War Party In Blue

Between 1864 and 1877, during the height of the Plains Indian wars, Pawnee Indian scouts rendered invaluable service to the United States Army. They led missions deep into contested territory, tracked resisting bands, spearheaded attacks against enemy camps, and on more than one occasion saved American troops from disaster on the field of battle. In War Party in Blue, Mark van de Logt tells the story of the Pawnee scouts from their perspective, detailing the battles in which they served and recounting hitherto neglected episodes. Employing military records, archival sources, and contemporary interviews with current Pawnee tribal members—some of them descendants of the scouts—Van de Logt presents the Pawnee scouts as central players in some of the army's most notable campaigns. He argues that military service allowed the Pawnees to fight their tribal enemies with weapons furnished by the United States as well as to resist pressures from the federal government to assimilate them into white society. According to the author, it was the tribe's martial traditions, deeply embedded in their culture, that made them successful and allowed them to retain these time-honored traditions. The Pawnee style of warfare, based on stealth and surprise, was so effective that the scouts' commanding officers did little to discourage their methods. Although the scouts proudly wore the blue uniform of the U.S. Cavalry, they never ceased to be Pawnees. The Pawnee Battalion was truly a war party in blue.

As a teen, Sarah Wheelock has vowed never to let a man control her. With this conviction, she leaves her life on a Michigan farm, disguises herself as a boy, and fights in the Civil War.

The story of how Congress helped win the Civil War-placing a dynamic House and Senate, rather than Lincoln, at the center of the conflict.

Bud Miles was a boy when he crossed the Mississippi. But Bud buried his father after an Indian attack, and as the wagon train pushed on through Sioux country, the boy stood as tall as any man. . . . Tell Sackett killed cougars at fourteen and fought a war at fifteen. Now Tell was hauling dangerous freight—a soldier's wife and a fortune in gold—knowing that someone wanted him dead. . . . Laurie Bonnet was a mail-order bride who thought she was a failure on the frontier. But when the chips were down, she was the only one who could save her husband's life. . . . In these marvelous stories of the West, Louis L'Amour tells of travelers, gunfighters, homesteaders, and adventurers: men and women making hard and sudden choices and fighting battles that could cut a person's life short—or open up a bold new future on the American frontier.

"Long before the Confederacy was crushed militarily, it was defeated economically," writes Charles L. Dufour. He contends that with the fall of the critical city of New Orleans in spring 1862 the South lost the Civil War, although fighting would continueøfor three more years. On the Mississippi River, below New Orleans, in the predawn of April 24, 1862, David Farragut with fourteen gunboats ran past two forts to capture the South's principal seaport. Vividly descriptive, The Night the War Was Lost is also very human in its portrayal of terrified citizens and leaders occasionally rising to heroism. In a swift-moving narrative, Dufour explains the reasons for the seizure of New Orleans and describes its results.

DigiCat Publishing presents to you this special edition of "Captains of the Civil War: A Chronicle of the Blue and the Gray" by William Wood. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Private detective Jeremy Stake, a man possessing mysterious chameleon like abilities, is assigned to investigate an empty city filled with the remains of cloned humans and a bizarre organic facsimile of Punktown growing out of the jungle, he stumbles into a plot to re-ignite the war between humans and Ha-Jiin.

Way Out There in the Blue is a major work of history by the Pulitzer Prize­winning author of Fire in the Lake. Using the Star Wars missile defense program as a magnifying glass on his presidency, Frances FitzGerald gives us a wholly original portrait of Ronald Reagan, the most puzzling president of the last half of the twentieth century. Reagan's presidency and the man himself have always been difficult to fathom. His influence was enormous, and the few powerful ideas he espoused remain with us still -- yet he seemed nothing more than a charming, simple-minded, inattentive actor. FitzGerald shows us a Reagan far more complex than the man we thought we knew. A master of the American language and of self-presentation, the greatest storyteller ever to occupy the Oval Office, Reagan created a compelling public persona that bore little relationship to himself. The real Ronald Reagan -- the Reagan who emerges from FitzGerald's book -- was a gifted politician with a deep understanding of the American national psyche and at the same time an executive almost totally disengaged from the policies of his administration and from the people who surrounded him. The idea that America should have an impregnable shield against nuclear weapons was Reagan's invention. His famous Star Wars speech, in which he promised us such a shield and called upon scientists to produce it, gave rise to the Strategic Defense Initiative. Reagan used his sure understanding of American mythology, history and politics to persuade the country that a perfect defense against Soviet nuclear weapons would be possible, even though the technology did not exist and was not remotely feasible. His idea turned into a multibillion-dollar research program. SDI played a central role in U.S.-Soviet relations at a crucial juncture in the Cold War, and in a different form it survives to this day. Drawing on prodigious research, including interviews with the participants, FitzGerald offers new insights into American foreign policy in the Reagan era. She gives us revealing portraits of major players in Reagan's administration, including George Shultz, Caspar Weinberger, Donald Regan and Paul Nitze, and she provides a radically new view of what happened at the Reagan-Gorbachev summits in Geneva, Reykjavik, Washington and Moscow. FitzGerald describes the fierce battles among Reagan's advisers and the frightening increase of Cold War tensions during Reagan's first term. She shows how the president who presided over the greatest peacetime military buildup came to espouse the elimination of nuclear weapons, and how the man who insisted that the Soviet Union was an "evil empire" came to embrace the Soviet leader, Mikhail Gorbachev, and to proclaim an end to the Cold War long before most in Washington understood that it had ended. Way Out There in the Blue is a ground-breaking history of the American side of the end of the Cold War. Both appalling and funny, it is a black comedy in which Reagan, playing the role he wrote for himself, is the hero.

A true American hero who earned a Purple Heart, a Bronze Star, and a Congressional Gold Medal, Brummett Echohawk was also a Pawnee on the European battlefields of World War II. He used the Pawnee language and counted coup as his grandfather had done during the Indian wars of the previous century. This first book-length biography depicts Echohawk as a soldier, painter, writer, humorist, and actor profoundly shaped by his Pawnee heritage and a man who refused to be pigeonholed as an “Indian artist.” Through his formative war service in the 45th Infantry Division (known as the Thunderbirds), Echohawk strove to prove himself both a patriot and a true Pawnee warrior. Pawnee history, culture, and spiritual belief inspired his courageous conduct and bolstered his confidence that he would return home. Echohawk’s career as an artist began with combat sketches published under such titles as “Death Shares a Ditch at Bloody Anzio.” His portraits of Allied and enemy soldiers, some of which appeared in the Detroit Free Press in 1944, included drawings of men from all over the world, among them British infantrymen, Gurkhas, and a Japanese American soldier. After the war, without relying on the GI Bill, Echohawk studied at the Art Institute of Chicago for three years. His persistence paid off, leading to work as a staff artist for several Chicago newspapers. Echohawk was also a humorist whose prodigious output includes published cartoons and several parodies of famous paintings, such as a Mona Lisa wearing a headband, turquoise ring, and beaded necklace. Featuring eight of Echohawk’s paintings in full color, this thoroughly researched biography shows how one unusual man succeeded in American Indian and mainstream cultures. World War II aficionados will marvel at Echohawk’s military feats, and American art enthusiasts will appreciate a body of work characterized by deep historical research, an eye for beauty, and a unique ability to capture tribal humor.