Watermarks In Paper In Holland England France Etc In The Xvii And Xviii Centuries And Their Interconnection

The extensive introduction contains inter alia an alphabetical List of Dutch papermakers, a list of French paper-makers who worked for the Dutch market, and a list of British paper-makers and mills. At the end a survey of particulars concerning the watermarks in question. The corpus of the work is systematically arranged according to motives and contains 578 fullsize reproductions of watermarks.

Reprint of the 1935 edition. The extensive introduction contains inter alia an alphabetical List of Dutch papermakers, a list of French paper-makers who worked for the Dutch market, and a list of British paper-makers and mills. At the end a survey of particulars concerning the watermarks in question. The corpus of the work is systematically arranged according to motives and contains 578 fullsize reproductions of watermarks. With illustrations and 578 facsimiles of watermarks.

This book is the seventh in the Readings in Conservation series, which gathers and publishes texts that have been influential in the development of thinking about the conservation of cultural heritage. The present volume provides a selection of more than ninety-five texts tracing the development of the conservation of works of art on paper. Comprehensive and thorough, the book relates how paper conservation has responded to the changing place of prints and drawings in society. The readings include a remarkable range of historical selections from texts such as Renaissance printmaker Ugo da Carpi’s sixteenth-century petition to the Venetian senate on his invention of chiaroscuro, Thomas Churchyard’s 1588 essay in verse “A Sparke of Frendship and Warme Goodwill,” and Robert Bell’s 1773 piece “Observations Relative to the Manufacture of Paper and Printed Books in the Province of Pennsylvania.” These are complemented by influential writings by such figures as A. H. Munsell, Walter Benjamin, and Jacques Derrida, along with a generous representation of recent scholarship. Each reading is introduced by short remarks explaining the rationale for its selection and the principal matters covered, and the book is supplemented with a helpful bibliography. This volume is an indispensable tool for museum curators, conservators, and students and teachers of the conservation of works of art on paper.