Wilderness Artist

Practice the Art of Watercolor with this Beginner’s Guide to Picturesque Mountains, Lakes, Sunrises and More From a striking Desert Sunset Silhouette to a majestic Icelandic Waterfall to an eye-catching Magical Snowy Forest, watercolor artist Kolbie Blume’s wilderness scenes are the perfect introduction to watercolor painting. Kolbie’s step-by-step instructions make it easy to paint stunning landscapes featuring all of the key elements of wilderness painting and teach you beginner-friendly techniques for colorful skies, mountains, trees, wildflowers, oceans, lakes, and more. Each chapter teaches progressively more advanced elements, allowing you to build upon your skills as you work through the projects. And the final chapter combines all of the elements in breathtaking scenes—like a Glassy Milky Way and an Aurora Glacier Lagoon—that you’ll be proud to hang on your wall or gift to a friend or family member. With all the tips, tricks, and techniques you need to master the basics of watercolor painting and instructions on how to paint every element of nature, this collection of wilderness landscapes is the go-to guide for both beginner painters and more experienced artists looking for new subjects to paint.

Memorial Book for Elaine Williams Dec 2005.

"[A] gorgeously illustrated compendium."--Sunset This lavishly illustrated atlas takes readers off the beaten path and outside normal conceptions of California, revealing its myriad ecologies, topographies, and histories in exquisite maps and trail paintings. Based on decades of exploring the backcountry of the Golden State, artist-adventurer Obi Kaufmann blends science and art to illuminate the multifaceted array of living, connected systems like no book has done before. Kaufmann depicts layer after layer of the natural world, delighting in the grand scale and details alike. The effect is staggeringly beautiful: presented alongside California divvied into its fifty-eight counties, for example, we consider California made up of dancing tectonic plates, of watersheds, of wildflower gardens. Maps are enhanced by spirited illustrations of wildlife, keys that explain natural phenomena, and a clear-sighted but reverential text. Full of character and color, a bit larger than life, The California Field Atlas is the ultimate road trip companion and love letter to a place.

'This study of the ROM's Paul Kane collection has been complemented by Kane images from other collections - including those of the Stark Museum of Art, Library and Archives Canada, and the Art Gallery of Ontario - and by artifacts from the Manitoba Museum, where such images and artifacts relate of the ROM paintings' -- (Foreword).

In 1918 painter Rockwell Kent took his nine-year-old son to spend a winter on Alaska’s Fox Island. In My Wilderness, Claudia McGehee recounts this vivid nonfiction tale from Rocky’s point of view. Colorful scratchboard-style illustrations echo the rugged subject matter with whimsy while showcasing the wonder of Alaska from a young boy’s imaginative point of view. Hailed as “a tale to treasure again and again” by School Library Journal (starred review), this gorgeous picture book highlights the beauty and power of the Alaskan landscape seen through a boy’s eyes.

John, Peyton, on octogenarian living in Proctor, Minnesota, is well-known throughout the western Great Lakes region as a banker, artist, and award-winning author. Peyton's memoirs, which span most of the twentieth century, begin with his early life in northern Minnesota when Duluth was still a frontier town. He recalls his adventures with the northern Ojibway Indians and time spent hunting and fishing on the rivers of the Northwoods. He describes his years at prep school in New Hampshire, his years at Yale, and banking during the Depression in Wisconsin and Minnesota. Many other experiences of his life in Minnesota, Wisconsin, West Virginia, and Arizona -- always told in a gentle, warm and perceptive manner -- also find their way into these memoirs. Peyton's own paintings and illustrations further enrich the description of his life.

Art. Women's Studies. WILD WOMEN is a celebration of the wilderness as seen through the eyes of three women artists: Joyce Burkholder, Kathy Haycock and Linda Sorensen. The book presents reproductions of each artist's paintings, and photos of the artists at work in the landscape and in their studios followed by a series of conversations that illuminate and compare their individual approaches and techniques. WILD WOMEN: PAINTERS OF THE WILDERNESS is a beautiful art book that is also a strong statement by women about recording, sharing and preserving the Canadian wilderness. It introduces to a wider public a group of contemporary professional women painters who work together and support each other in their mutual goals. Each has a back- to-the land experience that draws her to this remote, rural area and connects her to the wilderness.

Ita Wegman is not only an inspiring genius of Anthroposophy, but she is also a healing genius of anthroposophic medicine. Perseverance, courage, greatness mark her being (Emanuel Zeylmans van Emmichoven). With great empathy, delicacy, and directness, Peter Selg recounts, in three lectures, the moving story of Ita Wegman and her relationship with Rudolf Steiner in the context of the development of anthroposophic medicine and the formation of the Medical Section of the School for Spiritual Science. Steiner had suffered patiently until the right person--Ita Wegman--arrived to guide spiritual science's healing mission into the medical field. In the fall of 1920, Ita Wegman founded a medical clinic in Arlesheim. From then on, she and Steiner worked together, both medically and spiritually, gradually unveiling a karmic working relationship unique in Steiner's life. Thus the stage is set. "By taking in the war-traumatized children we will not lose sight of our task in curative education, on the contrary, it is the actual realization of this task, and if one cannot see that, one is not going forward with the big strides of time. I assure you that I will not fall into small steps; I want to stay with the big strides" (Ita Wegman, Aug. 20, 1942). The second lecture focuses on anthroposophic curative, or therapeutic, education: "the social center, the heart even, of Ita Wegman's 'Medical Section'; To make a commitment to children with severe obstacles in their incarnation, out of spiritual insight into the human being and the wider karmic context, and to make this commitment as a group of people working out of a Christian-religious impulse" this was for Ita Wegman the true anthroposophic medicine." Dr. Selg then describes Dr. Wegman's heroic efforts to create a true community of physicians working anthroposophically out of Steiner's indications and in the spirit of Christ; how she looked after her colleagues, always seeking to wake them up "to the destiny of their own being." She also tried to resist all that was happening in Nazi Germany, never forgetting Steiner's warning: "In the future, the Anthroposophical Society will be faced with the crucial decision of whether responsibilities will be met or not." This is the heart of this wonderful book--the inner struggle to make love responsible.

The compelling story of a legendary artist and an eternal American hero. In 1803, an eighteen-year-old West Indies-born Frenchman arrived in New York City, fleeing Napoleon's conscription. His work would become inextricably entwined with the new world he so proudly adopted in his motto "America, my country." Inspired by the primeval forests and the vast flocks of birds that thrived in them, Audubon spent the next several decades of his life painstakingly documenting the birds of the American wilderness. He traveled the back roads and bayous, searching out and studying the birds that were his pastime and passion. He spent long, silent hours observing them in the wild. He was no amateur ornithologist; rather, he drew his birds from life, and his work always carried the line "drawn from nature by J. J. Audubon." Accompanied by his wife, Lucy, and their two sons, Audubon was able to challenge the world's expectations and win. The story of this loving family's long, profound struggle is as poignant and as relevant today as it was in the early decades of the nineteenth century. Combining meticulous scholarship with the dramatic life story of a naturalist and pioneer, Audubon reexamines the artist's journals and letters to tell the story of Audubon's quest, the origins of the American spirit, and the sacrifice that resulted in one of the world's greatest bodies of art: The Birds of America.

Art in the Wilderness is a voice crying out to the artist, the art historians, educators, politicians, pastors, museums, art galleries, and to all peoples who have a desire for justice, a yearning for knowledge and the need to understand one man’s struggle. The struggle through his arts and his vision of the world around him speaks to us on a personal and universal level. All who read this book will benefit through his courageous honest effort to see the injustices of history past and present. The contents of this work begins with Ronald’s formative years on the island of Trinidad and moves us to a new world where people are divided racially, politically, socially, and even creatively, as witness by the artist during his studies at the various hallowed institutions. The succeeding chapters reflect Ronald’s understanding of our "Art History" and its relationship to society. However in his research he comes to realize a certain truth about the forces that governed and even shaped our understanding about art and a man’s position in the world. Following this path he began his own visual journey to record and express the injustices that prevail and are generally neglected by our grand aesthetic values.