Women In Canada

Interviews with 150 Canadian women role models that discuss their lives and achievements, as well as how feminism has changed in their lifetimes and their visions for Canada.

In this edited collection, Leslie Nichols weaves together the contributions of accomplished and diverse scholars to offer an expansive and critical analysis of women’s work in Canada. Students will use an intersectional approach to explore issues of gender, class, race, immigrant status, disability, sexual orientation, Indigeneity, age, and ethnicity in relation to employment. Drawing from case studies and extensive research, the text’s eighteen chapters consider Canadian industries across a broad spectrum, including political, academic, sport, sex trade, retail, and entrepreneurial work. Working Women in Canada is a relevant and in-depth look into the past, present, and future of women’s responsibilities and professions in Canada. Undergraduate and graduate students in gender studies, labour studies, and sociology courses will benefit from this thorough and intersectional approach to the study of women’s labour.

"Mennonite Women in Canada "traces the complex social history and multiple identities of Canadian Mennonite women over 200 years. Marlene Epp explores women's roles, as prescribed and as lived, within the contexts of immigration and settlement, household and family, church and organizational life, work and education, and in response to social trends and events. The combined histories of Mennonite women offer a rich and fascinating study of how women actively participate in ordering their lives within ethno-religious communities.

Many women who lived through the Second World War believed it heralded new status and opportunities. But did it? Making the Best of It examines how gender and other identities intersected to shape the experiences of female Canadians and Newfoundlanders during the war. The contributors to this thoughtful collection consider mainstream and minority populations, girls and women, and different parts of Canada and Newfoundland in their essays. Ultimately, they lay a foundation for a better understanding of the ways in which the lives of Canadian women and girls were altered during and after the 1940s.

Presents a collection of more than 350 biographical sketches of Canadian women, spanning three centuries. Each entry is contained on a single page, and presents a portrait of the woman. Many entries show a reproduction of the woman's handwritten signature. Woman are presented alphabetically by their married name, often including the woman's date of birth and marriage, as well as a description of her husband and his accomplishments, their children, and her membership in societies and organizations. Overall, the sketches celebrate women's primary roles as dutiful wife and mother and active community member. The majority of women Morgan features are white, upper-middle class, and married, those who prioritized traditional (i.e., heteronormative) family life. He also writes warmly, however, of women who were unmarried and forged successful careers in the arts - a fairly forward-thinking approach for the time. There is no question that Types of Canadian Women is a product of its time. Nonetheless, it provides a rare glimpse into the lives of women in Canada, recording many important milestones and achievements that otherwise may have been lost. For contemporary readers, the publication is exciting to peruse for its many familiar names: philanthropists Lillian Massey, of the Massey manufacturers of agricultural equipment, and Grace Redpath, of Redpath Sugar fame; war heroine Laura Secord; and author Catharine Parr Traill.18 True, Morgan draws attention to the men in women's lives. At the same time, however, he conveys respect for married women's contributions to family life and single women's career achievements alike, suggesting that value can be found in either path. His attitude was a progressive one for anyone - male or female - writing at the turn of the twentieth century.Book was published as the first of two volumes, but a second volume was never issued. Adapted from an essay by Tali Voron from the webpage, McGraw-Hill Ryerson Press Collection

As the body of First World War literature continues to grow, women’s experiences of this period remain largely obscure.This innovative collection addresses the invisibility of women in this literature, particularly with regard to Canadian and Newfoundland history. Drawing upon a multidisciplinary spectrum of recent work – studies on mobilizing women, paid and volunteer employment at home and overseas, grief, childhood, family life, and literary representations ?– this book brings Canadian and Newfoundland women and girls into the history of the First World War and marks their place in the narrative of national transformation.

Discover the untold stories of the fierce women who shaped Canada's legacy! Celebrate the accomplishments and heroics of the overlooked heroes of Canadian history, with inspiring tales of tenwomen who were integral to our national legacy, and whose stories have not been told . . . until now! Often relegated to the sidelines of history, the women highlighted in this book were performed feats that most people would never even dream of. You may not know their names now, but after reading their stories, you won't soon forget them. It's time to hear the stories of Marguerite de la Roque, Ttha'naltther, Catherine Schubert, Charlotte Small, Alice Freeman (AKA Faith Fenton), Lucile Hunter, Ada Annie Jordan (AKA Cougar Annie), Victoria Cheung, Mona Parsons, and Joan Bamford Fletcher! Author Lisa Dalrymple's riveting writing, combined with rigorous research, makes Fierce: Women Who Shaped Canada as eye-opening as it is thrilling to read!

The first book of its kind, this volume explores women and non-binary people in popular culture in Canada, with a focus on intersectional analysis of settler colonialism, race, white privilege, ability, and queer representations and experiences in diverse media. The chapters include discussions of film, television, videogames, music, and performance, as well as political events, journalism, social media, fandom, and activism. Throughout this collection, readers are encouraged to think carefully about the role women play in the cultural landscape in Canada as active viewers, creators, and participants. Covering a wide range of topics from historical perspectives to recent events, media, and technologies, this collection acts as an introduction, an archive, and a continuing commitment to lifting the voices and stories of women and popular culture in Canada. This book is a must-read for gender studies and media studies courses that focus on popular culture, Canadian feminism, and Canadian media. FEATURES includes questions for critical thought that stimulate discussion focuses on intersections of race, gender, ability, and sexuality provides contemporary Canadian content from an interdisciplinary and intersectional lens

Thoroughly revised and updated, this fourth edition, of Rethinking Canada: The Promise of Women's History is part of the continuing teminist effort to discover what it means to be women and Canadians. Rethinking Canada examines key developments in Canadian history -- from the founding of New, France to the present -- while at the same time highlighting the distinctive texture of women's experiences and identities. This decidedly non-traditional reconstruction of Canadian history focuses on the lives, struggles, and contributions of women, enlarging and diversifying the picture of the past found in conventional historical accounts. Of the 26 readings in this volume, 16 are new. Subjects range from the impact of colonialism on gender relations in Aboriginal societies; to the immigration of Japanese 'picture brides' in early twentieth-century British Columbia; to transnational political alliances formed by Canadian and Mexican women in response to NAFTA. Other topics include sexuality, workforce trends, gender and public policy, and much more. The selections aim, above all, to bring diverse and marginalized groups of women out of the historical shadows. The voices of First Nations women, women of colour, and immigrant women, for example, resound clearly in this volume. An informative introduction to each reading situates the article in its specific historical and historiographical context, and each introduction concludes with questions designed to stimulate analysis and discussion of the text. By presenting current scholarship in the context of three decades of research into Canadian women's history, Rethinking Canada, Fourth Edition, offers new and fascinating perspectives on women and on Canada. Book jacket.

Despite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving female writers on the margins. In Indigenous Women’s Theatre in Canada, Sarah MacKenzie addresses this critical gap by focusing on plays by Indigenous women written and produced in the socio-cultural milieux of twentieth and twenty-first century Canada. Closely analyzing dramatic texts by Monique Mojica, Marie Clements, and Yvette Nolan, MacKenzie explores representations of gendered colonialist violence in order to determine the varying ways in which these representations are employed subversively and informatively by Indigenous women. These plays provide an avenue for individual and potential cultural healing by deconstructing some of the harmful ideological work performed by colonial misrepresentations of Indigeneity and demonstrate the strength and persistence of Indigenous women, offering a space in which decolonial futurisms can be envisioned. In this unique work, MacKenzie suggests that colonialist misrepresentations of Indigenous women have served to perpetuate demeaning stereotypes, justifying devaluation of and violence against Indigenous women. Most significantly, however, she argues that resistant representations in Indigenous women’s dramatic writing and production work in direct opposition to such representational and manifest violence.