Winona

Winona LaDuke is a leader in cultural-based sustainable development strategies, renewable energy, sustainable food systems and Indigenous rights. Her new book, To Be a Water Protector: Rise of the Wiindigoo Slayers, is an expansive, provocative engagement with issues that have been central to her many years of activism. LaDuke honours Mother Earth and her teachings while detailing global, Indigenous-led opposition to the enslavement and exploitation of the land and water. She discusses several elements of a New Green Economy and outlines the lessons we can take from activists outside the US and Canada. In her unique way of storytelling, Winona LaDuke is inspiring, always a teacher and an utterly fearless activist, writer and speaker. Winona LaDuke is an Anishinaabekwe (Ojibwe) enrolled member of the Mississippi Band Anishinaabeg who lives and works on the White Earth Reservation in Northern Minnesota. She is executive director of Honor the Earth, a national Native advocacy and environmental organization. Her work at the White Earth Land Recovery Project spans thirty years of legal, policy and community development work, including the creation of one of the first tribal land trusts in the country. LaDuke has testified at the United Nations, US Congress and state hearings and is an expert witness on economics and the environment. She is the author of numerous acclaimed articles and books.

Through images collected and archived in the Winona County Historical Society's History Center, Walter Bennick illustrates the history of Winona.--

A young girl describes her family's experiences--and her younger sister's antics--when a drought forces them to make their way on Route 66 from Oklahoma to California.

An eye-opening exploration of race in America In this deeply inspiring book, Winona Guo and Priya Vulchi recount their experiences talking to people from all walks of life about race and identity on a cross-country tour of America. Spurred by the realization that they had nearly completed high school without hearing any substantive discussion about racism in school, the two young women deferred college admission for a year to collect first-person accounts of how racism plays out in this country every day--and often in unexpected ways. In Tell Me Who You Are, Guo and Vulchi reveal the lines that separate us based on race or other perceived differences and how telling our stories--and listening deeply to the stories of others--are the first and most crucial steps we can take towards negating racial inequity in our culture. Featuring interviews with over 150 Americans accompanied by their photographs, this intimate toolkit also offers a deep examination of the seeds of racism and strategies for effecting change. This groundbreaking book will inspire readers to join Guo and Vulchi in imagining an America in which we can fully understand and appreciate who we are.

How Native American history can guide us today: “Presents strong voices of old, old cultures bravely trying to make sense of an Earth in chaos.” —Whole Earth Written by a former Green Party vice-presidential candidate who was once listed among “America’s fifty most promising leaders under forty” by Time magazine, this thoughtful, in-depth account of Native struggles against environmental and cultural degradation features chapters on the Seminoles, the Anishinaabeg, the Innu, the Northern Cheyenne, and the Mohawks, among others. Filled with inspiring testimonies of struggles for survival, each page of this volume speaks forcefully for self-determination and community. “Moving and often beautiful prose.” —Ralph Nader “Thoroughly researched and convincingly written.” —Choice

Using none of the traditional routes, Winona Ryder established herself as the single most exciting actress of her generation. From her Hollywood movie debut at the age of thirteen to starring alongside Sigourney Weaver in Alien Resurrection, this affectionate biography traces the events and circumstances that shaped her career and propelled her from teen star to cultural icon. This specially prepared digital edition has been completely revised by restoring passages cut out of the original 1998 manuscript together with the addition of new material.

Born at the turn of the 21st century, The Storyteller, also known as Ishkwegaabawiikwe (Last Standing Woman), carries her people’s past within her memories. The White Earth Anishinaabe people have lived on the same land for over a thousand years. Among the towering white pines and rolling hills, the people of each generation are born, live out their lives, and are buried. The arrival of European missionaries changes the community forever. Government policies begin to rob the people of their land, piece by piece. Missionaries and Indian agents work to outlaw ceremonies the Anishinaabeg have practised for centuries. Grave-robbing anthropologists dig up ancestors and whisk them away to museums as artifacts. Logging operations destroy traditional sources of food, pushing the White Earth people to the brink of starvation. Battling addiction, violence, and corruption, each member of White Earth must find their own path of resistance as they struggle to reclaim stewardship of their land, bring their ancestors home, and stay connected to their culture and to each other. In this highly anticipated 25th anniversary edition of her debut novel, Winona LaDuke weaves a nonlinear narrative of struggle and triumph, resistance and resilience, spanning seven generations from the 1800s to the early 2000s.

The prize-winning entry in a national competition for distinctively Canadian fiction, Winona was serialized in a Montreal story paper in 1873. The novel focuses on the lives of two foster-sisters raised in the northern Ontario wilderness: Androsia Howard, daughter of a retired military officer, and Winona, the daughter of a Huron chief. As the story begins, both have come under the sway of the mysterious and powerful Andrew Farmer, who has proposed to Androsia while secretly pursuing Winona. With the arrival of Archie Frazer, the son of an old military friend, there is a violent crisis, and the scene shifts southward as Archie takes the foster-sisters via Toronto to his family's estate in the Thousand Islands region of the St. Lawrence River. Farmer follows, and the narrative moves towards a sensational climax. The critical introduction and appendices to this edition place Winona in the contexts of Crawford's career, the contemporary market for serialized fiction, the sensation novel of the 1860s, nineteenth-century representations of women and North American indigenous peoples, and the emergence of Canadian literary nationalism in the era following Confederation.

​Winona Prescott has only ever known a life of embarking on great adventures alongside her mother, whose successful art career takes her all over the world. She knows exactly what she wants for her future -- college, then more travels to pursue her own blossoming talent for art -- and her mother is going to be by her side ready to take on the world with her. That pleasant dream of blissful certainty turns into an inescapable nightmare when her mother perishes in a car accident, throwing Winona into a world of disarray and grief that she has no idea how to handle on her own. When she is forced to live with her estranged father and a stepfamily she wants nothing to do with in the small town of Port Lowell, she finds herself trapped in a life that no longer feels like her own. Just when she thinks she can sink no lower into her grief, a mysterious girl named Julia Parker comes along and shows her how to find the light in the darkness through a series of rule-breaking adventures, party excursions, and meaningful walks on the beach. However, Julia shows her that nothing is quite what it seems in Port Lowell. When another life-changing event strikes close to home, Winona is forced to face the haunting memory of the night of her mother's crash once and for all, and do the most difficult thing she'll ever have to do in her life: say goodbye.

Before its founding by white settlers, Winona, Minnesota, was the home of a band of Sioux led by the great Wapasha dynasty. After white settlement began in 1851, the city's growth was fueled by the Mississippi riverboat trade. Groups of immigrants passed through the "Gate City," and many stayed, founding enduring ethnic communities and building a city that for a brief time rivaled Minneapolis. The settlement covered the sandy flats with houses, churches, colleges, and factories, and carved the hill "Wapasha's Cap" into the landmark now known as Sugar Loaf. Yesterday's riverboats have given way to today's recreational vehicles, but Winona's factories and businesses still sell products to the national market, and the colleges-now universities-are a significant part of the city's life. Through their combined collections of rare postcards, authors Chris Miller and Mary Pendleton take readers on a visual tour of Winona's history, exploring the city's Native American heritage, natural scenery, development, historic landmarks, and long relationship with the Mississippi River.