Writing New Worlds

Writing New Worlds analyses the different ways in which travel literature constituted a fundamental pillar in the production of knowledge in the modern era. The impressive frequency of publication and the widespread circulation of translations and editions account for the leading and essential contribution of travel literature for a better understanding and awareness about the dynamics and practices associated with decoding and making sense of the prose of the world. These texts, in some cases accompanied by illustrations, covered a broad and extensive panoply of languages, grammars and ways of seeing, translating and writing new worlds. In drawing special attention to internationally less-studied sources from Portugal and Germany, the book shows how authors, scholars and artists between the 15th and 17th centuries responded to the challenges of modernity, and explores the cultural dynamics involved in grasping and understanding the New.

Describing an era of exploration during the Renaissance that went far beyond geographic bounds, this book shows how the evidence of the New World shook the foundations of the old, upsetting the authority of the ancient texts that had guided Europeans so far afield. What Anthony Grafton recounts is a war of ideas fought by mariners, scientists, publishers, and rulers over a period of 150 years. In colorful vignettes, published debates, and copious illustrations, we see these men and their contemporaries trying to make sense of their discoveries as they sometimes confirm, sometimes contest, and finally displace traditional notions of the world beyond Europe.

"The Caribbean has a powerful, modern tradition of fantastic literature that's on full display in this anthology of original fiction by writers from Barbados, Trinidad and Tobago, and Bermuda...None of these writers is likely to be familiar to American audiences, but all are worth getting to know. Readers who love the writing of Nalo Hopkinson, Tobias S. Buckell, and Lord herself will savor this volume." --Publishers Weekly, Starred review "New Worlds, Old Ways fulfills its promise of arriving at a recognizable genre of Caribbean speculative fiction. Prior to this collection we have not had any reader-friendly approaches that have directly addressed the genre of Caribbean speculative fiction. Lord, and the various writers in this collection, have given readers access to a hitherto unexplored genre, one that differentiates as well as connects to the treasure trove of Caribbean literature. The collection is a boon for scholars and reading aficionados of the Speculative Fiction genre. And as the editor states, true to its world, New Worlds, Old Ways offers both depth and delight without disappointment. It suggests tthat if one looks closely enough, they will find that Caribbean fiction has always been speculative." --SX Salon Do not be misled by the "speculative" in the title. Although there may be robots and fantastical creatures, these common symbols are tools to frame the familiar from fresh perspectives. Here you will find the recent past and ongoing present of government and society with curfews, crime, and corruption; the universal themes of family, growth and death, love and hate; the struggle to thrive when power is capricious and revenge too bittersweet. Here too is the passage of everything—old ways, places, peoples, and ourselves—leaving nothing behind but memories, histories, and stories. This anthology speaks to the fragility of our Caribbean home, but reminds the reader that although home may be vulnerable, it is also beautifully resilient. The voice of our literature declares that in spite of disasters, this people and this place shall not be wholly destroyed. Read for delight, then read for depth, and you will not be disappointed. Brand-new stories by: Tammi Browne-Bannister, Summer Edward, Portia Subran, Brandon O'Brien, Kevin Jared Hosein, Richard B. Lynch, Elizabeth J. Jones, Damion Wilson, Brian Franklin, Ararimeh Aiyejina, and H.K. Williams. New Worlds, Old Ways is the third publication of Peekash Press, an imprint of Akashic Books and Peepal Tree Press committed to supporting the emergence of new Caribbean writing, and as part of the CaribLit project.

Discusses the work of Edgar Allan Poe, Ursula K. Le Guin, Charles Brockden Brown, Stanislaw Lem, Mark Twain, Herman Melville, Kurt Vonnegut, and others.

Step into a world of your own making . . . Worldbuilding is one of the great pleasures of writing science fiction and fantasy -- and also one of its greatest challenges. Award-winning fantasy author Marie Brennan draws on her academic training in anthropology to peel back the layers of a setting, going past the surface details to explore questions many authors never think to answer. She invites you to consider the endless variety of real-world cultures -- from climate to counterfeiting, from sumptuary laws to slang --and the equally endless possibilities speculative fiction has to offer. This volume collects essays from the first year of the New Worlds Patreon.

Explore a world of your own . . . Science fiction and fantasy are renowned for immersing their readers in rich, inventive settings. In this follow-up to the collection NEW WORLDS, YEAR ONE, award-winning fantasy author Marie Brennan guides you through new aspects of worldbuilding and how they can generate stories. From beauty to books, from tattoos to taboos, these essays delve into the complexity of different cultures, both real and imaginary, and provide invaluable advice on crafting a world of your very own. This volume collects essays from the second year of the New Worlds Patreon.

An introduction to literature and also a text for courses in composition, multicultural, or contemporary American literature.

Old New Worlds intertwines the immigrant stories of the author and her great-great grandmother. Sarah Barker and her new husband sail from England in 1815 to minister to the indigenous Khoihoi in South Africa's Eastern Cape. In the midst of conflict, illness, and natural disasters, Sarah bears sixteen children. Two hundred years later, Judith leaves post apartheid South Africa with her new American husband to immigrate to the United States. She is drawn to Sarah's immigrant story in the context of her own experience, and she sets out to try and trace her. In the process, she finds a soul mate.

International Studies Association Theory Section Best Book Award In Writing the New World, Mauro Caraccioli examines the natural history writings of early Spanish missionaries, using these texts to argue that colonial Latin America was fundamental in the development of modern political thought. Revealing their narrative context, religious ideals, and political implications, Caraccioli shows how these sixteenth-century works promoted a distinct genre of philosophical wonder in service of an emerging colonial social order. Caraccioli discusses narrative techniques employed by well-known figures such as Gonzalo Fernández de Oviedo and Bartolomé de Las Casas as well as less-studied authors including Bernardino de Sahagún, Francisco Hernández, and José de Acosta. More than mere catalogues of the natural wonders of the New World, these writings advocate mining and molding untapped landscapes, detailing the possibilities for extracting not just resources from the land but also new moral values from indigenous communities. Analyzing the intersections between politics, science, and faith that surface in these accounts, Caraccioli shows how the portrayal of nature served the ends of imperial domination. Integrating the fields of political theory, environmental history, Latin American literature, and religious studies, this book showcases Spain’s role in the intellectual formation of modernity and Latin America’s place as the crucible for the Scientific Revolution. Its insights are also relevant to debates about the interplay between politics and environmental studies in the Global South today. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Virginia Tech.

By the early 1930s America had one literary treasure that risked his life to please its readers. Richard Halliburton had already become a best-selling travel author and could have retired comfortably on the immense wealth gained from the sale of his first two books. Yet some men are born to dare, and Halliburton was one these. NEW WORLDS TO CONQUER was Halliburton’s third book and contains a knapsack full of that adventurer’s gold—dreams brought to reality by the alchemy of his courage and daring. The book details how Halliburton set off for Latin America in search of adventure, and find it he did. He dived to the bottom of the Mayan Well of Death, from which hundreds of skeletons had been dredged, then swam fifty miles down the length of the Panama Canal. Not content, he climbed to the crest of Mexico’s lofty Mount Popocatepetl, twice, and roamed over the infamous Devil’s Island. Yet his most amazing adventure occurred when he had himself marooned on the same island which had once held Robinson Crusoe captive. “Somewhere a lizard stirred the leaves...Furtively I looked about me, realizing that in the darkness the boa-constrictors would be abroad creeping forth from the ancient tombs and slinking down the leafy avenues,” Halliburton wrote. This is Halliburton at is best—fatalistic about his own safety, poetic about his chances of survival, and determined to bring home a hair-raising tale of adventure from the Latin lands of legend.