Washington Goes To War

David Brinkley, one of America's most respected and celebrated news commentators, turns his journalistic skills to a personal account of the tumultuous days of World War II in the sleepy little Southern town that was Washington, D.C. Carrying us from the first days of the war through Roosevelt's death and the celebration of VJ Day, Brinkley surrounds us with fascinating people. Here are the charismatic President Roosevelt and the woman spy, code name "Cynthia." Here, too, are the diplomatic set, new Pentagon officials, and old-line society members--aka "Cave Dwellers." We meet the brashest and the brightest who actually ran the government, and the countless men and women who came to support the war effort in any way they could--all seeking to share in the adventure of their generation.

Martha Washington -- prisoner, runaway, lunatic, soldier, and now seditionist -- has seen the future. It looks great on paper, but it doesn't work. The U.S. government is controlled by power-hungry nutcases. The ecology is a shambles. Everyone talks about the weather, but nobody does anything about it . . . nobody, that is, except PAX and the very expensive weather-control satellite, Harmony. In Martha Washington Goes to War, it's Martha vs. PAX and the United States government, and the odds are more even than you might think!

The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.

A Team of Rivals for World War II—the inside story of how FDR and the towering personalities around him waged war in the corridors of Washington, D.C., to secure ultimate victory on the battlefields of Europe and the Pacific. The Washington War is the story of how the Second World War was fought and won in the capital’s halls of power—and how the United States, which in December 1941 had a nominal army and a decimated naval fleet, was able in only thirty months to fling huge forces onto the European continent and shortly thereafter shatter Imperial Japan’s Pacific strongholds. Three quarters of a century after the overwhelming defeat of the totalitarian Axis forces, the terrifying, razor-thin calculus on which so many critical decisions turned has been forgotten—but had any of these debates gone the other way, the outcome of the war could have been far different: The army in August 1941, about to be disbanded, saved by a single vote. Production plans that would have delayed adequate war matériel for years after Pearl Harbor, circumvented by one uncompromising man’s courage and drive. The delicate ballet that precluded a separate peace between Stalin and Hitler. The almost-adopted strategy to stage D-Day at a fatally different time and place. It was all a breathtakingly close-run thing, again and again. Renowned historian James Lacey takes readers behind the scenes in the cabinet rooms, the Pentagon, the Oval Office, and Hyde Park, and at the pivotal conferences—Campobello Island, Casablanca, Tehran—as these disputes raged. Here are colorful portraits of the great figures—and forgotten geniuses—of the day: New Dealers versus industrialists, political power brokers versus the generals, Churchill and the British high command versus the U.S. chiefs of staff, innovators versus entrenched bureaucrats . . . with the master manipulator, Franklin Delano Roosevelt, at the center, setting his brawling patriots one against the other and promoting and capitalizing on the furious turf wars. Based on years of research and extensive, previously untapped archival resources, The Washington War is the first integrated, comprehensive chronicle of how all these elements—and towering personalities—clashed and ultimately coalesced at each vital turning point, the definitive account of Washington at real war and the titanic political and bureaucratic infighting that miraculously led to final victory.

“A precisely crafted and bracingly honest” memoir of war and its aftershocks from the New York Times–bestselling author of Matterhorn (The Atlantic). In 1968, at the age of twenty-three, Karl Marlantes was dropped into the highland jungle of Vietnam, an inexperienced lieutenant in command of forty Marines who would live or die by his decisions. In his thirteen-month tour he saw intense combat, killing the enemy and watching friends die. Marlantes survived, but like many of his brothers in arms, he has spent the last forty years dealing with his experiences. In What It Is Like to Go to War, Marlantes takes a candid look at these experiences and critically examines how we might better prepare young soldiers for war. In the past, warriors were prepared for battle by ritual, religion, and literature—which also helped bring them home. While contemplating ancient works from Homer to the Mahabharata, Marlantes writes of the daily contradictions modern warriors are subject to, of being haunted by the face of a young North Vietnamese soldier he killed at close quarters, and of how he finally found a way to make peace with his past. Through it all, he demonstrates just how poorly prepared our nineteen-year-old warriors are for the psychological and spiritual aspects of the journey. In this memoir, the New York Times–bestselling author of Matterhorn offers “a well-crafted and forcefully argued work that contains fresh and important insights into what it’s like to be in a war and what it does to the human psyche” (The Washington Post).

Why does the United States go to war?—a leading Harper’s commentator on U.S. foreign affairs searches for answers. A withering exposé of runaway military spending and the private economic interests funding the U.S. war machine—for fans of Rachel Maddow and Democracy Now! America has a long tradition of justifying war as the defense of democracy. The War on Terror was waged to protect the West from the dangers of Islamists. The US soldiers stationed in over 800 locations across the world are meant to be the righteous arbiters of justice. Against this background, Andrew Cockburn brilliantly dissects the true intentions behind Washington’s martial appetites. The American war machine can only be understood in terms of the private passions and interests of those who control it—principally a passionate interest in money. Thus, as Cockburn witheringly reports, Washington expanded NATO to satisfy an arms manufacturer’s urgent financial requirements; the US Navy’s Pacific fleet deployments were for years dictated by a corrupt contractor who bribed high-ranking officers with cash and prostitutes; senior Marine commanders agreed to a troop surge in Afghanistan in 2017 for budgetary reasons. Based on years of wide-ranging research, Cockburn lays bare the ugly reality of the largest military machine in history: as profoundly squalid as it is terrifyingly deadly.

In this luminous portrait of wartime Washington, Ernest B. Furgurson–author of the widely acclaimed Chancellorsville 1863, Ashes of Glory, and Not War but Murder--brings to vivid life the personalities and events that animated the Capital during its most tumultuous time. Here among the sharpsters and prostitutes, slaves and statesmen are detective Allan Pinkerton, tracking down Southern sympathizers; poet Walt Whitman, nursing the wounded; and accused Confederate spy Antonia Ford, romancing her captor, Union Major Joseph Willard. Here are generals George McClellan and Ulysses S. Grant, railroad crew boss Andrew Carnegie, and architect Thomas Walter, striving to finish the Capitol dome. And here is Abraham Lincoln, wrangling with officers, pardoning deserters, and inspiring the nation. Freedom Rising is a gripping account of the era that transformed Washington into the world’s most influential city.

Talk radio host and celebrity werewolf Kitty Norville has agreed to appear on TV's first all-supernatural reality show. What she's expecting is cheesy competitions and manufactured drama starring shapeshifters, vampires, and psychics. But what begins as a publicity stunt is all too quickly turning into a fight for her life. Kitty and her fellow housemates arrive at the remote mountain lodge where the show is set, but no sooner does filming start when violence erupts. It doesn't take Kitty long to suspect the show is nothing more than a cover for some nefarious plot. Then the cameras stop rolling, cast members start dying, and Kitty learns she and her monster housemates are not battling for a prize: they are, ironically enough, themselves the ultimate prize, in a very different game. Stranded with no power, no phones, and no way to know who can be trusted, she must find a way to defeat the evil closing in ... before it kills them all.

Presents information taken from the book "Washington Goes To War" by David Brinkley, an American journalist. Contains information about the changes that took place in Washington, D.C., prior to and after the United States' entry into World War II. Describes the city from a social and political standpoint, including information about racial tensions, housing shortages, crime, the Congress, the press, and the bureaucracy. Links to a World War II timeline.