Woody Allen's Self-referential Films
Author | : Ti-Hua Christine Yueh |
Publisher | : |
Total Pages | : 214 |
Release | : 1994 |
Genre | : |
ISBN | : |
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Author | : Ti-Hua Christine Yueh |
Publisher | : |
Total Pages | : 214 |
Release | : 1994 |
Genre | : |
ISBN | : |
Author | : Woody Allen |
Publisher | : Simon and Schuster |
Total Pages | : 312 |
Release | : 2020-03-23 |
Genre | : Biography & Autobiography |
ISBN | : 1951627377 |
The Long-Awaited, Enormously Entertaining Memoir by One of the Great Artists of Our Time—Now a New York Times, USA Today, Los Angeles Times, and Publisher’s Weekly Bestseller. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.
Author | : Kimball King |
Publisher | : Routledge |
Total Pages | : 177 |
Release | : 2014-01-21 |
Genre | : Literary Criticism |
ISBN | : 1135670463 |
First Published in 2001. Woody Allen, who first became famous as a stand- up comedian and writer of comedy routines, also has had a distinguished career as a playwright, actor, screenwriter and director. While his celebrity status is attributed to some of his better-known early films such as 'Annie Hall', 'Manhattan', 'Hannah and her Sisters' he has produced more than ten new films in the past decade.
Author | : Jason Solomons |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Motion picture producers and directors |
ISBN | : 9781787390515 |
The quintessential illustrated guide to Woody Allen's lifetime of work, updated to include Cafe Society (2016) and Wonder Wheel (2017). Woody Allen has celebrated more than 50 years of filmmaking, averaging one movie per year. Respected critic Jason Solomons examines each of these films, from What's New Pussycat (1965) all the way to Wonder Wheel (2017). In addition to interviewing Woody himself, Solomons looks at the impact of Allen's comedy, his work as an actor and writer, and his profound effect on popular culture. Filled with fantastic shots of his films, as well as behind-the-scenes information, Woody Allen: Film by Film is a must-have for Allen fans new and old.
Author | : Charles L. P. Silet |
Publisher | : Scarecrow Press |
Total Pages | : 364 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : 9780810857377 |
From What's Up, Tiger Lily? to Match Point, Woody Allen's work has generated substantial interest among scholars and professionals who have written extensively about the director. In The Films of Woody Allen: Critical Essays, Charles L.P. Silet brings together two-dozen scholarly articles that address the core of Allen's work from a variety of cultural and theoretical perspectives. With a special emphasis on his films of the 1980s, this collection includes both general essays that examine various themes and issues encompassed in Allen's repertoire, as well as discussions that focus on one or two specific films. General essays explore Allen's Jewish background as a religious and cultural facet, his apparent love affair with New York City, and his relation to various strains of humor_particularly American film humor, but also Allen's broad use of such traditional comic tropes as irony and parody. The essays on individual films include examinations of some of Allen's most significant work including Love and Death, Annie Hall, Interiors, Crimes and Misdemeanors, Hannah and Her Sisters, Manhattan, and Shadows and Fog. A number of the articles collected here were originally published in now hard to locate places, while others were selected from journals not usually associated with film studies. The result is an anthology of essays that presents an overview of the central issues raised by Allen's body of work as well as a close examination of fourteen individual films that convey these larger themes. A wide-ranging exploration of one of America's most innovative and productive modern directors, this book should appeal to both professionals and students of contemporary film comedy.
Author | : Sander H. Lee |
Publisher | : McFarland |
Total Pages | : 417 |
Release | : 2015-05-07 |
Genre | : Performing Arts |
ISBN | : 1476605963 |
While Woody Allen is generally considered to be a master of the comic genre he created, his serious films are very important in understanding his role as one of this generation's more influential filmmakers. In this work such Allen films as Annie Hall (1977), Broadway Danny Rose (1984), Crimes and Misdemeanors (1989) and Mighty Aphrodite (1995) are analyzed for the common philosophical themes they share. Gender issues, Allen's love-hate relationship with God, narcissism and moral relativism, and the use of the so-called existential dilemma are among the topics discussed. The extensive research is augmented with a rare interview with Allen.
Author | : Elizabeth Jones |
Publisher | : |
Total Pages | : 128 |
Release | : 1999 |
Genre | : |
ISBN | : |
Author | : Eric Lax |
Publisher | : Knopf |
Total Pages | : 416 |
Release | : 2010-01-13 |
Genre | : Performing Arts |
ISBN | : 0307427102 |
From the author of the best-selling biography Woody Allen—the most informative, revealing, and entertaining conversations from his thirty-six years of interviewing the great comedian and filmmaker. For more than three decades, Woody Allen has been talking regularly and candidly with Eric Lax, and has given him singular and unfettered access to his film sets, his editing room, and his thoughts and observations. In discussions that begin in 1971 and continue into 2007, Allen discusses every facet of moviemaking through the prism of his own films and the work of directors he admires. In doing so, he reveals an artist’s development over the course of his career to date, from joke writer to standup comedian to world-acclaimed filmmaker. Woody talks about the seeds of his ideas and the writing of his screenplays; about casting and acting, shooting and directing, editing and scoring. He tells how he reworks screenplays even while filming them. He describes the problems he has had casting American men, and he explains why he admires the acting of (among many others) Alan Alda, Marlon Brando, Michael Caine, John Cusack, Judy Davis, Robert De Niro, Leonardo DiCaprio, Mia Farrow, Gene Hackman, Scarlett Johansson, Julie Kavner, Liam Neeson, Jack Nicholson, Charlize Theron, Tracey Ullman, Sam Waterston, and Dianne Wiest. He places Diane Keaton second only to Judy Holliday in the pantheon of great screen comediennes. He discusses his favorite films (Citizen Kane is the lone American movie on his list of sixteen “best films ever made”; Duck Soup and Airplane! are two of his preferred “comedian’s films”; Trouble in Paradise and Born Yesterday among his favorite “talking plot comedies”). He describes himself as a boy in Brooklyn enthralled by the joke-laden movies of Bob Hope and the sophisticated film stories of Manhattan. As a director, he tells us what he appreciates about Bergman, De Sica, Fellini, Welles, Kurosawa, John Huston, and Jean Renoir. Throughout he shows himself to be thoughtful, honest, self–deprecating, witty, and often hilarious. Conversations with Woody Allen is essential reading for everyone interested in the art of moviemaking and for everyone who has enjoyed the films of Woody Allen.
Author | : D. E. Wynter |
Publisher | : Springer |
Total Pages | : 308 |
Release | : 2015-10-12 |
Genre | : Performing Arts |
ISBN | : 1137515473 |
Referentiality and the Films of Woody Allen is a scholarly collection that provides expansive exploration of the auteur's use of intertexuality, referentiality, and fusion of media forms. Its scope is framed by Allen's intermedial phase beginning in 1983 with Zelig and his most recent film.
Author | : Peter J. Bailey |
Publisher | : University Press of Kentucky |
Total Pages | : 451 |
Release | : 2016-05-27 |
Genre | : Biography & Autobiography |
ISBN | : 0813167698 |
For five decades, no American filmmaker has been as prolific—or as paradoxical—as Woody Allen. From Play It Again, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced an average of one film a year; yet in many of these movies Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists. In this second edition Peter J. Bailey extends his classic study to consider Allen's work during the twenty-first century. He illuminates how the director's decision to leave New York to shoot in European cities such as London, Paris, Rome, and Barcelona has affected his craft. He also explores Allen's shift toward younger actors and interprets the evolving critical reaction to his films—authoritatively demonstrating why the director's lifelong project of moviemaking remains endlessly deserving of careful attention.