Walt Whitman And The Struggle For A Pragmatic Vision Of Spiritual Democracy

In this surprisingly timely book, Stephen Mack examines Whitman’s particular and fascinating brand of patriotism: his far-reaching vision of democracy. For Whitman, loyalty to America was loyalty to democracy. Since the idea that democracy is not just a political process but a social and cultural process as well is associated with American pragmatism, Mack relies on the pragmatic tradition of Emerson, James, Dewey, Mead, and Rorty to demonstrate the ways in which Whitman resides in this tradition. Mack analyzes Whitman's democratic vision both in its parts and as a whole; he also describes the ways in which Whitman's vision evolved throughout his career. He argues that Whitman initially viewed democratic values such as individual liberty and democratic processes such as collective decision-making as fundamental, organic principles, free and unregulated. But throughout the 1860s and 1870s Whitman came to realize that democracy entailed processes of human agency that are more deliberate and less natural—that human destiny is largely the product of human effort, and a truly humane society can be shaped only by intelligent human efforts to govern the forces that would otherwise govern us. Mack describes the foundation of Whitman’s democracy as found in the 1855 and 1856 editions of Leaves of Grass, examines the ways in which Whitman’s 1859 sexual crisis and the Civil War transformed his democratic poetics in “Sea-Drift,” “Calamus,” Drum-Taps,and Sequel to Drum-Taps, and explores Whitman’s mature vision in Democratic Vistas, concluding with observations on its moral and political implications today. Throughout, he illuminates Whitman's great achievement—learning that a full appreciation for the complexities of human life meant understanding that liberty can take many different and conflicting forms—and allows us to contemplate the relevance of that achievement at the beginning of the twenty-first century.

Exploring what the author calls the "shaman-poets"—Walt Whitman, Herman Melville, and Emily Dickinson—this book demonstrates how far ahead of their times these writers were in forecasting developments of our current time. It was Whitman who first wrote of "Spiritual Democracy" as a vision of transformation and global equality. Steven Herrmann delves deep into the visionary expressions of this idea of Spiritual Democracy—"the realization of the oneness of humanity with the universe and all its forces"—in these early American writers, showing the influence the groundbreaking work of the geologist and thinker Alexander Von Humboldt had on Whitman and others. Writing that every member of the global community regardless of color, gender, or sexual orientation can realize these freedoms, the author explores how one can tap into the vitalizing source of equalizing, vocational energy to bring a sense of purpose and peace. Although the book shines as a work of literary criticism, the author's insights as a Jungian psychotherapist take the reader ever deeper into the creative impulses of Whitman, Melville, Dickinson, and other poets in their crafting of the seminal notion of Spiritual Democracy. In addition, Herrmann offers practical methodologies for personal and global transformation in the section, "Ten Ways to Practice Spiritual Democracy." Table of Contents Visions of Spiritual Democracy - Introduction 1. Cosmos 2. Spiritual Democracy as a Science of God 3. From Humboldt to Jung 4. Jung on Spiritual Democracy 5. Healing the National Complex 6. Whitman's "New Bible": The Foundation of a Religious Vision 7. Walt Whitman's Global Vision 8. The Bi-Erotic as Transcendent Sexuality 9. Shamanism and Spiritual Democracy: A Post-Humboldtian Notion of the Cosmos 10. Whitman as a Preserver of the Psychic Integrity of the Community 11. Moby Dick: The Evolution of a New Myth for our Times 12. Herman Melville: The Quest for Yillah 13. Towards a Hypothesis of the Bi-erotic 14. Moby Dick and the Trickster 15. The Marriage of Sames: "A Bosom Friend" 16. Moby Dick: The Characters Behind the Names 17. The Fall of the Dictatorships as Portrayed in Moby Dick 18. Metamorphosis of the Gods 19. The Re-emergence of the Feminine 20. Afterward: A Bi-Erotic Model for The Way Forward a) Ten Ways to Practice Spiritual Democracy

In Mystical Discourse D.J. Moores builds on the work of current transatlantic scholarship in a lucid analysis of the connections between William Wordsworth and Walt Whitman. As he demonstrates, the "transatlantic bridge" between both poets lies in their privileging of a type of mystical language he calls "cosmic" rhetoric, which served the function of ideological resistance, as it enabled them to rebel against Enlightenment modes of thinking and being. In a thorough engagement with the work of Wordsworth and Whitman, Moores shows that the cosmic rhetoric of both writers involves a subversive reorientation towards self and society, nature and God, and knowledge and religion, as well as a radical revisioning of language and poetics.

Walt Whitman: Shamanism, Spiritual Democracy, and the World Soul begins with a dream that sent the author, Steven B. Herrmann, on a journey to analyze the "shamanic structures" of the collective unconscious that are present in the poetry and prose of America's greatest bard, Walt Whitman. From a contemporary, analytical psychological point of view, Herrmann demonstrates how Whitman speaks to age-old sociopolitical and religious questions that are highly relevant to our world today. The book discusses topics including: - Whitman's Emergence as a World-Liberating Figure - The Three Stages of American Democracy - Bi-Erotic Marriage - Whitman's Religious Vision Based on extensive research into the roots of the American mythos, this book will be essential reading for literary, political, religious, and psychological studies. Steven B. Herrmann is a Jungian writer and psychotherapist and lives with his wife in the hills of Oakland, California. Publisher's Web site: http: //www.strategicpublishinggroup.com/title/WaltWhitman-Shamanism.html

The Whitman Revolution brings together a rich collection of Betsy Erkkila’s phenomenally influential essays that have been published over the years, along with two powerful new essays. Erkkila offers a moving account of the inseparable mix of the spiritual-sexual-political in Whitman and the absolute centrality of male-male connection to his work and thinking. Her work has been at the forefront of scholarship positing that Whitman’s songs are songs not only of workers and occupations but of sex and the body, homoeroticism, and liberation. What is more, Erkkila’s writing demonstrates that this sexuality and communal impulse is central to Whitman’s revolutionary poetry and his conception of democracy itself—an insight that was all but suppressed during the mid-twentieth century emergence of American literature as a field of study. Highlights of this collection include Erkkila’s essays on pairings such as Marx and Whitman, Dickinson and Whitman, and Melville and Whitman. Across the volume, she demonstrates an international vision that highlights the place of Leaves of Grass within a global struggle for democracy. The Whitman Revolution is evidence of Erkkila’s remarkable ability to lead critical discussions, and marks an exciting event in Whitman studies.

By reconsidering Whitman not as the proletarian voice of American diversity but as a historically specific poet with roots in the antebellum lower middle class, Andrew Lawson in Walt Whitman and the Class Struggle defines the tensions and ambiguities about culture, class, and politics that underlie his poetry.Drawing on a wealth of primary sources from across the range of antebellum print culture, Lawson uses close readings of Leaves of Grass to reveal Whitman as an artisan and an autodidact ambivalently balanced between his sense of the injustice of class privilege and his desire for distinction. Consciously drawing upon the languages of both the elite culture above him and the vernacular culture below him, Whitman constructed a kind of middle linguistic register that attempted to filter these conflicting strata and defuse their tensions: “You shall not look through my eyes either, nor take things from me, / You shall listen to all sides and filter them from yourself.” By exploring Whitman's internal struggle with the contradictions and tensions of his class identity, Lawson locates the source of his poetic innovation. By revealing a class-conscious and conflicted Whitman, he realigns our understanding of the poet's political identity and distinctive use of language and thus valuably alters our perspective on his poetry.