War For The Hell Of It

What's it like to fight an unwinnable war? What's Mach 2? What does night ground attack feel like? How was the Phantom to fly? It's all here, the sights, sounds, smells, violence, political frustrations, the terror and triumph of survival in the sky over Vietnam. Death in the air but exotic pleasures available back on base in Thailand. Live it n

War-from 25,000 feet up. During the Vietnam War, Ed Cobleigh served two tours of duty, logging 375 combat sorties and over 1,000 hours of combat time in the F-4D Phantom II fighter/bomber. Unlike so many others, he made it back in one piece. And he returned with an experience-and a perspective-that those of us on the ground could not begin to understand. In War for the Hell of It, Cobleigh shares that perspective in an intimate account of his life in a war filled with moral ambiguity and military contradictions. This is an unprecedented look into the state of mind of a pilot as he experiences everything from the carnage of a crash to the joy of flying through a star-studded night sky, from illogical political agendas to his own dangerous addiction to risk. With the aviation thrills of Flight of the Intruder and the military pathos of M*A*S*H, Cobleigh gives a stirring and emotional description of one man's journey into airborne hell and back.

Vietnam still haunts the American conscience. Not only did nearly 58,000 Americans die there, but--by some estimates--1.5 million veterans returned with war-induced Post-Traumatic Stress Disorder (PTSD). This psychological syndrome, responsible for anxiety, depression, and a wide array of social pathologies, has never before been placed in historical context. Eric Dean does just that as he relates the psychological problems of veterans of the Vietnam War to the mental and readjustment problems experienced by veterans of the Civil War. Employing a multidisciplinary approach that merges military, medical, and social history, Dean draws on individual case analyses and quantitative methods to trace the reactions of Civil War veterans to combat and death. He seeks to determine whether exuberant parades in the North and sectional adulation in the South helped to wash away memories of violence for the Civil War veteran. His extensive study reveals that Civil War veterans experienced severe persistent psychological problems such as depression, anxiety, and flashbacks with resulting behaviors such as suicide, alcoholism, and domestic violence. By comparing Civil War and Vietnam veterans, Dean demonstrates that Vietnam vets did not suffer exceptionally in the number and degree of their psychiatric illnesses. The politics and culture of the times, Dean argues, were responsible for the claims of singularity for the suffering Vietnam veterans as well as for the development of the modern concept of PTSD. This remarkable and moving book uncovers a hidden chapter of Civil War history and gives new meaning to the Vietnam War.

An astonishing memoir of military courage at a remote outpost during the Vietnam War “A riveting, dead-true account in the tradition of Black Hawk Down and We Were Soldiers Once...and Young.”—Steven Pressfield, national bestselling author of The Lion’s Gate In October 1969, William Albracht, the youngest Green Beret captain in Vietnam, took command of a remote hilltop outpost called Firebase Kate held by only 27 American soldiers and 156 Montagnard militiamen. At dawn the next morning, three North Vietnamese Army regiments—some six thousand men—crossed the Cambodian border and attacked. Outnumbered three dozen to one, Albracht’s men held off the assault but, after five days, Kate’s defenders were out of ammo and water. Refusing to die or surrender, Albracht led his troops off the hill and on a daring night march through enemy lines. Abandoned in Hell is an astonishing memoir of leadership, sacrifice, and brutal violence, a riveting journey into Vietnam’s heart of darkness, and a compelling reminder of the transformational power of individual heroism. Not since Lone Survivor and We Were Soldiers Once...and Young has there been such a gripping and authentic account of battlefield courage. INCLUDES PHOTOS

"An examination of how Americans brought concepts of the devil, demons, and hell into every fabric of their lives and times in the American Civil War. These influences continued to impact the nation and its people after the war"--

“A tightly written narrative history.” —Harvard magazine It was an enigma of the Vietnam War: American troops kept killing the Viet Cong—and were being killed in the process—and yet the Viet Cong's ranks continued to grow. When one man—CIA analyst Sam Adams—uncovered documents suggesting a Viet Cong army more than twice as numerous as previously reckoned, another war erupted, this time within the ranks of America's intelligence community. This clandestine conflict, which burst into public view during the acrimonious lawsuit Westmoreland v. CBS, involved the highest levels of the U.S. government. The central issue in the trial, as in the war itself, was the calamitous failure of our intelligence agencies to ascertain the strength of the Viet Cong and get that information to our troops in a timely fashion. The legacy of this failure—whether due to institutional inertia, misguided politics, or individual hubris—haunts our nation. And Sam Adams’ tireless crusade for “honest intelligence” resonates strongly today. To detractors like Richard Helms, Adams was an obsessive zealot; to others, he was a patriot of rare integrity and moral courage. Adams was the driving force behind the CBS ninety-minute documentary The Uncounted Enemy, produced by George Crile and hosted by Mike Wallace. Westmoreland brought a lawsuit seeking $120 million in damages against Adams and Wallace in what headlines around the country trumpeted as the libel trial of the century. Westmoreland dropped his suit before the case could be sent to the jury. Who the Hell Are We Fighting? is the first serious narrative history of Adams' controversial discovery of the Vietnam "numbers gap." Hiam's book is a timeless, cautionary tale that combines the best elements of biography, military history, and current affairs. Praise for Who the Hell Are We Fighting? “Hiam’s book offers a rich oral history relying upon the recollections of many key players, friend and foe alike, as well as Adams’s meticulous notes, court documents, and other relevant sources.” —Library Journal “In the late 1960s, CIA analyst Sam Adams was almost alone in showing what one honest person can do in the face of political and bureaucratic corruption that twisted the truth about America’s enemy strength during the ten-year war in Vietnam. Now, C. Michael Hiam provides new insight into Adams’s epic battle.” —Alex Beam, Newsday “In times of White House obfuscation, it’s a pleasure to be able to read about the candor—against all odds—of courageous patriots like Sam Adams.” —Mike Wallace “A definitive contribution to an understanding of the most acrimonious intelligence controversy of the Vietnam War.” —George W. Allen, author of None So Blind: A Personal Account of the Intelligence Failure in Vietnam “An excellent book…should bring [Sam Adams’s story] to the attention of many who know nothing of the passions or the conflicts of that time.” —Larry McMurtry “Take up this book and let Michael Hiam lead you toward a final understanding of how military and civilian intelligence failed us during the Vietnam War.” —John Rolfe Gardiner, author of Double Stitch For more about this and other books by Michael Hiam, visit thelafargeagency.com/book/who-the-hell-are-we-fighting/

From the award-winning historian, Saul David, the riveting narrative of the heroic US troops, bonded by the brotherhood and sacrifice of war, who overcame enormous casualties to pull off the toughest invasion of WWII's Pacific Theater -- and the Japanese forces who fought with tragic desperation to stop them. With Allied forces sweeping across Europe and into Germany in the spring of 1945, one enormous challenge threatened to derail America's audacious drive to win the world back from the Nazis: Japan, the empire that had extended its reach southward across the Pacific and was renowned for the fanaticism and brutality of its fighters, who refused to surrender, even when faced with insurmountable odds. Taking down Japan would require an unrelenting attack to break its national spirit, and launching such an attack on the island empire meant building an operations base just off its shores on the island of Okinawa. The amphibious operation to capture Okinawa was the largest of the Pacific War and the greatest air-land-sea battle in history, mobilizing 183,000 troops from Seattle, Leyte in the Philippines, and ports around the world. The campaign lasted for 83 blood-soaked days, as the fighting plumbed depths of savagery. One veteran, struggling to make sense of what he had witnessed, referred to the fighting as the "crucible of Hell." Okinawan civilians died in the tens of thousands: some were mistaken for soldiers by American troops; but as the US Marines spearheading the invasion drove further onto the island and Japanese defeat seemed inevitable, many more civilians took their own lives, some even murdering their own families. In just under three months, the world had changed irrevocably: President Franklin D. Roosevelt died; the war in Europe ended; America's appetite for an invasion of Japan had waned, spurring President Truman to use other means -- ultimately atomic bombs -- to end the war; and more than 250,000 servicemen and civilians on or near the island of Okinawa had lost their lives. Drawing on archival research in the US, Japan, and the UK, and the original accounts of those who survived, Crucible of Hell tells the vivid, heart-rending story of the battle that changed not just the course of WWII, but the course of war, forever.

The aeroscouts of the 1st Infantry Division had three words emblazoned on their unit patch: Low Level Hell. It was then and continues today as the perfect concise definition of what these intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow, aerial eyes of the division in search of the enemy. Too often for longevity’s sake they found the Viet Cong and the fight was on. These young pilots (19-22 years old) “invented” the book as they went along. Praise for Low Level Hell “An absolutely splendid and engrossing book. The most compelling part is the accounts of his many air-to-ground engagements. There were moments when I literally held my breath.”—Dr. Charles H. Cureton, Chief Historian, U.S. Army Training and Doctrine (TRADOC) Command “Low Level Hell is the best ‘bird’s eye view’ of the helicopter war in Vietnam in print today. No volume better describes the feelings from the cockpit. Mills has captured the realities of a select group of aviators who shot craps with death on every mission.”—R.S. Maxham, Director, U.S. Army Aviation Museum

“A planet-stomping space opera that bursts off the page like a tactical nuke.”—John Birmingham, author of Weapons of Choice The Hammer Worlds—the most brutal and oppressive interstellar government in the universe—have hijacked the Federated Worlds cruise ship Mumtaz, seizing its valuable terraforming cargo and damning its passengers to mining the moons of the prison planet known as Hell. For Junior Lieutenant Michael Helfort and the crew aboard deep space scout vessel 387, the mission is clear: infiltrate enemy territory, locate the Mumtaz, and rescue the prisoners. The odds are appalling, and the damage will probably be fatal, but victory is nonnegotiable–especially for Helfort, whose mother and sister were on the Mumtaz. And Michael Helfort will be damned if he’ll let his family rot on the moons of Hell.

Real war is a cruel theater of death, yet it is also an exciting narrative exploited for national, political and commercial purposes and turned into numerous films, television shows, computer games, news stories and reenactment plays. These essays examine the relationship between war, visual media and entertainment from a number of academic perspectives. Key topics include how war is used as an imaginary site to stage dramas; how boundaries between war, media, and entertainment dissolve as new media alters the formal qualities of representation; how entertainment is used to engage audiences; and what effect products of war and entertainment have on consumers of popular culture.