Writing India 1757 1990

This volume provides an analytic survey of the literature produced as a consequence of the long history of Britain's rule in India. It stretches from the establishment of British hegemony in the 1750's to the achievement of Indian independence in the postcolonial era almost two centuries later. Writing India concludes with a chapter on Salman Rushdie in order to suggest the complex relation of continuity as well as conflict between colonial and postcolonial constructions of India.

This two-volume reset edition draws together a selection of Anglo-Indian poetry from the Romantic era and the nineteenth century.

Comparative study of the writings and strategies of European women in two colonies, French Algeria and British Kenya, during the twentieth century. Its central theme is women's discursive contribution to the construction of colonial nostalgia.

Natural Disasters and Victorian Empire looks at the relationship between epidemics and famines in south Asia and Victorian literature and culture. It suggests that much of how we think today about disasters, state and society can be traced back to the 19th-century British imperial experience.

Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.

Dinah Mulock Craik’s The Half-Caste concerns the coming-of-age of its title character, the mixed-race Zillah Le Poer, daughter of an English merchant and an Indian princess. Sent back to England as a young girl, Zillah has no knowledge that she is an heiress. She lives with her uncle Le Poer, his wife, and two daughters, and is treated as little more than a servant in the household. Zillah’s situation is gradually improved when Cassandra Pryor is employed as a governess to the Le Poer daughters and takes an interest in the mysterious “cousin.” Craik explores issues of gender, race, and empire in the Victorian period in this compact and gripping novella. Along with a newly-annotated text, this Broadview edition includes a critical introduction that discusses Craik’s involvement with contemporary racial and imperialist attitudes, her place within the broader genre of Anglo-Indian fiction, and the importance of Zillah Le Poer as a positive symbol of empire. The edition is also enriched with relevant contemporary contextual material, including Dinah Mulock Craik’s writing on gender and female employment, British views on the biracial Eurasian community in India, and writings on the Victorian governess.

Drawing Upon A Wide Range And Variety Of Literary And Non-Literary Sources Of Nineteenth Century British India, Woman And Empire Examines Perceptions Of Gender Over The 1858 1900 Period. The Book Focuses On Representations Of White And Indian Women, In Addition To Women Of Mixed Races, In Fiction As Well As In Colonial Newspapers And Journals.

In Married to the empire, Mary A. Procida provides a new approach to the growing history of women and empire by situating women at the centre of the practices and policies of British imperialism. Rebutting interpretations that have marginalized women in the empire, this book demonstrates that women were crucial to establishing and sustaining the British Raj in India from the "High Noon" of imperialism in the late nineteenth century through to Indian independence in 1947. Using three separate modes of engagement with imperialism – domesticity, violence, and race – Procida demonstrates the many and varied ways in which British women, particularly the wives of imperial officials, created a role for themselves in the empire. Drawing on a wide range of sources, including memoirs, novels, interviews, and government records, the book examines how marriage provided a role for women in the empire, looks at the home as a site for the construction of imperial power, analyses British women's commitment to violence as a means of preserving the empire, and discusses the relationship among Indian and British men and women. Married to the empire is essential reading to students of British imperial history and women's history, as well as those with an interest in the wider history of the British Empire.

Michael J. Franklin's Romantic Representations of British India is a timely study of the impact of Orientalist knowledge upon British culture during the Romantic period. The subject of the book is not so much India, but the British cultural understanding of India, particularly between 1750 and 1850. Franklin opens up new areas of investigation in Romantic-period culture, as those texts previously located in the ghetto of ‘Anglo-Indian writing’ are restored to a central place in the wider field of Romanticism. The essays within this collection cover a wide range of topics and are written by an impressive troupe of contributors including P.J. Marshall, Anne Mellor, and Nigel Leask. Students and academics involved with literary studies and history will find this book extremely useful, though musicologists and historians of science and of religion will also make good use of the book, as will those interested in questions of gender, race, and colonialism.

There has been a resurgence of interest in Kipling among critics who struggle to reconcile the multiple pleasures offered by his fiction with the controversial political ideas that inform it. Peter Havholm takes up the challenge, piecing together Kipling's understanding of empire and humanity from evidence in Anglo-Indian and Indian newspapers of the 1870s and 1880s and offering a new explanation for Kipling's post-1891 turn to fantasy and stories written to be enjoyed by children. By dovetailing detailed contextual knowledge of British India with informed and sensitive close readings of well-known works like 'The Man Who Would Be King',' Kim', 'The Light That Failed', and 'They', Havholm offers a fresh reading of Kipling's early and late stories that acknowledges Kipling's achievement as a writer and illuminates the seductive allure of the imperialist fantasy.