Waiting For Jose

They live in the suburbs of Tennessee and Indiana. They fought in Vietnam and Desert Storm. They speak about an older, better America, an America that once was, and is no more. And for the past decade, they have come to the U.S. / Mexico border to hunt for illegal immigrants. Who are the Minutemen? Patriots? Racists? Vigilantes? Harel Shapira lived with the Minutemen and patrolled the border with them, seeking neither to condemn nor praise them, but to understand who they are and what they do. Challenging simplistic depictions of these men as right-wing fanatics with loose triggers, Shapira discovers a group of men who long for community and embrace the principles of civic engagement. Yet these desires and convictions have led them to a troubling place. Shapira takes you to that place--a stretch of desert in southern Arizona, where he reveals that what draws these men to the border is not simply racism or anti-immigrant sentiments, but a chance to relive a sense of meaning and purpose rooted in an older life of soldiering. They come to the border not only in search of illegal immigrants, but of lost identities and experiences.

A revealing look inside a controversial movement They live in the suburbs of Tennessee and Indiana. They fought in Vietnam and Desert Storm. They speak about an older, better America, an America that once was, and is no more. And for the past decade, they have come to the U.S. / Mexico border to hunt for illegal immigrants. Who are the Minutemen? Patriots? Racists? Vigilantes? Harel Shapira lived with the Minutemen and patrolled the border with them, seeking neither to condemn nor praise them, but to understand who they are and what they do. Challenging simplistic depictions of these men as right-wing fanatics with loose triggers, Shapira discovers a group of men who long for community and embrace the principles of civic engagement. Yet these desires and convictions have led them to a troubling place. Shapira takes you to that place—a stretch of desert in southern Arizona, where he reveals that what draws these men to the border is not simply racism or anti-immigrant sentiments, but a chance to relive a sense of meaning and purpose rooted in an older life of soldiering. They come to the border not only in search of illegal immigrants, but of lost identities and experiences. Now with a new afterword by the author, Waiting for José brings understanding to a group of people in search of lost identities and experiences.

A revealing look inside a controversial movement They live in the suburbs of Tennessee and Indiana. They fought in Vietnam and Desert Storm. They speak about an older, better America, an America that once was, and is no more. And for the past decade, they have come to the U.S. / Mexico border to hunt for illegal immigrants. Who are the Minutemen? Patriots? Racists? Vigilantes? Harel Shapira lived with the Minutemen and patrolled the border with them, seeking neither to condemn nor praise them, but to understand who they are and what they do. Challenging simplistic depictions of these men as right-wing fanatics with loose triggers, Shapira discovers a group of men who long for community and embrace the principles of civic engagement. Yet these desires and convictions have led them to a troubling place. Shapira takes you to that place—a stretch of desert in southern Arizona, where he reveals that what draws these men to the border is not simply racism or anti-immigrant sentiments, but a chance to relive a sense of meaning and purpose rooted in an older life of soldiering. They come to the border not only in search of illegal immigrants, but of lost identities and experiences. Now with a new afterword by the author, Waiting for José brings understanding to a group of people in search of lost identities and experiences.

A gorgeous and inspiring picture book based on the life of José Alberto Gutiérrez, a garbage collector in Bogotá, Colombia who started a library with a single discarded book found on his route. In the city of Bogata, in the barrio of La Nueva Gloria, there live two Joses. One is a boy who dreams of Saturdays-- that's the day he gets to visit Paradise, the library. The second Jose is a garbage collector. From dusk until dawn, he scans the sidewalks as he drives, squinting in the dim light, searching household trash for hidden treasure . . . books! Some are stacked in neat piles, as if waiting for José́. Others take a bit more digging. Ever since he found his first book, Anna Karenina, years earlier, he's been collecting books--thick ones and thin ones, worn ones and almost new ones-- to add to the collection in his home. And on Saturdays, kids like little Jose run to the steps of Paradise to discover a world filled with books and wonder. With an evocative text by a debut author, and rich, stunning illustrations from an up-and-coming Colombian illustrator, here is a celebration of perseverance, community, and the power of books.

FOREWORD BY LIN-MANUEL MIRANDA AND LUIS A. MIRANDA, JR. The true story of how José Andrés and World Central Kitchen’s chefs fed hundreds of thousands of hungry Americans after Hurricane Maria and touched the hearts of many more Chef José Andrés arrived in Puerto Rico four days after Hurricane Maria ripped through the island. The economy was destroyed and for most people there was no clean water, no food, no power, no gas, and no way to communicate with the outside world. Andrés addressed the humanitarian crisis the only way he knew how: by feeding people, one hot meal at a time. From serving sancocho with his friend José Enrique at Enrique’s ravaged restaurant in San Juan to eventually cooking 100,000 meals a day at more than a dozen kitchens across the island, Andrés and his team fed hundreds of thousands of people, including with massive paellas made to serve thousands of people alone. At the same time, they also confronted a crisis with deep roots, as well as the broken and wasteful system that helps keep some of the biggest charities and NGOs in business. Based on Andrés’s insider’s take as well as on meetings, messages, and conversations he had while in Puerto Rico, We Fed an Island movingly describes how a network of community kitchens activated real change and tells an extraordinary story of hope in the face of disasters both natural and man-made, offering suggestions for how to address a crisis like this in the future. Beyond that, a portion of the proceeds from the book will be donated to the Chef Relief Network of World Central Kitchen for efforts in Puerto Rico and beyond.

THE NATIONAL BESTSELLER “This riveting, courageous memoir ought to be mandatory reading for every American.” —Michelle Alexander, New York Times bestselling author of The New Jim Crow “l cried reading this book, realizing more fully what my parents endured.” —Amy Tan, New York Times bestselling author of The Joy Luck Club and Where the Past Begins “This book couldn’t be more timely and more necessary.” —Dave Eggers, New York Times bestselling author of What Is the What and The Monk of Mokha Pulitzer-Prize winning journalist Jose Antonio Vargas, called “the most famous undocumented immigrant in America,” tackles one of the defining issues of our time in this explosive and deeply personal call to arms. “This is not a book about the politics of immigration. This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home. After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.” —Jose Antonio Vargas, from Dear America

A day after José Ángel N. first crossed the United States border from Mexico, he was caught and then released onto the streets of Tijuana. Undeterred, N. crawled back through a tunnel to San Diego, where he entered the United States to stay. Illegal: Reflections of an Undocumented Immigrant is his timely and compelling memoir of building a new life in America. Arriving in the 1990s with a ninth grade education, N. traveled to Chicago where he found access to ESL and GED classes. He eventually attended college and graduate school and became a professional translator. Despite having a well-paying job, N. was isolated by a lack of legal documentation. Travel concerns made promotions impossible. The simple act of purchasing his girlfriend a beer at a Cubs baseball game caused embarrassment and shame when N. couldn't produce a valid ID. A frustrating contradiction, N. lived in a luxury high-rise condo but couldn't fully live the American dream. He did, however, find solace in the one gift America gave him–-his education. Ultimately, N.'s is the story of the triumph of education over adversity. In Illegal, he debunks the stereotype that undocumented immigrants are freeloaders without access to education or opportunity for advancement. With bravery and honesty, N. details the constraints, deceptions, and humiliations that characterize alien life "amid the shadows."

This one is for fans of Quentin Tarantino and of the ever-present gratuitous violence of Robert Altman. It is a direct descendant of Mickey Spillane's Mike Hammer and the mystery action pulps epitomized by Black Mask. Philip José Farmer, now one of the great living SF writers, who has published many varieties of pulp fiction, who has written novels of Tarzan, Doc Savage, and Oz, now turns his hand to the detective novel, with colorful, violent results. A self-obsessed private detective married to a sincere wiccan is hired to witness an illegal transfer of money in a rainy cemetery that goes bloody wrong. Chasing the bad guys, he ends up the prisoner of a grusome threesome in their Dogpatchy cabin in the woods. His escape involves nudity, blood, death, and a terrible snapping turtle. That's how the mystery begins, leading him through all the levels of Peoria society, geography, and history. Absurdly funny things happen continually in the peripheral vision of the story. No violence is left out. Greed, venality and hatred are unleashed. Unpleasant family history is brought to light. All the sex is offstage. The body count mounts steadily, with occasional mutilations. Nothing Burns in Hell is pulp fiction at its most gorgeously excessive.

“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today