Women And Prison

An award-winning investigative journalist examines increasing rates of women imprisonment in today's America, in a report that draws on interviews with inmates, correctional officers, and administrators to offer insight into the societal impact of female incarceration. Original.

This edited volume presents research about life in prison for women, discussing both incarcerated women and those working in prisons. It addresses women’s paths through the criminal justice system from sentencing through post-incarceration and reintegration into society, highlighting the differences in women's experience of prison compared to their male counterparts and noting both the positive and negative changes implemented for women behind bars. Covering research on stigma, pop culture, motherhood, sexuality and gender, access to healthcare, vocational training, and educational opportunities, this text takes both a local and international view. Women and Prison is a comprehensive volume suitable for criminal justice researchers, mental health professionals, students of criminology, women's studies, sociology and those seeking a career in corrections.

“Essential reading” on some of the most egregious human rights violations within women’s prisons in the United States (Piper Kerman, author of Orange is the New Black) Here, in their own words, thirteen women recount their lives leading up to incarceration and their harrowing struggle for survival once insides. Among the narrators: Theresa, who spent years believing her health and life were in danger, being aggressively treated with a variety of medications for a disease she never had. Only on her release did she discover that an incompetent prison medical bureaucracy had misdiagnosed her with HIV. Anna, who repeatedly warned apathetic prison guards about a suicidal cellmate. When the woman killed herself, the guards punished Anna in an attempt to silence her and hide their own negligence. Teri, who was sentenced to up to fifty years for aiding and abetting a robbery when she was only seventeen. A prison guard raped Teri, who was still a teenager, and the assaults continued for years with the complicity of other staff.

This singular history of a prison, and the queer women and trans people held there, is a window into the policing of queerness and radical politics in the twentieth century. The Women's House of Detention, a landmark that ushered in the modern era of women's imprisonment, is now largely forgotten. But when it stood in New York City's Greenwich Village, from 1929 to 1974, it was a nexus for the tens of thousands of women, transgender men, and gender-nonconforming people who inhabited its crowded cells. Some of these inmates--Angela Davis, Andrea Dworkin, Afeni Shakur--were famous, but the vast majority were incarcerated for the crimes of being poor and improperly feminine. Today, approximately 40 percent of the people in women's prisons identify as queer; in earlier decades, that percentage was almost certainly higher. Historian Hugh Ryan explores the roots of this crisis and reconstructs the little-known lives of incarcerated New Yorkers, making a uniquely queer case for prison abolition--and demonstrating that by queering the Village, the House of D helped defined queerness for the rest of America. From the lesbian communities forged through the Women's House of Detention to the turbulent prison riots that presaged Stonewall, this is the story of one building and much more: the people it caged, the neighborhood it changed, and the resistance it inspired.

This book takes a comprehensive look at women in America's prisons, covering the history of women's prisons, crime rates, and sentencing practices. It provides detailed descriptions of prisoner subcultures, programs, management and staff issues, and legal issues of female prisoners, while also expanding beyond U.S. soil to compare women's prisons in other countries.

It is old news that the conditions and policies of women's prisons are different from those for incarcerated men. Less evident, however, is how gender differences shape those policies, and how gender identity and roles shape women's adaptation and resistance to prison culture and control. The papers in this collection explore how the gender-based attitudes that women bring to prison frame how they respond to the prison environment -- and how gender stereotypes continue to affect the treatment and opportunities of incarcerated women today. It looks particularly at how the personal and social problems imported into the prison setting become part of the intricate web of prison culture and how extensively women's prison experience reflects the control and domination they experienced in the outside world.

“Life in a women’s prison is full of surprises,” writes Cristina Rathbone in her landmark account of life at MCI-Framingham. And so it is. After two intense court battles with prison officials, Rathbone gained unprecedented access to the otherwise invisible women of the oldest running women’s prison in America. The picture that emerges is both astounding and enraging. Women reveal the agonies of separation from family, and the prevalence of depression, and of sexual predation, and institutional malaise behind bars. But they also share their more personal hopes and concerns. There is horror in prison for sure, but Rathbone insists there is also humor and romance and downright bloody-mindedness. Getting beyond the political to the personal, A World Apart is both a triumph of empathy and a searing indictment of a system that has overlooked the plight of women in prison for far too long. At the center of the book is Denise, a mother serving five years for a first-time, nonviolent drug offense. Denise’s son is nine and obsessed with Beanie Babies when she first arrives in prison. He is fourteen and in prison himself by the time she is finally released. As Denise struggles to reconcile life in prison with the realities of her son’s excessive freedom on the outside, we meet women like Julie, who gets through her time by distracting herself with flirtatious, often salacious relationships with male correctional officers; Louise, who keeps herself going by selling makeup and personalized food packages on the prison black market; Chris, whose mental illness leads her to kill herself in prison; and Susan, who, after thirteen years of intermittent incarceration, has come to think of MCI-Framingham as home. Fearlessly truthful and revelatory, A World Apart is a major work of investigative journalism and social justice.

The story of a woman in the prison system and her experiences, both while incarcerated and after she is paroled.

The story of the rise of prisons and development of prison systems in the United States has been studied extensively in scholarship, but the experiences of female inmates in these institutions have not received the same attention. Historically, women incarcerated in prison, jails, and reformatories accounted for a small number of inmates across the United States. Early on, they were often held in prisons alongside men and faced neglect, exploitation, and poor living conditions. Various attempts to reform them, ranging from moral instruction and education to domestic training, faced opposition at times from state officials, prison employees, and even male prison reformers. Due to the consistent small populations and relative neglect the women often faced, their experiences in prison have been understudied. This collection of essays seeks to recapture the perspective on women’s prison experience from a range of viewpoints. This edited collection will explore the challenges women faced as inmates, their efforts to exert agency or control over their lives and bodies, how issues of race and social class influenced experiences, and how their experiences differed from that of male inmates. Contributions extend from the early nineteenth century into the twenty-first century to provide an opportunity to examine change over time with regards to female imprisonment. Furthermore, the chapters examine numerous geographic regions, allowing for readers to analyze how place and environment shapes the inmate experience.

Prison of Women presents oral testimonies of women incarcerated following the Spanish Civil War. The primary voice in the collection, Tomasa Cuevas, spent many years in prisons throughout Spain as a political prisoner. After the death of Franco in 1975, Cuevas began to collect oral testimonies from women she had known in prison as she traveled throughout Spain recording their stories. These, along with hers, eventually were published in three volumes in Spain. Prison of Women is a collaboration between Tomasa Cuevas and Mary E. Giles, translator and editor, who wrote the introduction and afterword, and provided contextual information in notes and a glossary. The testimonies offer a compelling record of the years leading up to the Spanish Civil War, the aftermath of that horrendous struggle, and a revealing testament to the strength of the human spirit.