Wayward Lives Beautiful Experiments

A breathtaking exploration of the lives of young black women in the early twentieth century. In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them—domestic service, second-class citizenship, and respectable poverty—and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires.

An original, thought-provoking meditation on the corrosive legacy of slavery from the 16th century to the present.--Elizabeth Schmidt, "The New York Times."

The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.

Adapted from the adult memoir by the #1 New York Times bestselling author of The Water Dancer and Between the World and Me, this father-son story explores how boys become men, and quite specifically, how Ta-Nehisi Coates became Ta-Nehisi Coates. As a child, Ta-Nehisi Coates was seen by his father, Paul, as too sensitive and lacking focus. Paul Coates was a Vietnam vet who'd been part of the Black Panthers and was dedicated to reading and publishing the history of African civilization. When it came to his sons, he was committed to raising proud Black men equipped to deal with a racist society, during a turbulent period in the collapsing city of Baltimore where they lived. Coates details with candor the challenges of dealing with his tough-love father, the influence of his mother, and the dynamics of his extended family, including his brother "Big Bill," who was on a very different path than Ta-Nehisi. Coates also tells of his family struggles at school and with girls, making this a timely story to which many readers will relate.

This year's zine is an ode to mothering. The mothering that we experience inside our families, the mothering we extend ourselves, the complexity of mothering and the healing that is possible from a place of intentionality and serendipity. The iconography for this edition of the zine is trees. An interesting fact around trees and gender. Some trees can be all one gender, those trees are called dioecious. While other trees can be gendered both male and female and those are called monoecious. Trees can also change gender from season to season while others change once or twice during their lifetime. I am reminded that tree gender is complex and ever-evolving like mothering. Each tree in the zine represents a mother in my family, from my great-grandmothers to my younger sister and are organized by themes of "roots", "complexity", "deathless", and "resumption".

Across North America a growing body of “chilly climate” research documents the role played by environmental factors in reproducing gender inequality: practices that stereotype, exclude and devalue women are persistently powerful forces in creating “glass ceilings” and maintaining “pink ghettos.” Women academics in North American universities and colleges offer an especially striking case for such research. Precisely because of their elite status, the accounts now emerging of the “chilly climate” faced by academic women throw into sharp relief the mechanisms that foster gender inequity throughout North American society. Collected in this volume are a number of reports and commentaries on “climate issues” as they affect women faculty in Canadian universities. They include Sheila McIntyre’s Memo, an account of gender harassment in the context of a law school that was first circulated in 1986; two reports by and about women faculty at the University of Western Ontario that were inspired by McIntyre’s Memo; accounts of the reactions of male colleagues, the administration and the media to “climate” studies; and several chapters that critically reframe the discussion of chilly climate practices in terms of questions of race and sexual identity. Taken together, these reports and discussions demonstrate the importance of addressing the environmental roots of women’s continuing inequity both within and outside contemporary academia. They communicate specific experiences which testify to the existence of a chilly climate in our universities, and call into question any supposition that women and men have achieved equity to the degree that they could be said to work in “the same” environment in these institutions.

Confessions is the ; honest and heart-rending ; account of a woman who was born into a Catholic family, ; attended parochial schools and fully embraced the beliefs ; of her faith, but ran into major roadblocks in college. ; Amidst the radical feminist college environment of the ; 1960's, she lost her faith, and her morality, jumping ; aboard the bandwagon of "free love." She indulged ; in a series of love relationships in college, all of which ; crashed and burned. Despite the obvious contradiction ; between feminist teachings and her own experience, Murray ; still believed she had to free herself from the yoke of ; tradition. Attaining a doctorate in philosophy, with ; an emphasis on the feminist writings of Simone de Beauvoir, ; Murray taught philosophy in college. For many years, she ; launched a personal vendetta against God and the Catholic ; Church in the classroom, trying to persuade students that ; God did not exist, mocking values Catholics hold dear, and ; touted feminism as the cure for many social ills. When she ; discovered she was pregnant, Murray followed the route that ; feminists offer as a solution for unmarried women. Much to ; her surprise, her abortion was a shattering emotional ; experience, which she grieved over for years. It was the ; first tragic chink in her feminist armor. After her ; marriage in 1982, she anguished over the decision to have ; children, but became an advocate of the ; "child-free" movement, believing children were ; burdens and life could be happy life without them. Later in ; her forties, Murray experienced a mysterious series of ; events in which it seemed that "someone" was ; inviting her back to God. The mysterious calls came from ; different ports, including nature, books and other people. ; Gradually, she realized that the One seeking her was ; Christ, and the place He was calling her to was the ; Catholic Church. Eventually realizing it was only in the ; Church that she would find what she was seeking - the ; person of Christ and his love and mercy - Murray returned ; to the Church, and finally found healing and forgiveness ; for the abortion. Lorraine Murray's Confessions are ; a revelation. They reveal the nasty truth behind women's ; "liberation". Her experiences, and the lessons she ; learns from them, serve as a timely warning of the folly of ; feminism and the destructive impact that feminism has on ; those who fall under its malignant spell. - ; Joseph Pearce, author The Quest for ; Shakespeare "Confessions of an ; Ex-Feminist is the gripping story of millions of women ; who lost their religious and intellectual anchors during ; the tsunami of the fatal sixties and seventies. It is a ; movingly honest confession of how pride, arrogance, ; immaturity, ambition, craving to be "liberated", ; blinds the female soul. Abortion kills babies and wounds a ; woman's soul to its very core. But a prodigal daughter ; found her way back home, crushed by guilt, driven by ; repentance, and discovers that God's mercy is boundless. ; She is now given the crucial mission of shouting on roof's ; tops: feminism is the arch enemy of women. This book should ; become a vade mecum of young girls". - ; Dr. Alice von Hildebrand, author The Privilege ; of Being a Woman "Lorraine Murray's ; absorbing and poignant book traces her passage from the ; heart of the Catholic Church to the epicenter of the sexual ; revolution and back again. With candor, humor and a knack ; for storytelling, Murray reveals the mysterious ways God ; worked in her soul and leaves readers richer for having ; shared her journey." “/DIV>

Argues that blackness disrupts our essential ideas of race, gender, and, ultimately, the human Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. In so doing, Becoming Human demonstrates that the history of racialized gender and maternity, specifically antiblackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of blackness—the process of imagining the black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."

Critically examines the agency and history of long-silenced coolie women and their role in colonial economy and transnational movements.

Highlights the significant historical contributions of some of Louisiana's most noteworthy and also overlooked women from the eighteenth century to the present. This volume underscores the cultural, social, and political distinctiveness of the state and showcases how these women affected its history.