Wonder Women Frames Series

There is a new reality for mothers in the 21st century-it's a different world with different goals than it was even a generation ago. As little girls, today's moms didn't grow up with ONLY dolls and toy kitchens and princesses and visions of idyllic domesticity and motherhood behind a white picket fence: they were given these but also a little plastic doctor's bag and a coloring book full of potential careers to choose from. "You can be anything you want, child." It's a message of empowerment and it's beautiful. But, as many of those young girls grew up, a message that was once meant to convey opportunity has begun to feel like a pressure cooker. What once was "You can have it all" has now become "You need to have it all." You need to have the perfect job, the perfect husband, the perfect house, the perfect kids, the perfect play dates and craft nights and date nights and DIY Pinterest projects and #nofilter Instagrams. What does it mean to be a mom in a world like that? Where does vocation fit into all this? What does a holistic idea of self fit in? Many women struggle with the decision to work inside the home or outside the home. How can you maintain a sense of self and motherhood in both decisions? The reality is we can't really have it all - sometimes we will have to make choices. This Barna Frame explores the value and beauty in those constraints. Join Kate Harris, wife, mother, and the executive director of The Washington Institute for Faith, Vocation, and Culture, as she unpacks the identity questions, the economic realities, and the role of the church in your life as you feel compelled to be wonder woman.

Heroic. Iconic. Unstoppable. Armed with her Lasso of Truth and imbued with the power of the gods themselves, Princess Diana of Themyscira-known to the world as Wonder Woman-is one of the greatest superheroes in history. But who is she…really? Not even Wonder Woman herself knows for sure. Diana’s links to both the Amazons and the Gods of Olympus have been severed. Her memories are a tangle of contradictions that even her lie-detecting lasso cannot untangle. To solve the riddle of her origin, she must embark on her greatest quest of all: finding a way back to her vanished home. To get there, she must team up with her greatest enemy, the feral beast-woman, Cheetah. Will this unlikely alliance shine the light of truth on Diana’s darkest secrets, or bury them-and her-forever? Find out in WONDER WOMAN VOL. 1: THE LIES-exploding from the blockbuster DC Rebirth event! Legendary Wonder Woman writer Greg Rucka (BATWOMAN: ELEGY) makes his triumphant return to the character for the first time in years and joins renowned fantasy artist Liam Sharp (2000 AD) for one of the most momentous stories in Diana’s history! Collects WONDER WOMAN #1, #3, #5, #7, #9, #11 and the WONDER WOMAN: REBIRTH one-shot.

Drawing upon her long career as a formidable feminist critic yet wearing her knowledge lightly, Lillian Robinson finds the essence of wonder women in our non-animated three-dimensional world. This book will delight and provoke anyone interested in the history of feminism or the importance of comics in contemporary life.

The most famous of all the women who have ever been called a superhero, Wonder Woman exploded into the world of comic books amid the uncertainty and bleak determination of World War II. Fighting for justice and treating even her enemies with firm compassion, Wonder Woman brought not a cape nor a ring nor a personal fortune or hidden clubhouse, but a magical lariat that compelled anyone it bound to tell the truth, and bracelets that could not only deflect bullets but prevent Wonder Woman from ever using her superpowers for unchecked destruction. The very first stories of the Amazon Warrior are collected here in WONDER WOMAN: THE GOLDEN AGE VOLUME 1, featuring the adventures of Wonder Woman as she tackles corruption, oppression and cruelty in ALL STAR COMICS #8, COMIC CAVALCADE #1, SENSATION COMICS #1-14 and WONDER WOMAN #1-3.

The Undoing are coming. Long past the Age of Heroes, few of Diana Prince’s friends survive, and most of her sisters have passed as well. As an immortal goddess, this is her lot. But then, a threat appears that even the mighty Darkseid can’t handle-and it’s up to Wonder Woman to take on the battle! It’s big action and high fantasy at the end of time, courtesy of Eisner Award-winning cartoonist Becky Cloonan (By Chance or Providence, Gotham Academy) and her Doom Patrol co-writer Michael W. Conrad, with the popular artist Jen Bartel (Blackbird) making her interior art debut for DC. Then, peer into a closer future as the original champion of Themyscira strikes out on her own. Things have not been stable on Paradise Island for some time, and Nubia has found a new home in Man’s World. Now, she is tasked with protecting it from the dangers of the world of myths and magic. The writer of DC’s Nubia: Real One, L.L. McKinney, takes this powerful Amazon to a whole new level.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Follow the Amazon princess as she evolves from curiosity to feminist icon. The Eisner Award-winning book includes archival comic-book art and photographs, and is one-third of the superhero trilogy.

Wonder Woman, Harley Quinn, Shuri, and Black Widow. These four characters portray very different versions of women: the superheroine, the abuse victim, the fourth wave princess, and the spy, respectively. In this in-depth analysis of female characters in superhero media, the author begins by identifying ten eras of superhero media defined by the way they portray women. Following this, the various archetypes of superheroines are classified into four categories: boundary crossers, good girls, outcasts, and those that reclaim power. From Golden Age comics through today's hottest films, heroines have been surprisingly assertive, diverse, and remarkable in this celebration of all the archetypes.

The superheroes from DC and Marvel comics are some of the most iconic characters in popular culture today. But how do these figures idealize certain gender roles, body types, sexualities, and racial identities at the expense of others? Hot Pants and Spandex Suits offers a far-reaching look at how masculinity and femininity have been represented in American superhero comics, from the Golden and Silver Ages to the Modern Age. Scholar Esther De Dauw contrasts the bulletproof and musclebound phallic bodies of classic male heroes like Superman, Captain America, and Iron Man with the figures of female counterparts like Wonder Woman and Supergirl, who are drawn as superhumanly flexible and plastic. It also examines the genre’s ambivalent treatment of LGBTQ representation, from the presentation of gay male heroes Wiccan and Hulkling as a model minority couple to the troubling association of Batwoman’s lesbianism with monstrosity. Finally, it explores the intersection between gender and race through case studies of heroes like Luke Cage, Storm, and Ms. Marvel. Hot Pants and Spandex Suits is a fascinating and thought-provoking consideration of what superhero comics teach us about identity, embodiment, and sexuality.

Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s.