Whats Left Of Us

"Blunt and honest. . .A stunning piece of work." --T.J. English "Deeply moving. . .What's Left of Us is a rush of blood to the head and heart, the kind only true art can deliver." --Andre Dubus "An amazing story not just of survival, but redemption." --Mary McGarry Morris Richie Farrell grew up in a working-class Irish neighborhood in Massachusetts. To overcome a birth defect, his father pushed him to become a star athlete, grooming him for Notre Dame. Sometimes, he would use a belt as a learning tool. Once, he used an electric carving knife. . . The headline read Crippled at Birth: Farrell Now Grid Star. A month later, I tore up my knee and fell in love with pain medication. By time he was thirty, Richie was a heroin addict, stealing from friends, shooting up during visits to his children, living in abandoned mill buildings, running from the shameful secrets of his family. Hopeless and in pain, he attempted suicide. When that failed, he was ordered to detox. He looked at me. "Be honest," he said, "or you'll be on the street in 15 minutes. Jail, death, or honesty. You choose." In this harrowing, astounding memoir, Richard Farrell chronicles a life of desperation, violence, lies--and the pure oblivion of heroin. A gritty, hauntingly written tale of a descent into hell and a slow, uncertain climb out of it, What's Left Of Us is a true story of redemption: of how low a man can get, and how hard he must fight to escape a shattered life. . . "[Farrell] carries you on this rollercoaster ride of ugliness and beauty. Don't miss it." --Phyllis Karas Richard Farrell is an author, filmmaker, teacher, journalist, and adjunct professor of English at the University of Massachusetts in Lowell. His documentary, High on Crack Street, was aired on HBO and received Columbia University's duPont Award. He is the co-author of A Criminal and an Irishman: The Inside Story of the Mob-IRA Connection. He is the screenwriter for the upcoming film The Fighter, and makes his home in Milford, New Hampshire.

"What's Left? employs a thoroughly in-house approach in which self-identified liberal Catholics examine various facets of liberal Catholicism.... this book explores some of the most prominent threads of leftist Catholic aspiration and dissent." --Choice What's Left? is the most comprehensive study to date of liberal American Catholics in the generation following the second Vatican council (1962-65). The main features of liberal American Catholicism--feminist theology and practice, contested issues of sexual conduct, new social locations of academic theology, liturgy, spirituality, ministry, race and ethnicity, and public Catholicism--are presented here in their historical and social contexts.

What's Left Us is a stunning fiction debut by one of the most promising new writers in Canada. The novella and stories in these pages startle and engage the reader with their humour, warmth and grace. The novella traces one week in the life of a young, unmarried Irish woman about to give birth. The heroine is a hip, independent woman who muses on memory, love, loss and inheritance in a clever, wry and moving way. The other stories are set in Dublin, the U.K., Vancouver and Ontario and continue Hunter's funny and insightful exploration of quirky characters and situations. What's Left Us offers us exacting and exciting words by a prodigiously talented young writer.

When Aundrea's doctor recommends a trial study at the Mayo Clinic to treat her returning Hodgkin's, she is not excited to leave her parents' home, even if she can stay with her sister and brother-in-law in Rochester. She did not expect to meet Mr. Handsome, or to fall in love with Parker. She refuses to give in to cancer, so this is her journey through cancer, love, and life.

This book concerns recent and current political developments in Latin America related to the emergence of left-leaning regimes riding the waves of anti-neoliberalism and a primary commodities boom. Based on five years of field research and a critical engagement with social movements in the region, the book documents the short-term advances and strategic weaknesses of these left-leaning regimes, highlighting their failure to take advantage of favourable economic and political conditions. The authors profile four cases of recent and current political developments, and the prospects for socialism, in Argentina, Bolivia, Cuba and Venezuela.

“A lyrical and erotic reimagining of the gay Greek-Alexandrian poet C.P. Cavafy’s three-day trip to Paris in 1897 . . . dizzying, fevered and beautiful.” —The Millions Winner of the 2019 National Translation Award In June 1897, the young Constantine Cavafy arrives in Paris on the last stop of a long European tour, a trip that will deeply shape his future and push him toward his poetic inclination. With this lyrical novel, tinged with a hallucinatory eroticism that unfolds over three unforgettable days, celebrated Greek author Ersi Sotiropoulos depicts Cavafy in the midst of a journey of self-discovery across a continent on the brink of massive change. He is by turns exhilarated and tormented by his homosexuality; the Greek-Turkish War has ended in Greece’s defeat and humiliation; France is torn by the Dreyfus Affair, and Cavafy’s native Alexandria has surrendered to the indolent rhythms of the East. A stunning portrait of a budding author—before he became one of the 20th century’s greatest poets—that illuminates the complex relationship of art, life, and the erotic desires that trigger creativity. “A perfect book.” ―Edmund White, author of A Boy’s Own Story “The novel is as sen­sual as it is eru­dite, a stir­ringly in­ti­mate ex­plo­ration of the pri­vate, earthy place where cre­ation commences.” ―The Wall Street Journal “A remarkable novel . . . both a radiant work of the imagination and a fitting tribute to the greatest Greek poet of the twentieth century.” ―The Times Literary Supplement “Engaging and original . . . powerfully erotic . . . This is a hallucinatory work of art, in every sense.” ―The Literary Review

Lauren Russell often wondered why her father had been so adamant about teaching her skills that most other fathers wouldn't even consider teaching their daughters. Ever since she was little, she had been taught how to live and survive outdoors, and how to use firearms to protect herself and those around her. Some of the training had been a bit extreme. Or had it been? Many of her questions were answered the day the world as she knew it ended. Now, the skills she had been taught serve an essential purpose. They keep her and those she cares about alive. Even in the sparsely-populated mountains of West Virginia, where she and her family have been forced to relocate for their safety after the collapse, peril lurks around every corner. Normal life has taken on a whole new meaning for Lauren, her family, and the community they have become a part of. In this different world, the new status quo is self-preservation. There is no more middle ground. People either live, or they die. Lauren's father didn't make it home on the day the world changed forever, and she misses him more than anything. Now, in What's Left of My World, she and her family must learn to endure life's horrors-without him.

After her only child, eighteen-year-old Luke, dies in a fall, Maine B & B owner Abby Stone must cope with her grief as she plans a memorial, the boy's biological father comes back into her life, and Luke's pregnant girlfriend shows up.

Sali Bytyçi was born in Dejë, South East of Kosova, in 1962. He graduated at Prishtina University. M. A. in Literature. Ph. D. in Theory of Literature. Primary and secondary education has completed in Ratkoc and Rahovec while graduated in Albanian Literature Department of the Faculty of Philology at the University of Prishtina. In 2002 defended his master thesis titled "Funksioni simbolik i florës dhe i faunës në poezinë e sotme shqipe (1945-2000)" and in 2009 defended his doctoral topic "Vepra letrare e Azem Shkrelit" ("Azem Shkreli literary works") at the University of Pristina. In 1983 was sentenced by the communist regime for the offense -hostile propaganda and from 12 May 1998 until the end of October 2000 remained in prison: Prizren, Lipjan, Dubrava of Nis, as captives (prisoner of war).

At last! An insightful book about cultivating generosity from a generous lay leader and donor, and not from a professional fundraiser or clergy leader. Rem Stokes alone knows more about the psychology of donorsand has demonstrated that insight over more yearsthan a whole busload of ministers and consultants put together. If you want to understand how to change the culture of your congregation or group in the direction of abundance, not scarcity, this is your guidebook. Rev. John Buehrens, former president of the Unitarian Universalist Association Money pervades all aspects of our lives, but we dare not discuss it for fear of touching the proverbial third rail. The discomfort we experience may be that it reveals more than we want it to. All individuals fear rejection and want acceptance. And money becomes the agent of compensation, the hopium of the masses. But it is a false hope. Money is extrinsic and can only buy external things. Money simply cannot buy the things most worth having. Wherever there is pain or embarrassment, there is essential learning to be done. I believe churches should address the stranglehold that money has on our attitudes. Churches cannot be truly relevant to their members real-life issues without addressing the money dimension that underlies their attitudes and behaviors. You cannot compartmentalize a person into secular and spiritual categories without damaging his wholeness. This book addresses that issue head on. Churches need programs that let money permeate the environment in a wholesome and constructive way. Those programs should help overcome the reluctance to discuss money and cultivate a culture of generosity. This book provides a set of exercises and a rationale for churches to achieve these goals, moving members from self-interest to self-esteem.