Where Now

Where Now for Palestine? marks a turning point for the Middle East. Since 2000, the attacks of 9/11, the death of Arafat and the elections of Hamas and Kadima have meant that the Israel/Palestine 'two-state solution' now seems illusory. This collection critically revisits the concept of the 'two-state solution' and maps the effects of local and global political changes on both Palestinian people and politics. The authors discuss the changing face of Fateh, Israeli perceptions of Palestine, and the influence of the Palestinian diaspora. The book also analyzes the environmental destruction of Gaza and the West bank, the economic viability of a Palestinian state and the impact of US foreign policy in the region. This authoritative and up-to-date guide to the impasse facing the region is required reading for anyone wishing to understand a conflict entrenched at the heart of global politics.

The theoretical innovations of Edward Said, Homi Bhabha, Gayatri Spivak, Stuart Hall, Paul Gilroy, James Clifford and others have in recent years vitalized postcolonial and diaspora studies, challenging ways in which we understand ‘culture’ and developing new ways of thinking beyond the confines of the nation state. The articles in this volume look at recent developments in diasporic literature and theory, alluding to the work of seminal diaspora theoreticians, but also interrogating such thinkers in the light of recent cultural production (including literature, film and visual art) as well as recent world events. The articles are organized in pairs, offering alternative perspectives on crucial aspects of diaspora theory today: Celebration or Melancholy?; Gender Biases and the Canon of Diasporic Literature; Diasporas of Violence and Terror; Time, Place and Diasporic “Home”; and Border Crossings. A number of the articles are illustrated by discussions of particular authors, such as Caryl Phillips, Salman Rushdie, and Michael Ondaatje, and the range of reference found in this volume covers writing from many parts of the world including contemporary Chicana visual art, Asian diaspora writers, and Black British, Afro-Caribbean, Native North American, and African writing.

Intelligent Design creationism faults evolutionary biology for being ``naturalistic,'' but ID is in its own strange way just as naturalistic. Like the man who can't find his car-keys at night and looks for them under a street-light, though he last saw the keys someplace else, intelligent design creationism seeks acts of God within the gaps in our scientific knowledge. Creation takes the goodness of this world on faith, but Creationism works to get out of the challenge of the doctrine of creation, not to embrace it.

"Thoughtfully traces [Mara Wilson's] journey from child actress to Hollywood dropout...Who is she now? She's a writer." —NPR's "Guide To 2016’s Great Reads" “Growing up, I wanted to be Mara Wilson. Where Am I Now? is a delight.” —Ilana Glazer, cocreator and star of Broad City Named a best book of the month by GoodReads and Entertainment Weekly A former child actor best known for her starring roles in Matilda and Mrs. Doubtfire, Mara Wilson has always felt a little young and out of place: as the only kid on a film set full of adults, the first daughter in a house full of boys, a Valley girl in New York and a neurotic in California, and a grown-up the world still remembers as a little girl. Tackling everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer “cute” enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity. They also illuminate universal struggles, like navigating love and loss, and figuring out who you are and where you belong. Candid, insightful, moving, and hilarious, Where Am I Now? introduces Mara Wilson as a brilliant new chronicler of the experience that is growing up female.

As Carolyn MacKenzie unravels the mystery behind her brother's disappearance ten years ago, she confronts someone close to her that is equally determined to keep his whereabouts secret at any cost.

Winner of the National Book Critics Circle Award, Laura Kasischke unapologetically explores the dark and humorous realities of our lives.

In this special updated edition version of Where's Wally Now?, Wally himself has moved - he's in a new place in every scene. Also hidden are Woof, Wenda, Wizard Whitebeard, Odlaw, and loads of Wally-watchers.

Kate Bauers was proud of being able to manage both her job and the demands of her husband and children. But when her workload became heavier, she let a stranger care for her children and sleep in her house. Now Kate is tired all the time, and getting weaker every day. Surely kindly Janine was not the cause.

As the clock strikes the end of the war, the time begins to turn towards a new age — the one we call now. This shift does not happen overnight, from one day to the next; instead, the world vibrates for a number of years. People try to find their way back to homes that are no longer there, or on to an uncertain future across the sea. Some run from their deeds, and most get away. Among the millions in flight across Europe looking for a new home in 1947 is Elisabeth Åsbrink’s father. In 1947, production begins of the Kalashnikov, Christian Dior creates the New Look, Simone de Beauvoir writes The Second Sex, the first computer bug is discovered, the CIA is set up, a clockmaker’s son draws up the plan that remains the goal of jihadists to this day, and a UN Committee is given four months to find a solution to the problem of Palestine. In 1947, Elisabeth Åsbrink chronicles the creation of the modern world, as the forces that will go on to govern all our lives during the next 70 years first make themselves known.

“Levin’s luminous latest reckons with the disorientation of contemporary America. . . . Through the fog of doubt, Levin summons ferocious intellect and musters hard-won clairvoyance.”—Publishers Weekly, starred review Dana Levin’s fifth collection is a brave and perceptive companion, walking with the reader through the disorientations of personal and collective transformation. Now Do You Know Where You Are investigates how great change calls the soul out of the old lyric, “to be a messenger―to record whatever wanted to stream through.” Levin works in a variety of forms, calling on beloveds and ancestors, great thinkers and religions―convened by Levin’s own spun-of-light wisdom and intellectual hospitality―balancing clear-eyed forensics of the past with vatic knowledge of the future. “So many bodies a soul has to press through: personal, familial, regional, national, global, planetary, cosmic― // ‘Now do you know where you are?’” “Dana Levin is the modern-day master of the em-dash.”—New York Times Magazine "The book weaves in and out of prose, and it’s no wonder that the haibun is the generative form in these pages. A form invented by Basho so that he could move from the prose of his travelogues to the quick intensities of haiku, back and forth. Emily Dickinson does the same thing in her letters. And because this is a poet of the western United States—born outside of Los Angeles and raised in the Mojave, then two decades in Santa Fe, now in middle America, St. Louis—maybe it’s right to think of her work in terms of storm clouds: if the prose is an anvil cloud, the flash of poetry at the end is lightning.”—Jesse Nathan, McSweeney’s