American culture, history and politics. Resonant with voices of prophecy and resistance, the African American literary tradition runs deep with emancipatory currents that have had an indelible impact on the United States and the world. Mumia Abu-Jamal has been one of our most important contributors to this canon for decades, writing from the confines of the U.S. prison system to give voice to those most silenced by chronic racism, impoverishment and injustice. Writing on the Wall is a selection of more than 100 previously unpublished essays that deliver Mumia Abu-Jamal's essential perspectives on community, politics, power, and the possibilities of social change in the United States. From Rosa Parks to Edward Snowden, from the Trail of Tears to Ferguson, Missouri, Abu-Jamal addresses a sweeping range of contemporary and historical issues. Written mostly during his years of solitary confinement on Death Row, these essays are a testament to Abu-Jamal's often prescient insight, and his revolutionary perspective brims with hope, encouragement and profound faith in the possibility of redemption. "Greatness meets us in this book, and not just in Mumia's personal courage and character. It's in the writing. This is art with political power, challenging institutional injustice in the U.S. while catalyzing our understanding, memory and solidarities for liberation and love. Writing on the Wall can set the nation aflame—yes, for creating new possible worlds."—Mark Lewis Taylor, Professor of Theology and Culture, Princeton Theological Seminary Mumia Abu-Jamal is an award-winning journalist and author of two best-selling books, Live From Death Row and Death Blossoms. Johanna Fernández is a Fulbright Scholar and Professor of History at Baruch College in New York City. Cornel West is a scholar, philosopher, activist and author of over a dozen books including his bestseller, Race Matters. He appears frequently in the media, and has appeared on Real Time with Bill Maher, The Colbert Report, CNN and C-Span as well as Tavis Smiley.

Decades of State and non-State violence in India’s landlocked North-east have taken a heavy toll on livelihoods, incomes, governance, growth and image, besides lives. Despite vast amounts of money being pumped into the region, basic needs and minimum services are yet to be met in terms of connectivity, health, education and power. What are the possible ways forward as the region stands at a crossroads? These fifteen personal essays provide an insider’s take on wide-ranging issues: from the Brahmaputra and the use of natural resources to peace talks in Nagaland; from the Centre’s failure to repeal the hated Armed Forces Special Powers Act, threats to the environment, corruption in government and extortion by armed groups to New Delhi’s Look East Policy and much more. Yet, as these essays make clear, hope, though distant, is not absent or lost. Restoring governance through people-driven development programmes, peace building through civil society initiatives, assuring the pre-eminence of local communities as evident in Hazarika’s conversations with the legendary Naga leader, Th. Muivah, and simple economic interventions through appropriate technologies — boats and health care, community mobilization and micro-credit — hold promise for solutions to the web of violence, poverty and marginalization. Writing on the Wall is a passionate call to all stakeholders in the North-east to embrace dialogue and use given platforms for peace, to go beyond the politics of tolerance to that of mutual respect. Only such multi-disciplinary, innovative approaches, rooted in realism, can bring stability and sustainable change to the region.