Women Crime Writers Volume Two

The Real Lolita author Sarah Weinman presents a landmark collection of 4 brilliant novels by the female pioneers of crime fiction—women who paved the way for Gillian Flynn, Tana French, and Lisa Scottoline Though women crime and suspense writers dominate today’s bestseller lists, the extraordinary work of the mid-century pioneers of the genre is largely unknown. Turning in many cases from the mean streets of the hardboiled school to explore the anxieties and terrors lurking in everyday life, these groundbreaking novelists found the roots of fear and violence in a quiet suburban neighborhood, on a college campus, or in a comfortable midtown hotel. Their work, influential in its day and still vibrant and extraordinarily riveting today, is long overdue for rediscovery. This volume, the second of a two-volume collector’s set, gathers four classic works that together reveal the vital and unacknowledged lineage to today’s leading crime writers. From the 1950s here are Charlotte Armstrong’s Mischief, the nightmarish drama of a child entrusted to a psychotic babysitter, Patricia Highsmith’s The Blunderer, brilliantly tracking the perverse parallel lives of two men driven toward murder, Margaret Millar’s Beast in View, a relentless study in madness, and Dolores Hitchens’s Fools' Gold, a hard-edged tale of robbery and redemption. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A landmark collection of four brilliant novels by the female pioneers of crime fiction—women who paved the way for Gillian Flynn, Tana French, and Lisa Scottoline Though women crime and suspense writers dominate today’s bestseller lists, the extraordinary work of their mid-century predecessors is largely unknown. Turning from the mean streets of the hardboiled school, these groundbreaking female novelists found the roots of fear and violence in a quiet suburban neighborhood, on a college campus, or in a comfortable midtown hotel. Their work—influential in its day and still vibrant today—is long overdue for discovery. Edited by The Real Lolita author Sarah Weinman, this collection gathers four classic crime novels from the 1940s: Vera Caspary’s famous career girl mystery, Laura; Helen Eustis’s intricate academic thriller, The Horizontal Man; Dorothy B. Hughes’s terrifyingly intimate portrait of a serial killer, In a Lonely Place; and Elizabeth Sanxay Holding’s The Blank Wall, in which a wartime wife is forced to take extreme measures when her family is threatened. Together, these underappreciated works reveal the vital and unacknowledged lineage of today’s leading crime writers. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Three women relate their harrowing stories in this powerful true crime collection. This volume includes three accounts of horrifying crimes told by women involved in them, whether as victim, witness, or family member: You Have a Very Soft Voice, Susan: This is not a typical story of Internet stalking. It is an unusual case of friendship and deception so pitiless and unyielding that it opened a door to Hell into the author’s life. This is an unforgettable story for today’s digital world driven by social media in all of its permutations and cruelest forms. “A harrowing and visceral read. Fensten takes you straight into the heart of darkness in her debut book. A must-have for true crime readers everywhere.” —Jesse P. Pollack, author of The Acid King Daddy’s Little Secret: In this poignant story, a daughter tells of learning about her father’s double life upon his murder, and her quest to assist the detectives—along the way discovering deadly secrets that could help her father’s killer escape the death penalty should she come forward. “An engrossing true story about alternative lifestyles, domination, hidden secrets and a late night murder.” —John Ferak, bestselling author of Failure of Justice My Son, the Killer: In 2012, Luka Magnotta had earned his notoriety by videotaping himself stabbing Chinese student Lin Jun to death with an ice pick and dismembering the body, before posting the video online. After mailing Jun's hands and feet to elementary schools, he was arrested at an Internet café in Berlin where he was reading news stories about himself. This book tells the story with input from the killer’s estranged mother. “One of the oddest murders of our times deserves one of the most interesting books of our times. This is it.” —Patrick Quinlan, Los Angeles Times–bestselling author of Smoked

Dix Steele is back in town, and 'town' is post-war LA. His best friend Brub is on the force of the LAPD, and as the two meet in country clubs and beach bars, they discuss the latest case: a strangler is preying on young women in the dark. Dix listens with interest as Brub describes their top suspect, as yet unnamed. Dix loves the dark and women in equal measure, so he knows enough to watch his step, though when he meets the luscious Laurel Gray, something begins to crack. The American Dream is showing its seamy underside.

A wonderfully wicked new anthology from the editor of The Penguin Book of Gaslight Crime It is the Victorian era and society is both entranced by and fearful of that suspicious character known as the New Woman. She rides those new- fangled bicycles and doesn't like to be told what to do. And, in crime fiction, such female detectives as Loveday Brooke, Dorcas Dene, and Lady Molly of Scotland Yard are out there shadowing suspects, crawling through secret passages, fingerprinting corpses, and sometimes committing a lesser crime in order to solve a murder. In The Penguin Book of Victorian Women in Crime, Michael Sims has brought together all of the era's great crime-fighting females- plus a few choice crooks, including Four Square Jane and the Sorceress of the Strand.

Fourteen chilling tales from the pioneering women who created the domestic suspense genre Murderous wives, deranged husbands, deceitful children, and vengeful friends. Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them? In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.

Awakening in a hospital with a scar on his head and no memory of being found holding a knife over his ex-fiancée's murdered body, crime novelist Drew Danner struggles to reconstruct clues to determine his own guilt or innocence. By the author of The Tower.

Helen Eustis’s The Horizontal Man (1946) won an Edgar Award for best first novel and continues to fascinate as a singular mixture of detection, satire, and psychological portraiture. A poet on the faculty of an Ivy League school is found murdered, setting off ripple effects of anxiety, suspicion, and panic in the hot house atmosphere of an English department rife with talk of Freud and Kafka. This classic novel is one of eight works included in The Library of America's two-volume edition Women Crime Writers: Eight Suspense Novels of the 1940s & 50s, edited by Sarah Weinman.

"Highsmith's novels are peerlessly disturbing...bad dreams that keep us thrashing for the rest of the night." —The New Yorker For two years, Walter Stackhouse has been a faithful and supportive husband to his wife, Clara. She is distant and neurotic, and Walter finds himself harboring gruesome fantasies about her demise. When Clara's dead body turns up at the bottom of a cliff in a manner uncannily resembling the recent death of a woman named Helen Kimmel who was murdered by her husband, Walter finds himself under intense scrutiny. He commits several blunders that claim his career and his reputation, cost him his friends, and eventually threaten his life. The Blunderer examines the dark obsessions that lie beneath the surface of seemingly ordinary people. With unerring psychological insight, Patricia Highsmith portrays characters who cross the precarious line separating fantasy from reality.

Whether the story is a murder mystery, a tale of suspense, a psychological study of the characters affected by a devastating event, a courtroom drama, a police procedural ... the question remains the same. Why crime? Why exists this fascination with crime and why, above all, exists this fascination with crime on the part of female writers? -- Elizabeth George In A Moment on the Edge, bestselling author Elizabeth George has selected a stunning collection of twenty-six crime stories from some of the best practitioners of the genre, who also happen to be some of the most successful women writers of our time. These shocking and compulsively readable stories are arranged chronologically, starting with the classic "A Jury of Her Peers" by Susan Glaspell (1917). Also included are stories by Golden Age mystery writers Dorothy L. Sayers and Ngaio Marsh, and New Golden Age author Sara Paretsky, as well as selections by writers outside the genre, such as Shirley Jackson, Nadine Gordimer, Antonia Fraser, and Joyce Carol Oates. Collectively these stories illustrate how crimefiction -- especially that written by women about women -- has changed in the last hundred years. As Elizabeth George notes in her introduction, "All of these authors share in common a desire to explore mankind in a moment on the edge. The edge equates to the crime committed. How the characters deal with the edge is the story." This is a must-have anthology for aficionados of crime fiction.