War Politics And Society In Early Modern China 900 1795

The first book in English to study this period of Chinese history, this comprehensive survey sets out the major military events in chapters and argues that war was the most important tool used by the Chinese in building and maintaining their empire.

"Using a chronological narrative, War, Politics and Society in Early Modern China, 900-1795 breaks free of the dynastic boundaries that shape much scholarship in this area, focusing instead on the growing power of local elites. This power eventually led to a system of loose central control - to the sacrifice of real, centralized power over local affairs. Ideal for students of military and Asian studies, War, Politics and Society in Early Modern China, 900-1795 is essential reading for anyone interested in the military history of China."--BOOK JACKET.

This comprehensive survey of Chinese military history is the only book in English to span the significant years from 900 – 1795. Peter Lorge questions current theories on China’s relationship to war, and argues that war was the most important tool used by the Chinese in building and maintaining their empire. Emphasizing the relationship between the military and politics, chapters are organised around specific military events and, Lorge argues, the strength of territorial claims and political impact of each dynasty were determined by their military capacity. Ideal as a course adoption text for Asian military studies, this is also valuable for students of Chinese studies, military studies and Chinese history.

The Song dynasty (960–1279) has been characterized by its pre-eminent civil culture and military weakness. This groundbreaking work demonstrates that the civil dominance of the eleventh century was the product of a half-century of continuous warfare and ruthless political infighting. The spectacular culture of the eleventh century, one of the high points in Chinese history, was built on the bloody foundation of the conquests of the tenth century. Peter Lorge examines how, rather than a planned and inevitable reunification of the Chinese empire, the foundation of the Song was an uncertain undertaking, dependent upon highly contingent battles, both military and political, whose outcome was always in doubt. Song civil culture grew out of the successful military campaigns that created the dynasty and, as the need for war and armies diminished, the need for civil officials grew. The Song dynasty's successful waging of war led ultimately to peace.

Shortly after 300 AD, barbarian invaders from Inner Asia toppled China's Western Jin dynasty, leaving the country divided and at war for several centuries. Despite this, the empire gradually formed a unified imperial order. Medieval Chinese Warfare, 300-900 explores the military strategies, institutions and wars that reconstructed the Chinese empire that has survived into modern times. Drawing on classical Chinese sources and the best modern scholarship from China and Japan, David A. Graff connects military affairs with political and social developments to show how China's history was shaped by war.

This volume explores the relationship between culture and the military in Chinese society from early China to the Qing empire, with contributions by eminent scholars aiming to reexamine the relationship between military matters and law, government, historiography, art, philosophy, literature, and politics. The book critically investigates the perception that, due to the influence of Confucianism, Chinese culture has systematically devalued military matters. There was nothing inherently pacifist about the Chinese governments’ views of war, and pragmatic approaches—even aggressive and expansionist projects—often prevailed. Though it has changed in form, a military elite has existed in China from the beginning of its history, and military service included a large proportion of the population at any given time. Popular literature praised the martial ethos of fighting men. Civil officials attended constantly to military matters on the administrative and financial ends. The seven military classics produced in antiquity continued to be read even into the modern period. These original essays explore the ways in which intellectual, civilian, and literary elements helped shape the nature of military institutions, theory, and the culture of war. This important contribution bridges two literatures, military and cultural, that seldom appear together in the study of China, and deepens our understanding of war and society in Chinese history.

This book presents a comprehensive survey of warfare in India up to the point where the British began to dominate the sub-continent. It discusses issues such as how far was the relatively bloodless nature of pre-British Indian warfare the product of stateless Indian society? How far did technology determine the dynamics of warfare in India? Did warfare in this period have a particular Indian nature and was it ritualistic? The book considers land warfare including sieges, naval warfare, the impact of horses, elephants and gunpowder, and the differences made by the arrival of Muslim rulers and by the influx of other foreign influences and techniques. The book concludes by arguing that the presence of standing professional armies supported by centralised bureaucratic states have been underemphasised in the history of India.

Chinese rulers and statesmen were naturally concerned about the issue of war, when to wage it, when it was justified, and when to avoid it. Although much has been asserted about how these issues were understood in Chinese culture, this work is the first study actually to focus on the debates themselves. These debates at court proceeded from specific understandings of what constituted evidence, and involved the practical concerns of policy as well as more general cultural values. The result is a decidedly messy portrait of Chinese decision making over two millenia that is neither distinctly Chinese nor entirely generic. Contributors are Parks Coble, Garret Olberding, David Pong, Kenneth Swope, Paul Van Els, David Wright, and Shu-Hui Wu.

A history of wars through the ages and across the world, and the irrational calculations that so often lie behind them Benjamin Franklin once said, "There never was a good war or a bad peace." But what determines whether war or peace is chosen? Award-winning sociologist Michael Mann concludes that it is a handful of political leaders--people with emotions and ideologies, and constrained by inherited culture and institutions--who undertake such decisions, usually irrationally choosing war and seldom achieving their desired results. Mann examines the history of war through the ages and across the globe--from ancient Rome to Ukraine, from imperial China to the Middle East, from Japan and Europe to Latin and North America. He explores the reasons groups go to war, the different forms of wars, how warfare has changed and how it has stayed the same, and the surprising ways in which seemingly powerful countries lose wars. In masterfully combining ideological, economic, political, and military analysis, Mann offers new insight into the many consequences of choosing war.

Providing an indispensable resource for students, educators, businessmen, and officials investigating the transformative experience of modern China, this book provides a comprehensive summary of the culture, institutions, traditions, and international relations that have shaped today's China. In Modern China, author Xiaobing Li offers a resource far beyond a conventional encyclopedia, providing not only comprehensive coverage of Chinese civilization and traditions, but also addressing the values, issues, and critical views of China. As a result, readers will better understand the transformative experience of the most populous country in the world, and will grasp the complexity of the progress and problems behind the rise of China to a world superpower in less than 30 years. Written by an author who lived in China for three decades, this encyclopedia addresses 16 key topics regarding China, such as its geography, government, social classes and ethnicities, gender-based identities, arts, media, and food, each followed by roughly 250 short entries related to each topic. All the entries are placed within a broad sociopolitical and socioeconomic contextual framework. The format and writing consistency through the book reflects a Chinese perspective, and allows students to compare Chinese with Western and American views.