Wolf Lamb Bomb

Aviya Kushner (The Grammar of God) places the prophet Isaiah in the position of poet, crooner, and rival in her debut poetry collection, seeking a guide in poetry and in life.

"The author recalls how, after becoming very familiar with the Biblical Old Testament in its original Hebrew growing up, an encounter with an English language version led her on a ten-year project of examining various translations of the Old Testament and their histories, "--Novelist.

After the best-seller The End is My Beginning, co-authored with his father Tixiano Terzani, the long-awaited Folco Terzani’s comeback with a spiritual fable of nature, men and God.

Half-student, half-servant in the military Royal School of Sordaling, where he appears short and ugly to his tall Velonyan companions, Nazhuret is forced out at age 20. He is taken on by Powl - a mysterious individual learned in arts such as astronomy, war and languages - who teaches Nazhuret, above all, to control his body and mind. After several years, Nazhuret begins to find his own way, traveling around Velonya as an itinerant optician and befriending a wolf. Going south, he works as a bouncer in a tavern, where he discovers his mixed heritage: he is part Rezhmian, of a neighboring country often at war with Velonya. When he discovers a plot to kill King Raduf, Nazhuret's training, both of body and mind, is sorely tested. MacAvoy's complex realm is full of confusion and ambiguity, in which, as Powl says, "You, Nazhuret . . . are the lens of the world: the lens through which the world may become aware of itself. The world, on the the other hand, is the only lens in which you can see yourself."

A Vietnamese-Israeli writes scorching poems about sex, dislocation, cruelty, vulnerability, and the question that pursues her, Where did I come from?

ALA Notable Book; 1994 Mississippi Writers Award for Fiction; 1994 Southern Book Critics Circle Award for Fiction. In WOLF WHISTLE, Lewis Nordan unleashes the hellhounds of his prodigious imagination on one of the most notorious racial killings of the century, the Emmett Till murder. Soon we're on a magical mystery tour of the Southern psyche of the mid-1950s and the dawning of guilt and recognition in a whole generation of white Southerners. "An immense and wall-shattering display of talent. WOLF WHISTLE will help usher Lewis Nordan into the Hall of Fame of American Letters."--Randall Kenan, The Nation.

Poetry. In her debut poetry collection, Rachel Kaufman enters the archive's unconscious to reveal the melodies hidden within the language of the past. MANY TO REMEMBER unravels the histories of New Mexican crypto-Jews and the Mexican Inquisition alongside the poet's own family histories. Kaufman's poems follow "fleshed like fables" and "the past's near ending" to arrive at an "alphabet, gardened, growing," creased and longing to translate the past for the present.

Vintage Tom Wolfe, The Bonfire of the Vanities, the #1 bestseller that will forever define late-twentieth-century New York style. "No one has portrayed New York Society this accurately and devastatingly since Edith Wharton" (The National Review) “A page-turner . . . Brilliant high comedy.” (The New Republic) Sherman McCoy, the central figure of Tom Wolfe's first novel, is a young investment banker with a fourteen-room apartment in Manhattan. When he is involved in a freak accident in the Bronx, prosecutors, politicians, the press, the police, the clergy, and assorted hustlers high and low close in on him, licking their chops and giving us a gargantuan helping of the human comedy, of New York in the 1980s, a city boiling over with racial and ethnic hostilities and burning with the itch to Grab It Now. Wolfe's novel is a big, panoramic story of the metropolis that reinforces the author's reputation as the foremost chronicler of the way we live in America. Adapted to film in 1990 by director Brian De Palma, the movie stars Tom Hanks, Bruce Willis, Melanie Griffith, and Morgan Freeman.

Explores the strange and intricate mechanics of human systems-of the body, of thought, of language itself. These are the engines, like poetry, that propel both our comprehension and misunderstanding. "If you're lucky, " Harvey writes, "after a number of / revolutions, you'll / feel something catch."