Way Down In Louisiana

With Clifton Chenier's amazing life and career as the centerpiece, this collection of profiles gathered across two decades unites some of the world's most innovative creative forces.

From two-time Newbery Medalist Kate DiCamillo comes a story of discovering who you are — and deciding who you want to be. When Louisiana Elefante’s granny wakes her up in the middle of the night to tell her that the day of reckoning has arrived and they have to leave home immediately, Louisiana isn’t overly worried. After all, Granny has many middle-of-the-night ideas. But this time, things are different. This time, Granny intends for them never to return. Separated from her best friends, Raymie and Beverly, Louisiana struggles to oppose the winds of fate (and Granny) and find a way home. But as Louisiana’s life becomes entwined with the lives of the people of a small Georgia town — including a surly motel owner, a walrus-like minister, and a mysterious boy with a crow on his shoulder — she starts to worry that she is destined only for good-byes. (Which could be due to the curse on Louisiana's and Granny’s heads. But that is a story for another time.) Called “one of DiCamillo’s most singular and arresting creations” by The New York Times Book Review, the heartbreakingly irresistible Louisiana Elefante was introduced to readers in Raymie Nightingale — and now, with humor and tenderness, Kate DiCamillo returns to tell her story.

Livy Two is happy that Daddy is finally out of his coma, but the befuddled man who comes home is not the daddy the Weems family once knew. He forgets their names, he wanders off—he won’t even touch his beloved banjo. Set in Appalachia in 1963, this heartwarming, and heart-wrenching, follow-up to Gentle’s Holler is narrated by the irrepressible Livy Two, and traces the ups and downs of her large mountain family. Shy and awkward 11-year-old Louise (Louisiana) becomes the reluctant hero as she develops a talent for painting, takes care of Daddy, and shows a surprised Livy Two that sometimes the quietest sibling turns out to be the strongest.

A variety of Louisiana animals pursuing their daily activities introduce the numbers one through ten. Includes a page of music.

From the hill country in the north to the marshy lowlands in the south, Louisiana and its citizens have long enjoyed the hard-earned fruits of the oil and gas industry’s labor. Economic prosperity flowed from pioneering exploration as the industry heralded engineering achievements and innovative production technologies. Those successes, however, often came at the expense of other natural resources, leading to contamination and degradation of land and water. In A Thousand Ways Denied, John T. Arnold documents the oil industry’s sharp interface with Louisiana’s environment. Drawing on government, corporate, and personal files, many previously untapped, he traces the history of oil-field practices and their ecological impacts in tandem with battles over regulation. Arnold reveals that in the early twentieth century, Louisiana helped lead the nation in conservation policy, instituting some of the first programs to sustain its vast wealth of natural resources. But with the proliferation of oil output, government agencies splintered between those promoting production and others committed to preventing pollution. As oil’s economic and political strength grew, regulations commonly went unobserved and unenforced. Over the decades, oil, saltwater, and chemicals flowed across the ground, through natural drainages, and down waterways. Fish and wildlife fled their habitats, and drinking-water supplies were ruined. In the wetlands, drilling facilities sat like factories in the midst of a maze of interconnected canals dredged to support exploration, manufacture, and transportation of oil and gas. In later years, debates raged over the contribution of these activities to coastal land loss. Oil is an inseparable part of Louisiana’s culture and politics, Arnold asserts, but the state’s original vision for safeguarding its natural resources has become compromised. He urges a return to those foundational conservation principles. Otherwise, Louisiana risks the loss of viable uses of its land and, in some places, its very way of life.

In Their Time revolves around the life and times of Harriet Arnold, mistress of Daffodil Hill. Tall, attractive, headstrong, auburn haired Harriet finds herself struggling to survive during the Union army's occupation of Murfreesboro, Tennessee. With her husband Edwin, away fighting under the command of Confederate General Nathan Bedford Forrest, Harriet struggles to raise two teenage daughters and to protect her palatial home and property from Yankee soldiers who several time threaten to set her home ablaze. And if dealing with the Union soldiers were not enough, she also is forced to deal with Daffodil Hill's former revengeful overseer and a sex-crazed gambler bent on kidnapping her daughters and beautiful young house guests. Although this carefully researched, historically accurate novel brings a people, a place and a time alive again it goes beyond a portrayal of a particular people in a specific place while exploring the broader war, especially those battles that directly impacted Middle Tennessee. Although sorely tested, Harriet's early frontier training has prepared her well for the challenges she must face during the dark and difficult war years. Faced with events so shocking that she could never have imagined in her wildest dreams, Harriet somehow manages to courageously defend her household with grit and a fierce and indomitable spirit.

History.

Step backstage in this look at little-known and utterly fascinating aspects of Jazz Age Louisiana. New Orleans' early jazz greats like Louis Armstrong, Jelly Roll Morton, Kid Ory and Buddy Bolden had fascinating careers, but Hidden History of Louisiana's Jazz Age is filled with tales of murder, lust and adventure. Clarinetist Joe Darensbourg of Baton Rouge ran away and joined the circus three times before the age of 20. The Martel Band of Opelousas witnessed a legal public hanging of a convicted serial murderer in 1923 Evangeline Parish. Trumpeter Evan Thomas of Crowley could have been a rival to Satchmo but was cut down on the bandstand in the Promised Land neighborhood of Rayne, La. Author Sam Irwin explores the odd and quirky in these fascinating stories of the Roaring Twenties.

Well, it was the next spring after me and Tom Sawyer set our old nigger Jim free, the time he was chained up for a runaway slave down there on Tom's uncle Silas's farm in Arkansaw. The frost was working out of the ground, and out of the air, too, and it was getting closer and closer onto barefoot time every day; and next it would be marble time, and next mumbletypeg, and next tops and hoops, and next kites, and then right away it would be summer and going in a-swimming. It just makes a boy homesick to look ahead like that and see how far off summer is. Yes, and it sets him to sighing and saddening around, and there's something the matter with him, he don't know what. But anyway, he gets out by himself and mopes and thinks; and mostly he hunts for a lonesome place high up on the hill in the edge of the woods, and sets there and looks away off on the big Mississippi down there a-reaching miles and miles around the points where the timber looks smoky and dim it's so far off and still, and everything's so solemn it seems like everybody you've loved is dead and gone, and you 'most wish you was dead and gone too, and done with it all.

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