Without A Summer

Regency-era glamourists Jane and Vincent Ellsworth hope to bolster Melody's chances for a good marriage by accepting a commission from a prominent London family, a job that embroils them in an international crisis.

Like Winchester's Krakatoa, The Year Without Summer reveals a year of dramatic global change long forgotten by history In the tradition of Krakatoa, The World Without Us, and Guns, Germs and Steel comes a sweeping history of the year that became known as 18-hundred-and-froze-to-death. 1816 was a remarkable year—mostly for the fact that there was no summer. As a result of a volcanic eruption in Indonesia, weather patterns were disrupted worldwide for months, allowing for excessive rain, frost, and snowfall through much of the Northeastern U.S. and Europe in the summer of 1816. In the U.S., the extraordinary weather produced food shortages, religious revivals, and extensive migration from New England to the Midwest. In Europe, the cold and wet summer led to famine, food riots, the transformation of stable communities into wandering beggars, and one of the worst typhus epidemics in history. 1816 was the year Frankenstein was written. It was also the year Turner painted his fiery sunsets. All of these things are linked to global climate change—something we are quite aware of now, but that was utterly mysterious to people in the nineteenth century, who concocted all sorts of reasons for such an ungenial season. Making use of a wealth of source material and employing a compelling narrative approach featuring peasants and royalty, politicians, writers, and scientists, The Year Without Summer by William K. Klingaman and Nicholas P. Klingaman examines not only the climate change engendered by this event, but also its effects on politics, the economy, the arts, and social structures.

"If you have a Jane Austen-would-have-been-my-best-friend complex, look no further . . . [Barron] has painstakingly sifted through the famed author's letters and writings, as well as extensive biographical information, to create a finely detailed portrait of Austen's life—with a dash of fictional murder . . . Some of the most enjoyable, well-written fanfic ever created."—O Magazine May 1816: Jane Austen is feeling unwell, with an uneasy stomach, constant fatigue, rashes, fevers and aches. She attributes her poor condition to the stress of family burdens, which even the drafting of her latest manuscript—about a baronet's daughter nursing a broken heart for a daring naval captain—cannot alleviate. Her apothecary recommends a trial of the curative waters at Cheltenham Spa, in Gloucestershire. Jane decides to use some of the profits earned from her last novel, Emma, and treat herself to a period of rest and reflection at the spa, in the company of her sister, Cassandra. Cheltenham Spa hardly turns out to be the relaxing sojourn Jane and Cassandra envisaged, however. It is immediately obvious that other boarders at the guest house where the Misses Austen are staying have come to Cheltenham with stresses of their own—some of them deadly. But perhaps with Jane’s interference a terrible crime might be prevented. Set during the Year without a Summer, when the eruption of Mount Tambora in the South Pacific caused a volcanic winter that shrouded the entire planet for sixteen months, this fourteenth installment in Stephanie Barron’s critically acclaimed series brings a forgotten moment of Regency history to life.

LONGLISTED FOR THE WALTER SCOTT HISTORICAL FICTION PRIZE 2021 SHORTLISTED FOR THE HWA GOLD CROWN AWARD 2020 'A STRIKINGLY SHARP AND SUBTLE WRITER' Guardian 'SUPERB...BEAUTIFULLY WRITTEN...UNFORGETTABLE' FT Weekend 'SKILFUL' Sunday Times 'RICH, INTRICATE, IMPRESSIVELY REALISED' Observer 'VIVIDLY REALISED' The Times 'A VISION OF THE PAST AND A VISION OF THE FUTURE' Irish Times 'A VIVID SLICE OF HISTORICAL FICTION' Sunday Express 1815, Sumbawa Island, Indonesia Mount Tambora explodes in a cataclysmic eruption, killing thousands. Sent to investigate, ship surgeon Henry Hoggcan barely believe his eyes. Once a paradise, the island is now solid ash, the surrounding sea turned to stone. But worse is yet to come: as the ash cloud rises and covers the sun, the seasons will fail. 1816 In Switzerland, Mary Shelley finds dark inspiration. Confined inside by the unseasonable weather, thousands of famine refugees stream past her door. In Vermont, preacher Charles Whitlock begs his followers to keep faith as drought dries their wells and their livestock starve. In Suffolk, the ambitious and lovesick painter John Constable struggles to reconcile the idyllic England he paints with the misery that surrounds him. In the Fens, farm labourer Sarah Hobbs has had enough of going hungry while the farmers flaunt their wealth. And Hope Peter, returned from the Napoleonic wars, finds his family home demolished and a fence gone up in its place. He flees to London, where he falls in with a group of revolutionaries who speak of a better life, whatever the cost. As desperation sets in, Britain becomes beset by riots - rebellion is in the air. The Year Without Summeris the story of the books written, the art made; of the journeys taken, of the love longed for and the lives lost during that fateful year. Six separate lives, connected only by an event many thousands of miles away. Few had heard of Tambora - but none could escape its effects. 'VIVID, VIBRANT, HARD TO PUT DOWN' Hilary Spurling 'THOUGHT-PROVOKING, BEAUTIFULLY WRITTEN AND VERY COMPELLING' Harriet Tyce 'INGENIOUS AND ABSORBING' Kirsty Wark 'ASTONISHING, RIVETING, MASTERFUL, POETIC' Emily Rapp Black 'A WORLDWIDE CANVAS BROUGHT TO LIFE IN VIVID, HEARTBREAKING DETAIL' Marianne Kavanagh

Examines the influence of the eruption of the Indonesian volcano, Mount Tambora, on the weather conditions in Europe and New England.

This book brings together science fiction, history, visual art, and exploration to reframe the relationship among climate, crisis, and creation. A Year Without a Winter presents stories by four renowned science fiction authors alongside critical essays, extracts from Mary Shelley's Frankenstein, and dispatches from extreme geographies.

“Lebowitz highlights the parables, fables and myths we humans created in order to weave meaning into our lives and to which we return for comfort.” —Atlantic Books Today On April 10th, 1815, Indonesia’s Mount Tambora erupted. The resulting build-up of ash in the stratosphere altered weather patterns and led, in 1816, to a year without summer. Instead, there were June snowstorms, food shortages, epidemics, inventions, and the proliferation of new cults and religious revivals. Hauntingly meaningful in today’s climate crisis, Lebowitz’s lyric essay charts the events and effects of that apocalyptic year. Weaving together history, mythology, and memoir, The Year of No Summer ruminates on weather, war, and our search for God and meaning in times of disaster.

In Jenny Han's follow-up to The Summer I Turned Pretty, Belly finds out what comes after falling in love. Now available in paperback!

"And who among us would deny Jane Austen her happy endings or insist that Cary Grant and Irene Dunne should get back together at the end of The Awful Truth? There are tragedies and there are comedies, aren't there? And they are often more the same than different, rather like men and women, if you ask me. A comedy depends on stopping the story at exactly the right moment." Mia Fredrickson, the wry, vituperative, tragic comic, poet narrator of The Summer Without Men, has been forced to reexamine her own life. One day, out of the blue, after thirty years of marriage, Mia's husband, a renowned neuroscientist, asks her for a "pause." This abrupt request sends her reeling and lands her in a psychiatric ward. The June following Mia's release from the hospital, she returns to the prairie town of her childhood, where her mother lives in an old people's home. Alone in a rented house, she rages and fumes and bemoans her sorry fate. Slowly, however, she is drawn into the lives of those around her—her mother and her close friends,"the Five Swans," and her young neighbor with two small children and a loud angry husband—and the adolescent girls in her poetry workshop whose scheming and petty cruelty carry a threat all their own. From the internationally bestselling author of What I Loved comes Siri Hustvedt's provocative, witty, and revelatory novel about women and girls, love and marriage, and the age-old question of sameness and difference between the sexes.