Weep O Daughter Of Zion

The present study seeks to call attention to a literary genre whose existence in the Hebrew Bible, has gone largely unnoticed or at least not fully appreciated. The city lament is a genre well-known fron ancient Mesopotomia. The laments that make up this genre vividly depict and mournfully lament the destruction of some of the most important cities in Mesopotamia and their chief shrines.

This volume showcases recent exploration of the portrait of Daughter Zion as “she” appears in biblical Hebrew poetry. Using Carleen Mandolfo’s Daughter Zion Talks Back to the Prophets (Society of Biblical Literature, 2007) as a point of departure, the contributors to this volume explore the image of Daughter Zion in its many dimensions in various texts in the Hebrew Bible. Approaches used range from poetic, rhetorical, and linguistic to sociological and ideological. To bring the conversation full circle, Carleen Mandolfo engages in a dialogic response with her interlocutors. The contributors are Mark J. Boda, Mary L. Conway, Stephen L. Cook, Carol J. Dempsey, LeAnn Snow Flesher, Michael H. Floyd, Barbara Green, John F. Hobbins, Mignon R. Jacobs, Brittany Kim, Cheryl A. Kirk-Duggan, Christl M. Maier, Carleen Mandolfo, Jill Middlemas, Kim Lan Nguyen, and Lena-Sofia Tiemeyer.

Piles of Slain, Heaps of Corpses reads the violence in the book of Nahum against the background of the war in the Democratic Republic of the Congo and tries to show how this violent book can be therapeutic and transformative for wounded communities. Here Jacob Onyumbe views Nahum through four scholarly lenses: poetic analysis, study of Assyrian iconography related to eighth- and seventh-century Judah, ethnographic research among survivors of war in the Democratic Republic of the Congo, and modern studies on the impact of war trauma on communities of survivors. He argues that Nahum uses lyric poetry so as to evoke in seventh-century BCE Judahite audiences the memory of war and destruction at the hands of the Assyrians. The prophet uses poetry to evoke (rather than narrate) in order to bring comfort to his audience by revealing the powerful presence of God in the conditions of traumatic violence. Viewed thus, the book of Nahum cannot be dismissed (as has commonly been the case among both scholars and general readers) as irrelevant or merely vindictive. On the contrary, this book--with its depiction of a vengeful God and repulsive war scenes--is essential, especially for traumatized communities.

The phrase “Daughter of Zion” is in recent Bible translations often rendered “Daughter Zion”. The discussion behind this change has continued for decades, but lacks proper linguistic footing. Parlance in grammars, dictionaries, commentaries and textbooks is often confusing. The present book seeks to remedy this defect by treating all relevant expressions from a linguistic point of view. To do this, it also discusses the understanding of Hebrew construct phrases, and finds that while there is a morphological category of genitive in Akkadian, Ugaritic and Arabic, Hebrew, Aramaic and Syriac do not display it. The use of this term as a syntactical category is unfortunate, and the term should be avoided in Hebrew grammar. Metaphor theory and the use of irony are also tools in the discussion of the phrases. As a result of the treatment, the author finds that there are some Hebrew construct phrases where nomen regens describes the following nomen rectum, and the description may be metaphorical, in some cases also ironical. This seems to be the case with “Daughter of Zion” and similar phrases. This understanding calls for a revision of the translation of the phrases, and new translations are suggested.

The author analyzes the poetic songs of biblical Lamentations with oral-poetic folkloric method for the first time with surprising results. Contemporary lament poems are then compared from recent post-war Croatia and Bosnia-Herzegovina about suffering in cities under siege. Oral-poetic and socio-rhetorical methods illumine two lead singers in dialogue in a mourning context, employing formulas and themes of dirge, psalmic and prophetic traditions in their compositions, but infusing these with their individual artistry to respond to Jerusalem’s destruction. Poets through history and across cultures share common ground in how they render the suffering of their war-torn cities. The prophet Jeremiah emerges in Lamentations as one lead singer by virtue of how he modifies traditional formulas (imagery, themes, terms) in response to the context. A woman emerges as another lead singer who pushes the limits of current theology in crisis.

The NIV Application Commentary helps you communicate and apply biblical text effectively in today's context. To bring the ancient messages of the Bible into today's world, each passage is treated in three sections: Original Meaning. Concise exegesis to help readers understand the original meaning of the biblical text in its historical, literary, and cultural context. Bridging Contexts. A bridge between the world of the Bible and the world of today, built by discerning what is timeless in the timely pages of the Bible. Contemporary Significance. This section identifies comparable situations to those faced in the Bible and explores relevant application of the biblical messages. The author alerts the readers of problems they may encounter when seeking to apply the passage and helps them think through the issues involved. This unique, award-winning commentary is the ideal resource for today's preachers, teachers, and serious students of the Bible, giving them the tools, ideas, and insights they need to communicate God's Word with the same powerful impact it had when it was first written.

The books of Jeremiah and Lamentations cannot be separated from the political conditions of ancient Judah. Beginning with the righteous king Josiah, who ushered in a time of glorious but brief religious reform, Jeremiah reflects the close tie between spiritual and political prosperity or disaster, between the actions and heart of Judah and her kings and their fortunes as a nation. While few of us today have any firsthand understanding of what it means to live in a theocracy, the central theme of Jeremiah and Lamentations remains clear and still holds true: God first, politics second. The words, prayers, and poems of 'the weeping prophet' serve to realign us with God's priorities, turning us from evil and encouraging us to pursue God and his ways. With emotion and spiritual depth, these prophetic writings beckon us toward a spiritual integrity that can still affect the course of individuals and nations today. Most Bible commentaries take us on a one-way trip from our world to the world of the Bible. But they leave us there, assuming that we can somehow make the return journey on our own. They focus on the original meaning of the passage but don't discuss its contemporary application. The information they offer is valuable--but the job is only half done! The NIV Application Commentary Series helps bring both halves of the interpretive task together. This unique, award-winning series shows readers how to bring an ancient message into our postmodern context. It explains not only what the Bible meant but also how it speaks powerfully today.

In this masterful new study of the ancient poetry of the Song of Songs, Elaine T. James explores the Song's underlying interest in the natural world. Engaging with the fields of geography, landscape architecture, and literature, James critiques the tendency of scholars to reify a perceived dichotomy between "nature" and "culture" and instead argues that the poetic attention to landscape indicates an awareness of a viewer. Nature is here a poetic device that informs James's close-readings of agrarianism, gardens, cities, social control, and feminism and the gaze in the Song. With this two-fold emphasis on landscape and lyric, Landscape of the Song of Songs shows how the Song persistently envisions a world in which human lovers are embedded in the natural world, complexly enfolded in relationships of fragility and care.