Writing Huck Finn

Victor Doyno offers a new, accessible, and innovative approach to America's favorite novel. Doyno presents new material from the revised manuscript of Huckleberry Finn and also draws on Samuel Clemens's unpublished family journal, his correspondence, and his concerns about the lack of international copyright law.

Adventures of Huckleberry Finn (often shortened to Huck Finn) is a novel written by American humorist Mark Twain. It is commonly used and accounted as one of the first Great American Novels. It is also one of the first major American novels written using Local Color Regionalism, or vernacular, told in the first person by the eponymous Huckleberry "Huck" Finn, best friend of Tom Sawyer and hero of three other Mark Twain books.The book is noted for its colorful description of people and places along the Mississippi River. By satirizing Southern antebellum society that was already a quarter-century in the past by the time of publication, the book is an often scathing look at entrenched attitudes, particularly racism. The drifting journey of Huck and his friend Jim, a runaway slave, down the Mississippi River on their raft may be one of the most enduring images of escape and freedom in all of American literature.

Examines Mark Twain's writing of Huckleberry Finn, calling into question commonly held interpretations of the work on the subjects of youth, youth culture, and race relations, based on research into the social preoccupations of the era in which it was written.

Adventures of Huckleberry Finn is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

Everyone knows the story of the raft on the Mississippi and that ol' whitewashed fence, but now it’s time for youngins everywhere to get right acquainted with the man behind the pen. Mr. Mark Twain! An interesting character, he was...even if he did sometimes get all gussied up in linen suits and even if he did make it rich and live in a house with so many tiers and gazebos that it looked like a weddin’ cake. All that’s a little too proper and hog tied for our narrator, Huckleberry Finn, but no one is more right for the job of telling this picture book biography than Huck himself. (We’re so glad he would oblige.) And, he’ll tell you one thing—that Mr. Twain was a piece a work! Famous for his sense of humor and saying exactly what’s on his mind, a real satirist he was—perhaps America’s greatest. Ever. True to Huck’s voice, this picture book biography is a river boat ride into the life of a real American treasure.

The Creator sat upon the throne, thinking. Behind him stretched the illimitable continent of heaven, steeped in a glory of light and color; before him rose the black night of Space, like a wall. His mighty bulk towered rugged and mountain-like into the zenith, and His divine head blazed there like a distant sun. At His feet stood three colossal figures, diminished to extinction, almost, by contrast -- archangels -- their heads level with His ankle-bone. When the Creator had finished thinking, He said, "I have thought. Behold!" He lifted His hand, and from it burst a fountain-spray of fire, a million stupendous suns, which clove the blackness and soared, away and away and away, diminishing in magnitude and intensity as they pierced the far frontiers of Space, until at last they were but as diamond nailheads sparkling under the domed vast roof of the universe. At the end of an hour the Grand Council was dismissed. They left the Presence impressed and thoughtful, and retired to a private place, where they might talk with freedom. None of the three seemed to want to begin, though all wanted somebody to do it.

A beautifully written, darkly funny coming-of-age story from an award-winning, bestselling German author making his American debut. Mike Klingenberg doesn't get why people think he's boring. Sure, he doesn't have many friends. (Okay, zero friends.) And everyone laughs at him when he reads his essays out loud in class. And he's never invited to parties - including the gorgeous Tatiana's party of the year.Andre Tschichatschow, aka Tschick (not even the teachers can pronounce his name), is new in school, and a whole different kind of unpopular. He always looks like he's just been in a fight, his clothes are tragic, and he never talks to anyone.But one day Tschick shows up at Mike's house out of the blue. Turns out he wasn't invited to Tatiana's party either, and he's ready to do something about it. Forget the popular kids: Together, Mike and Tschick are heading out on a road trip. No parents, no map, no destination. Will they get hopelessly lost in the middle of nowhere? Probably. Will meet some crazy people and get into serious trouble? Definitely. But will they ever be called boring again? Not a chance.

Life in the Iron Hell “In the neighboring furnace-buildings lay great heaps of the refuse from the ore after the pig-metal is run. Korl we call it here: a light, porous substance, of a delicate, waxen, flesh-colored tinge. Out of the blocks of this korl, Wolfe, in his off-hours from the furnace, had a habit of chipping and moulding figures,—hideous, fantastic enough, but sometimes strangely beautiful: even the mill-men saw that, while they jeered at him. It was a curious fancy in the man, almost a passion.” - Rebecca Harding Davis, Life in the Iron Mills Life in the Iron Mills is one of the first American novels that depicts the precarious state of the impoverished working class. ‘Molly Wolfe’ is a member of this class working 12 hours a day, six days a week to earn a living. Because of his condition, he cannot develop his innate artistic talent. His cousin, Deborah tries to help him but the consequences are devastating. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

"All modern American literature comes from one book called Huckleberry Finn," declared Ernest Hemingway. "There was nothing before. There has been nothing as good since." Yet even from the time of its first publication in 1885, Mark Twain's masterpiece has been one of the most celebrated and controversial books ever published in America. No other story so central to our American identity has been so loved and so reviled as Huck Finn's autobiography.

Fifteen-year-old Ian Daly’s moral universe is turned upside down when, at his father’s funeral, he discovers that his father had two secret families. “Cassidy’s debut is affecting . . . Like the best coming-of-age novels, Here Lies a Father grounds its big concerns in the exquisite particulars of one person’s life.” —Literary Hub When Ian Daly and his sister Catherine arrive for their wayward father’s funeral in his small and desolate upstate New York hometown, a secret that was kept from them their entire lives emerges: their father Thomas abandoned two other families, leaving behind two furious wives and several children who never knew their father. Ian wants to know more of the truth, but his sister and mother want to preserve the carefully constructed myth they’ve created around who Thomas really was. In the cold, lonely winter landscape of small-town New York, fifteen-year-old Ian sets out alone to learn the truth about his father’s past and the families he left behind. Here Lies a Father examines the long-term effects shameful secrets have on a family, and how difficult it is for a young man to reconstruct his own sense of right and wrong, when every value and moral principle he was ever taught was based on a lie.