White City Black City

An exploration of the history of African American musicians in Chicago during the mid-20th century

Winner of the 2016 Miles Franklin Literary Award A powerful debut novel about two refugees starting over after losing everything Jovan and Suzana have fled war-torn Sarajevo. They have lost their children, their standing as public intellectuals, and their connection to each other. Now working as cleaners in a suburb of Melbourne, they struggle to rebuild their lives under the painful hardships of immigrant life. During a hot Melbourne summer Jovan's janitorial work at a hospital is disrupted by mysterious acts of vandalism. But as the attacks become more violent and racially charged, he feels increasingly targeted, and taunted to interpret their meaning. Under tremendous pressure the couple struggle to keep their marriage together, but fear that they may never find peace from the ravages of war . . . Black Rock White City is an essential story of displacement and immediate threat—the new reality of suburban life—and the deeply personal responses of two refugees seeking redemption.

An award-winning Scandinavian novel of one woman’s struggle to pull herself and her daughter from the grasp of a criminal past. “A literary tour de force” (Mystery Scene). A celebrated bestseller in Sweden, and the winner of the prestigious Per Olov Enquist Literary Prize, The White City is an arresting story of betrayal and empowerment as a criminal’s girlfriend is left behind to pick up the pieces of her imploded existence. Karin knew what she was getting herself into when she fell for John, a high-flying wheeler-dealer. But she never imagined things would turn out like this: John is gone and the coke-filled parties, seemingly endless flow of money, and high social status have been replaced by cut telephone lines, cut heat, and cut cash. All that remains of Karin’s former life is the mansion he bought for her—and his daughter, the child Karin once swore she would never bring into their dangerous world. Now she is on her own with baby Dream. As the authorities zero in on organized crime, John’s shady legacy is catching up with her. Over the course of a few days, Karin is forced to take drastic measures to claim what she considers rightfully hers . . . “The ghostly Scandinavian setting and [protagonist] Karin’s closely narrated sense of impending doom . . . make Swedish star Ramqvist’s English-language debut an atmospheric and suspenseful read.” —Booklist

'An irresistible page-turner that reads like the most compelling, sleep defying fiction' TIME OUT One was an architect. The other a serial killer. This is the incredible story of these two men and their realization of the Chicago World's Fair of 1893, and its amazing 'White City'; one of the wonders of the world. The architect was Daniel H. Burnham, the driving force behind the White City, the massive, visionary landscape of white buildings set in a wonderland of canals and gardens. The killer was H. H. Holmes, a handsome doctor with striking blue eyes. He used the attraction of the great fair - and his own devilish charms - to lure scores of young women to their deaths. While Burnham overcame politics, infighting, personality clashes and Chicago's infamous weather to transform the swamps of Jackson Park into the greatest show on Earth, Holmes built his own edifice just west of the fairground. He called it the World's Fair Hotel. In reality it was a torture palace, a gas chamber, a crematorium. These two disparate but driven men are brought to life in this mesmerizing, murderous tale of the legendary Fair that transformed America and set it on course for the twentieth century . . .

"You’ll want to race through The Silence of the White City, but it’s best to slow down and savor the full effect of the volatile, intoxicating universe Sáenz has created. This is the first novel of the White City trilogy to be translated into English—the second can’t come fast enough." —AirMail HOW DO YOU STOP A KILLER WHO'S ALWAYS TWO STEPS AHEAD? A madman is holding Vitoria hostage, killing its citizens in brutal ways and staging the bodies. The city's only hope is a brilliant detective struggling to battle his own demons. Inspector Unai López de Ayala, known as "Kraken," is charged with investigating a series of ritualistic murders. The killings are eerily similar to ones that terrorized the citizens of Vitoria twenty years earlier. But back then, police were sure they had discovered the killer, a prestigious archaeologist who is currently in jail. Now Kraken must race to determine whether the killer had an accomplice or if the wrong man has been incarcerated for two decades. This fast-paced, unrelenting thriller weaves in and out of the mythology and legends of the Basque country as it hurtles to its shocking conclusion.

Winner of the 2020 Zócalo Public Square Book Prize “Clear-eyed and meticulous...While depicting the terrors of Jim Crow, [Sturkey] also shows how Hattiesburg’s black residents, forced to forge their own communal institutions, laid the organizational groundwork for the civil rights movement of the ’50s and ’60s.” —New York Times “Sturkey’s magnificent portrait reminds us that Mississippi is no anachronism. It is the dark heart of American modernity.” —Robin D. G. Kelley, author of Thelonious Monk If you really want to understand Jim Crow—what it was and how African Americans rose up to defeat it—you should start by visiting Mobile Street in Hattiesburg, Mississippi, the heart of the historic black downtown. There you can see remnants of the shops and churches where, amid the violence and humiliation of segregation, men and women gathered to build a remarkable community. William Sturkey introduces us to both old-timers and newcomers who arrived in search of economic opportunities promised by the railroads, sawmills, and factories of the New South. And he takes us across town into the homes of white Hattiesburgers to show how their lives were shaped by the changing fortunes of the Jim Crow South.

The Black History of the White House presents the untold history, racial politics, and shifting significance of the White House as experienced by African Americans, from the generations of enslaved people who helped to build it or were forced to work there to its first black First Family, the Obamas. Clarence Lusane juxtaposes significant events in White House history with the ongoing struggle for democratic, civil, and human rights by black Americans and demonstrates that only during crises have presidents used their authority to advance racial justice. He describes how in 1901 the building was officially named the “White House” amidst a furious backlash against President Roosevelt for inviting Booker T. Washington to dinner, and how that same year that saw the consolidation of white power with the departure of the last black Congressmember elected after the Civil War. Lusane explores how, from its construction in 1792 to its becoming the home of the first black president, the White House has been a prism through which to view the progress and struggles of black Americans seeking full citizenship and justice. “Clarence Lusane is one of America’s most thoughtful and critical thinkers on issues of race, class and power.”—Manning Marable "Barack Obama may be the first black president in the White House, but he's far from the first black person to work in it. In this fascinating history of all the enslaved people, workers and entertainers who spent time in the president's official residence over the years, Clarence Lusane restores the White House to its true colors."—Barbara Ehrenreich "Reading The Black History of the White House shows us how much we DON'T know about our history, politics, and culture. In a very accessible and polished style, Clarence Lusane takes us inside the key national events of the American past and present. He reveals new dimensions of the black presence in the US from revolutionary days to the Obama campaign. Yes, 'black hands built the White House'—enslaved black hands—but they also built this country's economy, political system, and culture, in ways Lusane shows us in great detail. A particularly important feature of this book its personal storytelling: we see black political history through the experiences and insights of little-known participants in great American events. The detailed lives of Washington's slaves seeking freedom, or the complexities of Duke Ellington's relationships with the Truman and Eisenhower White House, show us American racism, and also black America's fierce hunger for freedom, in brand new and very exciting ways. This book would be a great addition to many courses in history, sociology, or ethnic studies courses. Highly recommended!"—Howard Winant "The White House was built with slave labor and at least six US presidents owned slaves during their time in office. With these facts, Clarence Lusane, a political science professor at American University, opens The Black History of the White House(City Lights), a fascinating story of race relations that plays out both on the domestic front and the international stage. As Lusane writes, 'The Lincoln White House resolved the issue of slavery, but not that of racism.' Along with the political calculations surrounding who gets invited to the White House are matters of musical tastes and opinionated first ladies, ingredients that make for good storytelling."—Boston Globe Dr. Clarence Lusane has published in The Washington Post, The Miami Herald, The Baltimore Sun, Oakland Tribune, Black Scholar, and Race and Class. He often appears on PBS, BET, C-SPAN, and other national media.

*Includes pictures *Includes accounts of the world's fair *Includes online resources, footnotes, and a bibliography for further reading *Includes a table of contents "All the World's a Fair; where some are bought and some are sold." - Archibald Maclaren Walking around Chicago today, it's easy to forget about its past as a rural frontier. That's due in no small part to the way Chicago responded to the Great Fire of 1871. Immediately after the fire, Chicago encouraged inhabitants and architects to build over the ruins, spurring creative architecture with elaborate designs. Architects descended upon the city for the opportunity to rebuild the area, and over the next few decades they had rebuilt Chicago with the country's most modern architecture and monuments. Chicago recovered well enough within 20 years to win the right to host the World's Fair in 1893, which was commemorating the 400th anniversary of Columbus' discovery of the New World. Covering nearly two square miles, the Fair's grounds created a city within a city, and Daniel Burnham was in the middle of it all. With several other noteworthy architects, including Louis Sullivan, Burnham designed the layout of the grounds and the construction of the buildings on the ground. During the late 19th century, "neoclassicism" was in vogue, and American architects designed buildings incorporating ancient Greek and Roman architecture. A world's fair is an opportunity for people around the globe to demonstrate to the world how they see themselves. It is a chance to proudly wear one's native clothing, to share cuisine, to demonstrate knowledge, and to share perspective. With its white colored buildings, the Fair stood out from the rest of Chicago, earning it the label "White City," and throughout 1893, it attracted millions of visitors, allowing Chicago to introduce itself to foreign visitors and reintroduce itself as a major American city. The Chicago World's Fair opened its doors on May Day, May 1, of 1893, and as with any world's fair, the White City was an exciting place that people flocked to from around the world. It was a place to share the successes and accomplishments of men and women from every corner of the world, and in every field. It was a world's fair, and as such, there was to be a place for everyone. The 1893 World's Fair in Chicago was actually known by several names. It was the World's Columbian Exposition. It was the White City. It was the Chicago World's Fair. But by any name, it had a tremendous impact on the city at the time, and its influence can still be felt today, over 120 years after it closed its doors on Halloween in 1893. Intended as a temporary village, the White City lingered for some time before some of it fell victim to arsonists and other parts of it were intentionally destroyed. Some artwork was relocated, to the extent that today, nothing physically remains of the White City, even though the impact of the images continues to leave its mark on the face of the city and its inhabitants. The Black and White City: The History of Racism and Race Relations at the 1893 Chicago World's Fair chronicles the history of the expo and the revitalizing influence it had on the city of Chicago. Along with pictures of important people, places, and events, you will learn about the Chicago World's Fair like never before, in no time at all.

Brandon Blake, the tough and resourceful kid from the Portland waterfront, has made it. He's been hired by the Portland Police Department, partly as payback for stopping a vicious cop killer in PORT CITY SHAKEDOWN. But the newest rookie on the night shift isn't pulling any punches. And when a drug-addled mom can't find her baby, Blake—whose mother left him and was killed when he was a toddler—comes down on her hard. Except the baby really is gone. Meanwhile, Blake's girlfriend, aspiring writer Mia, sees Brandon drifting into the world of cops and crime and leaving her behind. Brandon's relentless search for the child brings a load of trouble down on him, threatens his career, his life, his relationship. Will he end up alone on his old cabin cruiser Bay Witch? Or worse?