World War Blue Vol 7

Crossroads: Choose Your Path! Weary from their failed attempt to invade the Republic of Habeed, the Segua Army returns to find the kingdom's capital in ruins. Gear and Opal fight remnants of the terrorists who bombed the castle while others look for survivors. More details emerge during the skirmish, but then Opal suddenly vanishes! When Gear catches up to her, he learns more about Opal's past and why she joined the Army in the first place. As her dark secrets are revealed, Gear may be forced to choose between his friend and his kingdom.

UNEXPECTED ALLIANCES Queen Crystal of Slovia has been narrowly defeated by the Legendary Hero, Myomut. Instead of offering a helping hand, Crystal's closest allies have revealed themselves as traitors, intent upon taking advantage of the weakened warriors. Can these two masters of the art of Role-Playing form a partnership capable of defeating Crystal's false friends? Meanwhile, Tejirov has signed on with the Ninteldan Empire, where he learns of the gravest threat of all: piracy! No nation is safe from those who would seek to gain power without earning it honorably.

Despite the injuries and losses they suffered in an attack on the Goodwill Event, the students of Jujutsu High have little time rest as people start dying under mysterious circumstances. Could these strange deaths have anything to do with Sukuna's lost fingers? -- VIZ Media

Change of Allegiance: Shifting Sides Gear and Opal have tracked down the terrorist organization that blew up Segua Castle and are now ready to take down the gang's leader: Opal's father Koil! Will the two killers be strong enough to bring Koil to justice? Meanwhile, as the war between Segua and Ninteldo rages on, Tejirov, the master strategist, decides to switch sides. Can Gear convince him to stick with Segua, or will the two friends become mortal enemies?

Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions.

FOREVER…IF POSSIBLE ​ The Merciless Queen, a high-ranking commander unit for the Legion, has finally been taken into custody. Now the Federacy, the United Kingdom, and the Alliance of Wald can conduct a thorough analysis of this special Ameise, which houses the consciousness of Legion developer Zelene Birkenbaum. If their efforts bear fruit, they may learn the secret to stopping the Legion once and for all! In the meantime, the Federacy has decided to rest its battle-worn blades. The Eighty-Sixth Strike Package has been allowed leave for the first time in ages. As they arrive in the Alliance of Wald’s territory, they are able to step away from the iron and blood and enjoy a rare vacation! And it seems that two members of the Strike Package are getting a bit cozier than the rest…

This journal has been discontinued. Any issues are available to purchase separately.

Contributions by Derek T. Buescher, Travis L. Cox, Trischa Goodnow, Jon Judy, John R. Katsion, James J. Kimble, Christina M. Knopf, Steven E. Martin, Brad Palmer, Elliott Sawyer, Deborah Clark Vance, David E. Wilt, and Zou Yizheng One of the most overlooked aspects of the Allied war effort involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.

Oxford Studies in Agency and Responsibility is a series of volumes presenting outstanding new work on a set of connected themes, investigating such questions as: · What does it mean to be an agent? · What is the nature of moral responsibility? Of criminal responsibility? What is the relation between moral and criminal responsibility (if any)? · What is the relation between responsibility and the metaphysical issues of determinism and free will? · What do various psychological disorders tell us about agency and responsibility? · How do moral agents develop? How does this developmental story bear on questions about the nature of moral judgment and responsibility? · What do the results from neuroscience imply (if anything) for our questions about agency and responsibility? OSAR thus straddles the areas of moral philosophy and philosophy of action, but also draws from a diverse range of cross-disciplinary sources, including moral psychology, psychology proper (including experimental and developmental), philosophy of psychology, philosophy of law, legal theory, metaphysics, neuroscience, neuroethics, political philosophy, and more. It is unified by its focus on who we are as deliberators and (inter)actors, embodied practical agents negotiating (sometimes unsuccessfully) a world of moral and legal norms.

Think you know about British history and the causes of the First World War? Think again. This fascinating and gripping study of events at the turn of the Twentieth Century is a remarkable insight into how political and social factors that we widely accept to be the causes of The Great War, were really just a construct put together by a very small, but powerful, political elite... 'Thought-provoking . . . Docherty and Macgregor do not mince their words . . . their arguments are powerful' -- Britain at War 'Simply astonishing' -- ***** Reader review 'Very illuminating' -- ***** Reader review 'You simply MUST read this book' -- ***** Reader review 'This is a page-turner' -- ***** Reader review *********************************************************************************** Hidden History uniquely exposes those responsible for the First World War. It reveals how accounts of the war's origins have been deliberately falsified to conceal the guilt of the secret cabal of very rich and powerful men in London responsible for the most heinous crime perpetrated on humanity. For ten years, they plotted the destruction of Germany as the first stage of their plan to take control of the world. The assassination of Archduke Franz Ferdinand was no chance happening. It lit a fuse that had been carefully set through a chain of command stretching from Sarajevo through Belgrade and St Petersburg to that cabal in London. Our understanding of these events has been firmly trapped in a web of falsehood and duplicity carefully constructed by the victors at Versailles in 1919 and maintained by compliant historians ever since. The official version is fatally flawed, warped by the volume of evidence they destroyed or concealed from public view. Hidden History poses a tantalising challenge. The authors ask only that you examine the evidence they lay before you . . .