Without A Dowry Other Plays

Contemporary of Turgenev, Dostoevsky, and Tolstoy and precursor to Chekhov, he was a keen sociological observer, often exposing abuses of power, landing him in trouble with the censors again and again. He wrote 47 original plays and began the tradition of acting today associated with Stanislavsky. Ostrovsky’s plays were written with performance in mind and with a masterful use of colloquial language. To this day they are a much-performed part of the Russian repertory. Â This volume collects four of Ostrovsky’s key plays, each from a different decade—A Profitable Position, An Ardent Heart, Without a Dowry, and Talents and Admirers, and is rounded out by the translator’s introduction, an afterword for each play, an extensive bibliography, and complete list of Ostrovsky’s works.

Leo Tolstoy's 'The Complete Works' is a monumental collection encompassing his diverse literary output. With works ranging from epic novels such as 'War and Peace' and 'Anna Karenina' to thought-provoking essays on art, religion, and politics, Tolstoy's writing showcases his deep understanding of human nature and societal issues. His distinct literary style combines vivid storytelling with philosophical introspection, making his works timeless classics in the literary canon. Tolstoy's exploration of moral dilemmas and ethical questions resonates with readers of all ages, as he challenges conventional norms and delves into the complexities of the human experience. Leo Tolstoy, a prolific Russian writer and thinker, drew inspiration from his own life experiences and philosophical beliefs to create works that continue to captivate audiences worldwide. His commitment to social change and spiritual enlightenment is evident throughout his writings, as he grapples with the fundamental questions of existence and morality. Tolstoy's dedication to truth and authenticity infuses his works with a sense of urgency and relevance that transcends time and place. I highly recommend 'The Complete Works of Leo Tolstoy' to readers seeking a deeper understanding of human nature, morality, and the complexities of society. Tolstoy's profound insights and timeless storytelling make this collection a must-read for anyone interested in exploring the depths of the human soul and the complexities of the world we inhabit.

English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost--until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of songs, both popular and composed, to reconstruct hundreds of songs from more than a hundred plays and other stage entertainments. Thanks to Duffin's incredible breakthrough, these plays have been rendered performable with period music for the first time in five hundred years. Some Other Note not only brings these songs back from the dead, but tells a thrilling tale of the investigations that unraveled these centuries-old mysteries.

Eric Bentley brings to the attention of Gogol's still growing American public not only a new version of Inspector, but three other dramatic works: The Marriage, Gamblers and A Madman's Diary, the last-named being Bentley's dramatization of a famous Gogol story. In a critical preface, Bentley finds all four works to be a Gogolian treatment of love - or the lack of love - and by the same token, thoroughly original works of dramatic art. Also includes a piece on Gamblers by the eminent Polish critic Jan Kott.

Felicia R. McMahon breaks new ground in the presentation and analysis of emerging traditions of the \Lost Boys, \ a group of parentless youths who fled Sudan under tragic circumstances in the 1990s. With compelling insight, McMahon analyzes the oral traditions of the DiDinga Lost Boys, about whom very little is known. Her vibrant ethnography provides intriguing details about the performances and conversations of the young DiDinga in Syra-cuse, New York. It also offers important insights to scholars and others who work with refugee groups. The author argues that the playful traditions she describes constitute a strategy by which these young men proudly po-sition themselves as pre-servers of DiDinga culture and as harbingers of social change rather than as victims of war. Drawing ideas from folklore, linguistics, drama, and play theory, the author documents the danced songs of this unique group. Her inclusion of original song lyrics translated by the singers and descriptions of conversations convey the voices of the young men. Well researched and carefully developed, this book makes an original contribution to our understanding of refugee populations and tells a compelling story at the same time. Felicia R. McMahon is a research professor in anthropology at Syracuse University. A former Fulbright Scholar, she has published in several folklore journals and is the coeditor of Children's Folklore: A Sourcebook, which won an American Folklore Society Opie Prize for Best Edited Book

Springtime love blooms in the English village of Gresham, making even a bruised and timid heart feel renewed.