Why Loiter

Presenting an original take on women’s safety in the cities of twenty-first century India, Why Loiter? maps the exclusions and negotiations that women from different classes and communities encounter in the nation’s urban public spaces. Basing this book on more than three years of research in Mumbai, Shilpa Phadke, Sameera Khan and Shilpa Ranade argue that though women’s access to urban public space has increased, they still do not have an equal claim to public space in the city. And they raise the question: can women’s access to public space be viewed in isolation from that of other marginal groups? Going beyond the problem of the real and implied risks associated with women’s presence in public, they draw from feminist theory to argue that only by celebrating loitering—a radical act for most Indian women—can a truly equal, global city be created.

Where does art start or reality end? Happily loitering about London, c. 1949, with the intent of gathering material for her writing, Fleur Talbot finds a job “on the grubby edge of the literary world” at the very peculiar Autobiographical Association. Mad egomaniacs writing their memoirs in advance — or poor fools ensnared by a blackmailer? When the association’s pompous director steals Fleur’s manuscript, fiction begins to appropriate life.

Author Louisa Oakley Green didn't believe in psychic phenomena when she met her husband Stephen. Now, twenty years later, this self-described "psychic bystander" from New Jersey shares haunting tales from family, friends, and strangers who see life through the veil of clairvoyance and mediumship. In Loitering at the Gate to Eternity, Green chronicles the psychic tales of everyday people, from school teachers and business professionals to blue collar workers, from children to senior citizens, as well as four gifted psychic professionals. Some have had only one psychic experience in their lives while others are guided by them daily. Green offers engrossing insights into the world of clairvoyance, out-of-body experiences, and the peculiar penchant deceased relatives and friends have for sharing burdens and celebrations. Providing credence to the belief that everyone possesses psychic ability, though some seem to have a more natural affinity than others, Loitering at the Gate to Eternity chronicles Green's journey from skeptic to believer through more than one hundred paranormal stories involving her husband, his family, and friends.

“I have always chased my father, chased after his love, chased him through his many changes. I chased him even when I thought I was running in the other direction. Today, even though he is gone, I chase him still. I know he is the key to my freedom.” To runners around the world, Dr. George Sheehan, author of the landmark New York Times bestseller Running and Being, was nothing short of a guru — the country’s “greatest philosopher of sport.” But to his son Andrew, who had spent his entire boyhood longing for the attention and approval of an emotionally distant father, he was an incomprehensible paradox: a lifelong loner, who was now sunning himself in the spotlight of the nation’s press; a hero to millions, who seemed to have no time for his own son. The events that transformed George Sheehan from doctor to family man to bestselling author and media magnet began at the depths of what we would now call a midlife crisis, when he rediscovered an old love — running. Twenty-five years after his days on a high school cross-country team, he remembered how running made him feel free, and began beating a solitary path down his suburban streets. With running as his new religion, the formerly quiet, withdrawn man became an unlikely evangelist, converting a sedentary nation to the theology of fitness, and in the process becoming an internationally known figure. But the freedom he found in running was not enough, and one day he left his family, having decided that life was “an experiment of one,” and it was time for him to start living it. Angry and disillusioned after years of enduring his father’s self-absorption, and hurt by his apparent indifference, Andrew had long since begun the search for his own version of freedom, looking first to drugs and later to alcohol. By his twenties he was a confirmed alcoholic. By his thirties his marriage had fallen apart and he was drinking more heavily than ever. It was at that moment that his father threw him a lifeline. Although he was struggling with the cancer that would eventually end his life, Dr. Sheehan was the first to notice his son’s pain, and to reach out to him. In this stunningly candid book, Andrew Sheehan describes the process through which these two men carefully and lovingly rebuilt their relationship. And in the effort to understand and forgive the dark side of his father’s psyche, Andrew shows how he came to understand, and to transcend, his own. A gracefully written paean to the healing power of forgiveness, a memoir that will resonate with any “fallible” parent or child, Chasing the Hawk traces the arduous steps that carry father and son down the hard road to resolution, healing, and love.

Charles D'Ambrosio's essay collection Orphans spawned something of a cult following. In the decade since the tiny limited-edition volume sold out its print run, its devotees have pressed it upon their friends, students, and colleagues, only to find themselves begging for their copy's safe return. For anyone familiar with D'Ambrosio's writing, this enthusiasm should come as no surprise. His work is exacting and emotionally generous, often as funny as it is devastating. Loitering gathers those eleven original essays with new and previously uncollected work so that a broader audience might discover one of the world's great living essayists. No matter his subject - Native American whaling, a Pentecostal 'hell house', Mary Kay Letourneau, the work of J. D. Salinger, or, most often, his own family - D'Ambrosio approaches each piece with a singular voice and point of view; each essay, while unique and surprising, is unmistakably his own. Charles D'Ambrosio is the author of two collections of short stories, The Point (a finalist for the Hemingway Foundation/PEN Award) and The Dead Fish Museum (a finalist for the PEN/Faulkner Award), as well as the essay collection Orphans. His work has appeared frequently in the New Yorker, as well as in Tin House, the Paris Review, Zoetrope All-Story, A Public Space, and Story. D'Ambrosio has been the recipient of the Whiting Writers' Award, an Academy Award from the American Academy of Arts and Letters, a Lannan Foundation Fellowship, and a USA Rasmuson Fellowship. He lives in Portland, Oregon. '[D'Ambrosio] is one of the strongest, smartest and most literate essayists practicing today.' New York Times 'What I admired most about these essays is the way each one takes its own shape, never conforming to an expected narrative or feeling the need to answer all the questions housed within. D’Ambrosio allows his essays their ambivalence.' Millions 'An exciting essay collection because it takes ideas and heady, essayistic topics—whales, hell houses, the overused, wheezing corpse of J.D. Salinger—and it manages to make something new out of them...Every one is a pleasure, diamond-cut and sharp in its incisive observations on how to be a human.' Flavorwire 'This careful dance of high and low, of timing, circumspection, and room for nuance—and the disarming honesty—make it clear that D'Ambrosio knows how to write a good essay, but what makes the collection great is his vast, almost painfully acute sense of compassion...it delivers that most primal pleasure of reading—the feeling of being understood, of not being alone.' NPR 'This powerful collection highlights D'Ambrosio's ability to mine his personal history for painful truths about the frailty of family and the strange quest to understand oneself, and in turn, be understood.' Publishers Weekly 'Charles D'Ambrosio's essays are excitingly good. They are relevant in the way that makes you read them out loud, to anyone who happens to be around. Absolutely accessible and incredibly intelligent, his work is an astounding relief - as though someone is finally trying to puzzle all the disparate, desperate pieces of the world together again.' Jill Owens, Powell's 'His essays are expansive in scope and in spirit...D'Ambrosio is a writer with an unusual combination of qualities: penetrating, critical powers and a lyrical, almost hypnotic, prose style. He’s an expert a capturing the strangeness of familiar things.' Weekend Australian 'He's funny, insightful, intimate and inquiring.' The Paperback Bookshop ‘This volume of the collected essays and journalism of Charles D'Ambrosio shows what pleasure is to be had when a first-class writer is given their head and space to roam...[D'Ambrosio] is self-conscious in his responses, both intellectual and emotional, so that there is a kind of architectural honesty about his writing. You can see the pulleys and levers and exactly what makes him tick.’ New Zealand Herald

From bestselling author of The Book of Delights and award-winning poet, a book of lyrical mini-essays celebrating the everyday that will inspire readers to rediscover the joys in the world around us. In Ross Gay’s new collection of small, daily wonders, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight. For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us. The Book of (More) Delights is a volume to savor and share.

Increasingly students and practitioners in human services are asked or seek to include community engagement, participation and capacity building in their work with groups. In this book expert authors Amanda Howard and Margot Rawsthorne provide guidance on the theory and practice of working with communities, from preliminary planning and scoping before direct work with the community begins, through to evaluation. They explore key issues including developing an understanding of community life, facilitating and supporting community action, understanding and acting on structural inequity, managing negotiation and conflict, and building productive networks. They draw extensively on their own work with communities and research to create a dialogue with the reader on the interaction of task and process in everyday community practice. Written in a friendly and accessible style and featuring the voices of community workers throughout, this is a vital guide for anyone seeking to encourage positive change in an important field of practice. 'This is a splendid addition to the community work literature, offering wise and judicious guidance for those engaged knee-deep in community practice ... it acknowledges that the increasing emphasis on individualised service options has too often led to the neglect of understanding the benefits of collective action within diverse and dynamic communities.' - Dr Winsome Roberts, Honorary Senior Fellow, Department of Social Work, University of Melbourne

This book seeks to document urban experiences of dissent and emergent resistance against disjunctive global and local flows that converge and intersect in some of Asia's fastest growing cities.

Our culture values striving, purpose, achievement, and accumulation. This book asks us to get sidetracked along the way. It praises aimlessness as a source of creativity and an alternative to the demand for linear, efficient, instrumentalist thinking and productivity. Aimlessness collects ideas and stories from around the world that value indirection, wandering, getting lost, waiting, meandering, lingering, sitting, laying about, daydreaming, and other ways to be open to possibility, chaos, and multiplicity. Tom Lutz considers aimlessness as a fundamental human proclivity and method, one that has been vilified by modern industrial societies but celebrated by many religious traditions, philosophers, writers, and artists. He roams a circular path that snakes and forks down sideroads, traipsing through modernist art, nomadic life, slacker comedies, drugs, travel, nirvana, and oblivion. The book is structured as a recursive, disjunctive spiral of short sections, a collage of narrative, anecdotal, analytic, and lyrical passages—intended to be read aimlessly, to wind up someplace unexpected.