Witchcraft Through The Ages

Benjamin Christensen's macabre masterpiece from 1922, H¢xan (The Witch), is the first true `film maudit' (literally a `cursed film') and can justifiably be considered the world's first cult movie. Greeted by angry protests upon release, it was censored, banned and condemned everywhere. Was H¢xan the first and most perverse exploitation film, replete with Satanic debauchery, or the original classic of documentary cinema? Who was this mysterious man, Benjamin Christensen, and what really drove him to create this extraordinary epic?

All the known theories and incidents of witchcraft in Western Europe from the fifth to the fifteenth century are brilliantly set forth in this engaging and comprehensive history. Building on a foundation of newly discovered primary sources and recent secondary interpretations, Jeffrey Burton Russell first establishes the facts and then explains the phenomenon of witchcraft in terms of its social and religious environment, particularly in relation to medieval heresies. Russell treats European witchcraft as a product of Christianity, grounded in heresy more than in the magic and sorcery that have existed in other societies. Skillfully blending narration with analysis, he shows how social and religious changes nourished the spread of witchcraft until large portions of medieval Europe were in its grip, "from the most illiterate peasant to the most skilled philosopher or scientist." A significant chapter in the history of ideas and their repression is illuminated by this book. Our enduring fascination with the occult gives the author's affirmation that witchcraft arises at times and in areas afflicted with social tensions a special quality of immediacy.

Stephen A. Mitchell here offers the fullest examination available of witchcraft in late medieval Scandinavia. He focuses on those people believed to be able—and who in some instances thought themselves able—to manipulate the world around them through magical practices, and on the responses to these beliefs in the legal, literary, and popular cultures of the Nordic Middle Ages. His sources range from the Icelandic sagas to cultural monuments much less familiar to the nonspecialist, including legal cases, church art, law codes, ecclesiastical records, and runic spells. Mitchell's starting point is the year 1100, by which time Christianity was well established in elite circles throughout Scandinavia, even as some pre-Christian practices and beliefs persisted in various forms. The book's endpoint coincides with the coming of the Reformation and the onset of the early modern Scandinavian witch hunts. The terrain covered is complex, home to the Germanic Scandinavians as well as their non-Indo-European neighbors, the Sámi and Finns, and it encompasses such diverse areas as the important trade cities of Copenhagen, Bergen, and Stockholm, with their large foreign populations; the rural hinterlands; and the insular outposts of Iceland and Greenland. By examining witches, wizards, and seeresses in literature, lore, and law, as well as surviving charm magic directed toward love, prophecy, health, and weather, Mitchell provides a portrait of both the practitioners of medieval Nordic magic and its performance. With an understanding of mythology as a living system of cultural signs (not just ancient sacred narratives), this study also focuses on such powerful evolving myths as those of "the milk-stealing witch," the diabolical pact, and the witches' journey to Blåkulla. Court cases involving witchcraft, charm magic, and apostasy demonstrate that witchcraft ideologies played a key role in conceptualizing gender and were themselves an important means of exercising social control.

Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women

Magic has played a part in most cultures throughout human history. Traditions and practices may differ but the essential elements remain the same. This history examines the roots and foundation of magic, and the way it has helped to shape our view of the universe and our place within it.

Color Paperback. Size: 6 inches x 9 inches. 82 sheets (164 pages for writing). Haxan Witchcraft Through The Ages. 156934362041

The anthology 'The History of Witchcraft in Europe Throughout the Ages' presents an unparalleled exploration of witchcraft's multifaceted history through a compendium of perspectives, ranging from the chilling accounts of Bram Stoker to the meticulous historical analyses of William Godwin. This collection unites a spectrum of literary styles, from scholarly dissertations to narrative histories, reflecting the diverse methodologies and approaches used to understand the phenomenon of witchcraft. Its significance lies not only in the assembly of works from notable authors but also in the varied thematic concerns it addresses, including the evolution of witchcraft beliefs, legal perspectives on witchcraft trials, and the intersection of witchcraft with gender and society. The anthology stands out for its broad temporal and geographical coverage, offering readers a comprehensive view of European witchcraft from the medieval to the modern era. The backgrounds of the contributing authors and editors span several centuries, encompassing luminaries from the realms of literature, history, and anthropology. Figures such as Jules Michelet and Margaret Murray bring to the collection a depth of expertise and insight, allowing the anthology to traverse various historical, cultural, and literary movements. Together, these voices illuminate the complex narratives and interpretations of witchcraft, enriching the anthologys thematic richness and historical breadth. 'The History of Witchcraft in Europe Throughout the Ages' offers readers an exceptional opportunity to engage with the multifaceted narratives surrounding European witchcraft. Beyond its academic value, the anthology invites a broader audience to explore the intriguing interplay between history, folklore, and society through witchcrafts lens. This collection is not only a gateway into the historical and cultural dimensions of witchcraft but also fosters a dialogue between differents authors works, encouraging a deeper understanding and appreciation of this complex topic. For anyone interested in the intersections of history, culture, and mythology, this anthology is an indispensable resource.

The true stories of eleven notorious women, across five centuries, who were feared, victimized, and condemned for witchcraft in the British Isles. Beginning with the late Middle Ages—from Ireland to Hampshire—hundreds of women were accused of spellcasting, wicked seduction, murder, and consorting with the devil. Most were fated for the gallows or the stake. What did it mean for these prisoners to stand accused? What were they really guilty of? And by whom were they persecuted? Drawing on a wealth of primary sources including trial documents, church and census records, and the original sensationalist pamphlets describing the crimes, historian Willow Winsham finds the startling answers to these questions. In the process, she resurrects the lives, deaths, and mysteries of eleven women subjected to history’s most notable witch trials. From Irish “sorceress” Alice Kyteler who, in 1324 was the first accused witch on record, to Scottish psychic Helen Duncan who, in 1944, was the last woman imprisoned under Britain’s Witchcraft Act of 1735. Dames, servant girls, aggrieved neighbors, suspect widows, cat ladies, prostitutes, mothers, wives, daughters, and sisters. Accused brings all these victims, and the eras in which they lived and died, back to life in “an incredibly well researched . . . stunning and admirable piece of work, highly recommended” (Terry Tyler, author of the Project Renova series).

The earth, the moon, and the magical path to enlightenment. Written by a practicing witch who conducts classes and seminars on witchcraft—the oldest Western religion, a means of power and enlightenment, and a healing art. “Laurie Cabot has written a fascinating account of a beautiful and sadly misunderstood religion, witchcraft. She has with her life and work done a great deal to legitimize this ancient pagan form of worship. I am among the ecumenical Christians who have discovered the truth about witchcraft, that it is neither demonic nor evil. Power of the Witch is a marvelous introduction to the magical and highly ethical world of wicca.”—Whitley Strieber