Whores Of Lost Atlantis

"Flamboyant, emotional, would-be star Julian Young can wait no more for his starring vehicle, so he devises one in an epic eight-hour session and sets out to stage it, casting himself as the female lead (in drag, of course) and assembling a supporting cast that includes some of the most unforgettable eccentrics ever to answer a cattle call. Now the real drama begins..." "Will the sinister Kiko steal Julian's play, Whore of Lost Atlantis - or, failing that, will she sabotage his career? Will the hunky Buster ever learn his lines? Will Julian end up falling in love with his stage manager - who happens to be a former gangster's moll and a woman? Will he ever get the hair off his legs? The answers - not to mention the cataclysmic destruction, temples falling, hermaphrodites, evil emperors, and two bitchy courtesans, among other spectacles - can be found only in this gender-bending roman a clef by the author and star of the plays and films Psycho Beach Party and Die Mommie Die."--BOOK JACKET.

Reproduction of the original: The Lost Atlantis by Daniel Wilson

Under his pseudonyms of Patrick Dennis and Virginia Rowans, Edward Everett (Pat) Tanner III was the author of sixteen novels—most of them best sellers—including the now-classic Little Me and Auntie Mame. Tanner made millions, became the toast of Manhattan society, and had his works adapted into wildly successful plays, musicals, TV shows, and films. But he also spent every cent he made, worked incognito as a butler to the wealthy, and constructed a persona so elaborate that not even his wife and children ever quite knew the real Pat. Based on extensive interviews with coworkers, friends, and relatives, Uncle Mame is a revealing, intimate portrait of the man who brought camp to the American mainstream and even in his lowest moments personified—even in his lowest moments— the glamour and wit he captured on the page.

In this work, over 30 librarians (such as James V. Carmichael, Jr., Sanford Berman, Martha E. Stone, Gerald Perry, Barbara Gomez and Martha Cornog) address gay and lesbian issues facing the profession, and in some cases offer their own stories of understanding their sexuality and its implications on their professional lives. Some of the issues addressed are the need to uphold intellectual freedom, challenging the censorship of gay materials in libraries, AIDS material in the library, the information needs of gay and lesbian patrons, collection development, and confronting homophobia.

Finalist for the National Jewish Book Award A deeply felt, beautifully crafted meditation on friendship and loss in the vein of A Year of Magical Thinking, and a touching portrait of Philip Roth from his closest friend. I had a baseball question on the tip of my tongue: What was the name of "the natural," the player shot by a stalker in a Chicago hotel room? He gave me an amused look that darkened in-to puzzlement, then fear. Then he pitched forward into the soup, unconscious. When I entered the examining room twenty minutes after our arrival at Charlotte Hungerford Hospital, Philip said, "No more books." Thus he announced his retirement. So begins Benjamin Taylor's Here We Are, the unvarnished portrait of his best friend and one of America's greatest writers. Needless to say, Philip Roth's place in the canon is secure, but what is less clear is what the man himself was like. In Here We Are, Benjamin Taylor's beautifully constructed memoir, we see him as a mortal man, experiencing the joys and sorrows of aging, reflecting on his own writing, and doing something we all love to do: passing the time in the company of his closest friend. Here We Are is an ode to friendship and its wondrous ability to brighten our lives in unexpected ways. Benjamin Taylor is one of the most talented writers working today, and this new memoir pays tribute to his friend, in the way that only a writer can. Roth encouraged him to write this book, giving Taylor explicit instructions not to sugarcoat anything and not to publish it until after his death. Unvarnished and affectionately true to life, Taylor's memoir will be the definitive account of Philip Roth as he lived for years to come.

Beyond Ridiculous tells the story of Theatre-in-Limbo. Elliott narrates in first-person the company's Cinderella tale of fun, heartbreak, and dishy drama. At the center of the book is a young Charles Busch, an unforgettable personality fighting to be seen, be heard, and express his unique style as a writer-performer. The tragedy of AIDS among treasured friends in the company, the struggle for mainstream acceptance of LGBTQ+ theatre during the reign of President Ronald Reagan, and the exploration of new ways of being a gay theatre artist make the book a bittersweet and joyous ride.