Wild Women And The Blues

Includes author's note, a reading group guide with discussion questions, and an excerpt from Blackbirds.

“Bryce excels at placing readers in a glamorous time and place…riveting and vibrant.” – Booklist Go On Girl Book Club 2021 New Author of the Year | She Reads Best Literary Historical Fiction Coming in 2022 | BookRiot 2022 Historical Fiction to Add to Your TBR Right Now | We are Bookish Historical Fiction Novels You’ll Want in Your Future | BiblioLifestyle Most Anticipated Books of 2022 | BookBub Best Books of Spring 2022 & Best Historical Fiction Books of 2022 | BookTrib Top Ten Historical Fiction Books for the Spring 2022 In this haunting novel, the author of Wild Women and the Blues weaves together two stories as they unfold decades apart, as a woman on the run from an abusive husband joins her intrepid aunt as they head across the country from Chicago to Los Angeles, and confront a painful and shadowy past that has reverberated across generations. 1928, Los Angeles: The newly-built Hotel Somerville is the hotspot for the city's glittering African-American elite. It embodies prosperity and dreams of equality for all—especially Daisy Washington. An up-and-coming journalist, Daisy anonymously chronicles fierce activism and behind-the-scenes Hollywood scandals in order to save her family from poverty. But power in the City of Angels is also fueled by racism, greed, and betrayal. And even the most determined young woman can play too many secrets too far . . . 1968, Chicago: For Frankie Saunders, fleeing across America is her only escape from an abusive husband. But her rescuer is her reckless, profane Aunt Daisy, still reeling from her own shattered past. Frankie doesn't want to know what her aunt is up to so long as Daisy can get her to LA—and safety. But Frankie finds there’s no hiding from long-held secrets—or her own surprising strength. Daisy will do whatever it takes to settle old scores and resolve the past—no matter the damage. And Frankie will come up against hard choices in the face of unexpected passion. Both must come to grips with what they need, what they’ve left behind—and all that lies ahead . . . “The scenes are cinematically vivid, the language fresh and vibrant, the characters complicated and real.” – Historical Novel Society “The author of Wild Women and the Blues is back with another historical fiction novel to dazzle and amaze.” – Book Riot “An engrossing family saga filled with heartbreak and love, victory, forgiveness, and loss, and a wonderful character study of several unforgettable women.” – All About Romance

14 African American women explore the Black female psyche in uncompromising terms.

In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced by the drum. Further, the album’s cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature challenges that image but also defines a counter-tradition within women’s writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways. The Drum Is a Wild Woman explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability. In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject. This book breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs—cry-and-response, the Wild Woman, and the jazz moment—in jazz novels, short stories, and poetry, comparing works by Ann Petry, Gayl Jones, Toni Morrison, Paule Marshall, Edwidge Danticat, and Maya Angelou with pieces by Albert Murray, Ralph Ellison, James Baldwin, and Ellington. Within an interdisciplinary and transnational context, Lespinasse foregrounds the vexed negotiations around gender and jazz discourse.

“Readers will be entranced by this exceptional offering.” —Publishers Weekly (starred review) “By turns a mystery, a thriller, and an adventure, this richly woven story will provide much for readers to tease apart long after it’s finished.” —Booklist (starred review) “Thought-provoking and intense.” —Kirkus Reviews “A survival story in its truest sense.” —BCCB The threat of two escaped convicts and a missing friend lead Lizzie on a harrowing journey through the wilds of the Adirondacks in this captivating mystery from National Book Award finalist Beth Kephart. Thirteen-year-old Lizzie’s favorite place in the world is her uncle’s cabin. Uncle Davy’s renovated schoolhouse cabin, filled with antiques and on the edge of the Adirondacks, disconnected from the rest of the world, is like something out of a fairy tale. And an escape from reality is exactly what Lizzie needs. Life hasn’t been easy for Lizzie lately. Her father abandoned their family, leaving Lizzie with her oftentimes irresponsible mother. Now, her mom has cancer and being unable to care for Lizzie during her chemotherapy, asks Lizzie where she’d like to spend the summer. The answer is simple: Uncle Davy’s cabin. Lizzie loves her uncle’s home for many reasons, but the main one is Matias, Uncle Davy’s neighbor and Lizzie’s best friend. Matias has proportionate dwarfism, but that doesn’t stop him and Lizzie from wandering in the woods. Every day they go to their special spot where Matias paints with watercolors and Lizzie writes. Until one day when Matias never arrives. When news breaks about two escaped convicts from the nearby prison, Lizzie fears the worst. And when Uncle Davy goes missing, too, Lizzie knows she’s the only one who knows this area of woods well enough to save them. Armed with her trusted Keppy survival book, Lizzie sets out into the wilds of the Adirondacks, proving just how far she’ll go to save the people she loves.

A guide to sub-clinical depression presents an eight-week program which uses light therapy, moderate exercise, and vitamins to combat depression, overcome fatigue, and provide a greater sense of control, balance, and well-being.

“This is one of those special novels—a piece of working magic, warm, funny, and sane.”—Thomas Pynchon The whooping crane rustlers are girls. Young girls. Cowgirls, as a matter of fact, all “bursting with dimples and hormones”—and the FBI has never seen anything quite like them. Yet their rebellion at the Rubber Rose Ranch is almost overshadowed by the arrival of the legendary Sissy Hankshaw, a white-trash goddess literally born to hitchhike, and the freest female of them all. Freedom, its prizes and its prices, is a major theme of Tom Robbins’s classic tale of eccentric adventure. As his robust characters attempt to turn the tables on fate, the reader is drawn along on a tragicomic joyride across the badlands of sexuality, wild rivers of language, and the frontiers of the mind.

"ABSORBING...COMPELLING...HIGHLY SATISFYING." --San Francisco Chronicle "TRULY ENGAGING...Campbell has a storyteller's ear for dialogue and the visual sense of painting a picture and a place....There's a steam that keeps the story moving as the characters, and later their children, wrestle through racial, personal and cultural crisis." --Los Angeles Times Book Review "REMARKABLE...POWERFUL." --Time "YOUR BLUES AIN'T LIKE MINE is rich, lush fiction set in rural Mississippi beginning in the mid-'50s. It is also a haunting reality flowing through Anywhere, U.S.A., in the '90s....There's love, rage and hatred, winning and losing, honor, abuse; in other words, humanity....Campbell now deserves recognition as the best of storytellers. Her writing sings." --The Indianapolis News "EXTRAORDINDARY." --The Seattle Times "A COMPELLING NARRATIVE...Campbell is a master when it comes to telling a story." --Entertainment Weekly YOUR BLUES AIN'T LIKE MINE won the NAACP Image Award for Best Literary Work of Fiction