Whiteman

In this “powerful debut novel,” an American relief worker falls in love with the Ivory Coast as the country descends into civil war (St. Louis Post-Dispatch). In an Ivory Coast village where Christians and Muslims are squaring off for war, against a backdrop of bloody conflict and vibrant African life, Jack Diaz—an American relief worker—and Mamadou, his village guardian, learn that hate knows no color and that true heroism waits where we least expect it. During lulls in the violence, Jack learns the cycles of Africa—of hunting in the rain forest, cultivating the yam, and navigating the nuances of the language; of witchcraft, storytelling, and chivalry. Despite the omnipresence of AIDS, he courts a stunning Peul girl, meets his neighbor’s wife in the darkened forest, and desperately pursues the village flirt. Still, Jack spends many nights alone in his hut, longing for love in a place where his skin color excludes him. Brimming with dangerous passions and the pressures of life in a time of war, Whiteman is a stunning debut and a tale of desire, isolation, humor, action, and fear.

Adventures with Quakers, Architects, Rock Stars & Sufi Sages

Drawing on current theory in symbolic anthropology and sociolinguistics, this interpretive essay investigates a complex form of joking based on material collected in a Western Apache community wherein Apaches stage carefully crafted imitations of Anglo-Americans.

In a career that spanned 60 years, Paul Whiteman changed the landscape of American music, beginning with his million-selling recordings in the early 1920s of “Whispering,” “Japanese Sandman,” and “Three O’Clock in the Morning.” Whiteman would then introduce “symphonic jazz,” a powerful blend of the classical and jazz idioms that represented a whole new approach to modern American music, influencing generations of bandleaders and composers. While some hold that at the close of the Roaring Twenties Whiteman’s musical hegemony quickly waned, Don Rayno illustrates in this second volume of Paul Whiteman: Pioneer in American Music how much of a dominant figure Whiteman remained. A major figure on the American music scene for decades to come, he would continue to lead critically-acclaimed orchestras, filling theaters and concert halls alike and diligently seeking out and nurturing musical talent on the largest scale of any orchestra leader in the 20th century. In this second volume of Rayno’s magisterial treatment of the life and music of this remarkable maestro, Whiteman’s career during the second half of his life is explored in the fullest detail, as Whiteman conquers the worlds of theater and vaudeville, the concert hall, radio, motion pictures, and television, winning accolades in all of them. Through hundreds of interviews, extensive documentation, and exhaustive research of over nearly three decades, a portrait emerges of one of American music’s most important musical figures during the last century. Rayno paints a stunning portrait of Whiteman’s considerable accomplishments and far-reaching influence.

Get the Summary of Noah Whiteman's Most Delicious Poison in 20 minutes. Please note: This is a summary & not the original book. "Most Delicious Poison" by Noah Whiteman explores the intricate relationship between natural toxins and their impact on both nature and human life. The book delves into how plants produce chemicals like terpenoids, alkaloids, and glycosides for defense, which also have medicinal properties. Whiteman intertwines personal anecdotes, such as his father's struggle with addiction, with scientific research on toxins...

Qaira Eltruan is the Commandant of the Enforcers, Sanctum's Special Military Sect of angel exterminators. The war against the Archaeans has been nothing but a seventy-year stalemate, however all of this is set to change with the arrival of a mysterious Scholar who can serve to sway the battle in their favor. But this Scholar has secrets of her own... Secrets that may kill them all.

Inroduction: Historicizing the Early Qing Landscape -- Recovering the Kangxi Landscape. Excerpt from "Record of Traveling at the Invitation of the Emperor" by Zhang Yushu -- Reconstructing Kangxi -- Allegories of Empire. Mountain Veins -- "Record of the Mountain Estate to Escape the Heat" by the Kangxi Emperor -- Only Here in Rehe -- Space and Pictoriality. Painting and the Surveyed Site -- Paper Gardens -- The Metonymic Landscape. Touring the Rear Park -- Conclusion: The Landscape of the Emperor.

"King of Jazz: Paul Whiteman's Technicolor Revue" tells the story of the making, release, and restoration of Universal s 1930 Technicolor musical extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative of the film's production, with broader context on its diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes. "King of Jazz" was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country s top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film s highlights include a dazzling interpretation of George Gershwin's Rhapsody in Blue, which Whiteman had introduced to the public in 1924; Walter Lantz's A Fable in Jazz, the first cartoon in Technicolor; and Anderson's grand finale The Melting Pot of Music, a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America s leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes