W E B Du Boiss Data Portraits

The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."

DIVAn exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900./div

How W.E.B. Du Bois combined photographs and infographics to communicate the everyday realities of Black lives and the inequities of race in America At the 1900 Paris Exposition the pioneering sociologist and activist W.E.B. Du Bois presented an exhibit representing the progress of African Americans since the abolition of slavery. In striking graphic visualisations and photographs (taken by mostly anonymous photographers) he showed the changing status of a newly emancipated people across America and specifically in Georgia, the state with the largest Black population. This beautifully designed book reproduces the photographs alongside the revolutionary graphic works for the first time, and includes a marvelous essay by two celebrated art historians, Jacqueline Francis and Stephen G. Hall. Du Bois' hand-drawn charts, maps and graphs represented the achievements and economic conditions of African Americans in radically inventive forms, long before such data visualization was commonly used in social research. Their clarity and simplicity seems to anticipate the abstract art of the Russian constructivists and other modernist painters to come. The photographs were drawn from African American communities across the United States. Both the photographers and subjects are mostly anonymous. They show people engaged in various occupations or posing formally for group and studio portraits. Elegant and dignified, they refute the degrading stereotypes of Black people then prevalent in white America. Du Bois' exhibit at the Paris Exposition continues to resonate as a powerful affirmation of the equal rights of Black Americans to lives of freedom and fulfilment. Black Lives 1900 captures this singular work. American sociologist, historian, author, editor and activist W.E.B. Du Bois (1868-1963) was the most influential Black civil rights activist of the first half of the 20th century. He was a protagonist in the founding of the National Association for the Advancement of Colored People (NAACP) in 1909, and his 1903 bookThe Souls of Black Folk remains a classic and a landmark of African American literature.

This book provides a new interpretation of the life of W.E.B. Du Bois, one of the most important African American scholars and thinkers of the 20th century. This revealing biography captures the full life of W.E.B. Du Bois—historian, sociologist, author, editor, and a leader in the fight to bring African Americans more fully into the American landscape as well as a forceful proponent of their leaving America altogether and returning to Africa. Drawing on extensive research and including new primary documents, sidebars, and analysis, Gerald Horne and Charisse Burden-Stelly offer a portrait of this remarkable man, paying special attention to the often-overlooked radical decades at the end of Du Bois's life. The book also highlights Du Bois's relationships with and influence on civil rights activists, intellectuals, and freedom fighters, among them Booker T. Washington, Marcus Garvey, Shirley Graham Du Bois, Louise Thompson Patterson, William Alphaeus Hunton, and Martin Luther King, Jr. The biography includes a selection of primary source documents, including personal letters, speeches, poems, and newspaper articles, that provide insight into Du Bois's life based on his own words and analysis.

Amy Bass tells the compelling story of how her home region ignored its most famous son--W.E.B. Du Bois--for decades because of politics and race. A startling and important tale of social denial, of erased historical memory, and a hidden past now coming to light.

Accessible introduction to the life and times of one of the toweringfigures of the American Civil Rights movement.

The two-time Pulitzer Prize–winning biography of W. E. B. Du Bois from renowned scholar David Levering Lewis, now in one condensed and updated volume William Edward Burghardt Du Bois—the premier architect of the civil rights movement in America—was a towering and controversial personality, a fiercely proud individual blessed with the language of the poet and the impatience of the agitator. Now, David Levering Lewis has carved one volume out of his superlative two-volume biography of this monumental figure that set the standard for historical scholarship on this era. In his magisterial prose, Lewis chronicles Du Bois’s long and storied career, detailing the momentous contributions to our national character that still echo today. W.E.B. Du Bois is a 1993 and 2000 National Book Award Finalist for Nonfiction and the winner of the 1994 and 2001 Pulitzer Prize for Biography.

Whitney Battle-Baptiste outlines the basic tenets of Black feminist thought for archaeologists and shows how it can be used to improve historical archaeological practice.

Honorable Mention, 2019 MLA Prize for a First Book Sole Finalist Mention for the 2018 Lora Romero First Book Prize, presented by the American Studies Association Exposes the influential work of a group of black artists to confront and refute scientific racism. Traversing the archives of early African American literature, performance, and visual culture, Britt Rusert uncovers the dynamic experiments of a group of black writers, artists, and performers. Fugitive Science chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields—from astronomy to physiology—to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. This distinct and pioneering book will spark interest from anyone wishing to learn more on race and society.

W. E. B. Du Bois was one of the most prolific African American authors, scholars, and leaders of the twentieth century, but none of his previous biographies have so practically and comprehensively introduced the man and his impact on American history as noted historian Shawn Alexander's W. E. B. Du Bois: An American Intellectual and Activist. Alexander tells Du Bois’ story in a clear and concise manner, exploring his racial strategy, civil rights activity, journalistic career, and his role as an international spokesman. The book also captures Du Bois’s life as an historian, sociologist, artist, propagandist, and peace activist, while providing space for the voices of his chief critics: Booker T. Washington, Marcus Garvey, Walter White, the Young Turks of the NAACP—not to mention the federal government’s characterization of his ever-radicalizing beliefs, particularly after World War II. Alexander’s analysis traces the development of Du Bois' thought over time, beginning with his formative years in New England and ending with his death in Ghana. Paying significantly more attention to the many pivotal and previously unexamined intellectual moments in his life, this biography illustrates the experiences that helped bend and mold the indispensable thinker that W.E.B. Du Bois became: the kind whose crowning achievement is his continued relevance in contemporary culture, from classrooms to curbsides.